The Complete Night at the Village Vanguard

~ Release by Sonny Rollins (see all versions of this release, 5 available)

Tracklist

1Digital Media
#TitleRatingLength
1A Night in Tunisia (afternoon take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Donald Bailey (jazz bassist from Baltimore) (on 1957-11-03)
drums (drum set):
Pete La Roca (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live recording of:
Night in Tunisia (instrumental) (on 1957-11-03)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
recording of:
Night in Tunisia (instrumental) (on 1957-11-03)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
7:50
2I’ve Got You Under My Skin (afternoon take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Donald Bailey (jazz bassist from Baltimore)
drums (drum set):
Pete La Roca
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
I’ve Got You Under My Skin (on 1957-11-03)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
9:58
3A Night in Tunisia (evening take)
double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live recording of:
Night in Tunisia (instrumental) (on 1957-11-03)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
recording of:
Night in Tunisia (instrumental)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
8:57
4Softly as in a Morning Sunrise (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1957-11-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
6:42
5Four (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live cover recording of:
Four (original instrumental version) (on 1957-11-03)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Four (original instrumental version)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
8:34
6Introduction 1
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
spoken vocals:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
0:29
7Woody ’n’ You (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live recording of:
Woody ’n’ You (on 1957-11-03)
composer:
Dizzy Gillespie
8:28
8Introduction 2
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
spoken vocals:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
0:43
9Old Devil Moon (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1957-11-03)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
7:53
10What Is This Thing Called Love (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1957-11-03)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
13:33
11Softly as in a Morning Sunrise (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1957-11-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
recording of:
Softly, as in a Morning Sunrise (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
7:43
12Sonnymoon for Two (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live recording of:
Sonnymoon for Two (on 1957-11-03)
composer:
Sonny Rollins (American saxophonist)
recording of:
Sonnymoon for Two
composer:
Sonny Rollins (American saxophonist)
8:37
13I Can’t Get Started (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
I Can’t Get Started (on 1957-11-03)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
44:29
14I’ll Remember April (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
I’ll Remember April (on 1957-11-03)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
recording of:
I’ll Remember April
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
9:01
15Get Happy (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
Get Happy (on 1957-11-03)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
8:55
16Striver’s Row (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass and double bass [bass]:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
recording of:
Row, Row, Row (Ziegfield Follies of 1912)
writer:
William Jerome and James V. Monaco
part of:
Oh, What a Lovely War! (stage musical)
5:52
17All the Things You Are (evening take)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1957-11-03)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
6:38
18Get Happy (evening short version)
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Wilbur Ware (on 1957-11-03)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-11-03)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-11-03)
recorded at:
Village Vanguard in Greenwich Village, New York, New York, United States (on 1957-11-03)
live instrumental recording of:
Get Happy (on 1957-11-03)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:37