| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | [The Crying Game] The Crying Game | Boy George | 2 | 3:22 |
| 2 | [Beverly Hills Cop] The Heat Is On | Glenn Frey | 3.5 | 3:46 |
| 3 | [Beverly Hills Cop] Axel F | Harold Faltermeyer | 4.15 | 3:01 |
| 4 | [Back to the Future] The Power of Love- recording engineer:
- Jim Gaines und Robert Missbach
- assistierende(r) Techniker(in):
- Rob Beaton, Alex Haas , Tom Size und Jim “Watts” Vereecke
- zusätzliche(r) Techniker(in):
- Michael Christopher , Phil Kaffel und Malcolm Pollack
- Produzent(in):
- Bob Clearmountain, Jellybean und Huey Lewis and the News
- Mix:
- Robert Missbach
- Bassgitarre:
- Mario Cipollina
- Gitarre:
- Johnny Colla und Chris Hayes
- Keyboard:
- Sean Hopper
- Mundharmonika:
- Huey Lewis
- Perkussion und Schlagzeug:
- Bill Gibson
- Saxophon:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper und Huey Lewis
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
- aufgenommen bei:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten, Studio D Recording in Sausalito, California , Vereinigte Staaten und The Plant Studios in Sausalito, California , Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- Musikvideos:
- The Power of Love von Huey Lewis and the News
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 108)
- recording of:
- The Power of Love
- Verfasser(in):
- Johnny Colla , Chris Hayes und Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music und WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
- Teil von:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:52 |
| 5 | [Scandal] Nothing Has Been Proved | Dusty Springfield | | 4:44 |
| 6 | [Saturday Night Fever] More Than a Woman- Produzent(in):
- Freddie Perren
- Gitarre:
- Bob Bowles
- Klavier:
- Sonny Burke
- Perkussion:
- Bob Zimmitti und Paulinho da Costa
- Schlagzeug:
- James Gadson
- phonographisches Urheberrecht (℗) von:
- POLYGRAM International Music (in 1977)
- cover recording of:
- More Than a Woman
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
- recording of:
- More Than a Woman
- Verfasser(in):
- Barry Gibb, Maurice Gibb und Robin Gibb
- publisher:
- BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
| Tavares | 4.5 | 3:14 |
| 7 | [American Gigolo] Call Me- Techniker(in):
- Harold Faltermeyer
- Produzent(in):
- Giorgio Moroder
- Bassgitarre [bass]:
- Nigel Harrison (in 1980-01)
- Gitarre:
- Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
- Hybrid-Piano:
- Jimmy Destri (in 1980-01)
- Schlagzeug [drums]:
- Clem Burke (in 1980-01)
- zusätzlich Synthesizer:
- Giorgio Moroder (in 1980-01)
- Sologesang:
- Debbie Harry (in 1980-01)
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) und Capitol Records, LLC (in 2002)
- aufgenommen bei:
- Westlake Audio in Los Angeles, California , Vereinigte Staaten (in 1979) und The Power Station in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California , Vereinigte Staaten
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (Nummer: 78) und Billboard: The 500 Best Pop Songs (Nummer: 157)
- recording of:
- Call Me (in 1980-01)
- Texter:
- Deborah Harry
- Komponist(in):
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
| Blondie | 4.2 | 3:26 |
| 8 | [Easy Rider] Born to Be Wild- Produzent(in):
- Gabriel Mekler
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) und UMG Recordings, Inc. (in 1968)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 129)
- recording of:
- Born to Be Wild
- Texter und Komponist(in):
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:28 |
| 9 | [Just Like a Woman] Sisters Are Doin’ It for Themselves | Annie Lennox | | 4:49 |
| 10 | [Midnight Cowboy] Everybody’s Talkin’ | Harry Nilsson | 4 | 2:43 |
| 11 | [Midnight Cowboy] Theme | John Barry | | 2:47 |
| 12 | [The Big Chill] Joy to the World | Three Dog Night | 4.75 | 3:33 |
| 13 | [Good Morning Vietnam] The Warmth of the Sun | The Beach Boys | | 2:49 |
| 14 | [Woodstock] Woodstock | Matthews’ Southern Comfort | | 4:26 |
| 15 | [Rocky] Gonna Fly Now (Rocky’s Theme) | Bill Conti | | 2:46 |
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