100 Hits: Love (2015 version with no Al Green)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.552:44
2Moon River
produttore:
Robert Mersey
direttore d'orchestra:
Robert Mersey (il 1962-01-04)
esecutore:
Andy Williams (US pop/jazz vocalist) (il 1962-01-04)
arrangiatore:
Robert Mersey
registrazione cover di:
Moon River (il 1962-01-04)
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Andy Williams12:46
3Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
4Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-12-03) e The Ray Charles Singers (il 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-12-03)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments (il 1957-12-03)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.152:40
5I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:53
6My Girl
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
My Girl (nel 1965-07)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Otis Redding3.82:56
7When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
8You’ll Never Get to Heaven If You Break My Heart
registrazione di:
You’ll Never Get to Heaven (If You Break My Heart)
paroliere:
Hal David
compositore:
Burt Bacharach
Dionne Warwick3:20
9Love… Thy Will Be Done
tecnico di registrazione:
Michael Cruz (pop producer/writer), Michael Koppelman (Minneapolis producer and engineer) e Michael McDonald (engineer)
programmazione:
Jeffery (C.J.) Vanston
produttore:
Paisley Park (Prince, “The Artist Formerly Known as…”)
produttore aggiunto:
Martika (American singer‐songwriter and actress)
tecnico di missaggio:
Bob Rosa
voce di accompagnamento:
Martika (American singer‐songwriter and actress) e Rahsaan Patterson
voce principale:
Martika (American singer‐songwriter and actress)
arrangiatore sintetizzatore aggiunto:
Jeffery (C.J.) Vanston
arrangiatore:
Paisley Park (Prince, “The Artist Formerly Known as…”)
registrata presso:
Paisley Park Studios in Chanhassen, Minnesota, Stati Uniti (nel 1991) e Trax Recording Studios in Los Angeles, California, Stati Uniti (nel 1991)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Love… Thy Will Be Done (nel 1991)
autore:
Martika (American singer‐songwriter and actress) e Prince (“The Artist Formerly Known as…”)
editore:
BMG Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (, nel 1991), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1991), Girlsongs (publisher) (nel 1991) e Tika Tunes (publisher) (nel 1991)
Martika5:05
10Close the Door
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
registrazione di:
Close the Door
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:27
11Love Hurts
registrazione di:
Love Hurts (il 1960-07-13)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Everly Brothers2:21
12Through the Barricades
assistente tecnico:
Stephen Wissnet
tecnico:
Gary Langan
produttore:
Gary Langan e Spandau Ballet
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
batteria :
John Keeble
chitarra :
Gary Kemp
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
tastiera :
Toby Chapman
voce di accompagnamento:
Ruby James (L.A-based singer/songwriter), Shirley Lewis e Helena Springs
voce principale:
Tony Hadley
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1986) e Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso e mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
registrazione di:
Through the Barricades
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet35:49
13Best Thing That Ever Happened to Me
registrazione cover di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
14I'm Stone In Love With You
produttore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1974)
registrazione cover di:
I’m Stone in Love With You
compositore:
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America
Johnny Mathis3:33
15To the Moon and Back
produttore:
Charles Fisher (Australian producer)
tecnico di missaggio:
Chris Lord‐Alge
mixata presso:
Gotham Studios in Melbourne, Victoria, Australia
registrazione di:
To the Moon and Back
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden4.655:43
16The Very Thought of You
produttore:
Andre Fischer (US drummer and funk/soul/pop producer)
tecnico di missaggio:
Al Schmitt
basso :
Andy Simpkins
batteria :
Harold Jones (jazz drummer)
pianoforte :
Clare Fischer
voce:
Natalie Cole
arrangiatore aggiunto:
Clare Fischer
orchestratore:
Michel Legrand
diritti fonografici (℗) detenuti da:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (nel 1991)
mixata presso:
Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
The Very Thought of You
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
Natalie Cole4:18
17Chanson d’amour
registrazione di:
Chanson d’amour (1958 song)
paroliere e compositore:
Wayne Shanklin
editore:
Carlin Music e Intersong (publisher) (nel 1982)
The Manhattan Transfer2:58
18How Wonderful You Are
registrazione di:
How Wonderful You Are
paroliere e compositore:
Gordon Haskell
editore:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell3:58
19What Becomes of the Broken Hearted
assistente tecnico:
Dean Murphy (engineer) e Barrie Steele
tecnico:
Peter Day
produttore:
Matt Aitken e Mike Stock (of Stock Aitken Waterman)
tecnico di missaggio:
Dave Ford (remixer, producer & technician known for work with SAW)
voce:
Jerome Flynn e Robson Green
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (nel 1996)
registrazione cover di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Robson & Jerome3:23
20I Will Always Love You
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1973-06-13) e Buck Trent (il 1973-06-13)
basso :
Bobby Dyson (il 1973-06-13)
batteria :
Ralph Gallant (il 1973-06-13)
chitarra :
Jimmy Colvard (American session guitarist) (il 1973-06-13), Dave Kirby (US country singer/songwriter) (il 1973-06-13) e Dolly Parton (il 1973-06-13)
chitarra steel :
Stu Basore (il 1973-06-13)
pianoforte :
Hargus "Pig" Robbins (il 1973-06-13)
violino folk :
Johnny Gimble (il 1973-06-13) e Mack Magaha (Bluegrass Fiddler) (il 1973-06-13)
voce:
Dolly Parton (il 1973-06-13)
voce di accompagnamento:
Joe Babcock (il 1973-06-13), Dolores Edgin (il 1973-06-13), June Page (il 1973-06-13) e Hurshel Wiginton (il 1973-06-13)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1973-06-13)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 34)
registrazione di:
I Will Always Love You (il 1973-06-13)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton3.552:55
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parte di:100 Hits (UK Demon Music Group) (numero: 5) (ordine: 37)
100 Hits (UK Demon Music Group) (numero: 155) (ordine: 122)