The Sunday Times Music Collection: Renaissance

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Regina coeli laetare
choir vocals:
Choir of Trinity College, Cambridge
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Regina coeli laetare (unspecified version, 7 possibilities)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
version of:
Regina coeli laetare à 4, S. i, 81
version of:
Regina coeli laetare à 5, S. v, 106
version of:
Regina coeli laetare à 5, S. v, 109
version of:
Regina coeli laetare à 5, S. v, 112
version of:
Regina coeli laetare à 6, S. xiii, 118
version of:
Regina coeli laetare à 6, S. xiii, 122
version of:
Regina coeli laetare à 7, S. xix, 84
Orlande de Lassus2:52
2Timor et tremor
choir vocals:
Choir of Trinity College, Cambridge
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Timor et tremor
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xix/6)
Orlande de Lassus6:14
3Dixit Dominus
theorbo:
Paula Chateauneuf (Lute & theorbo player)
choir vocals:
Choir of Trinity College, Cambridge
conductor:
Richard Marlow (English choral conductor and organist)
phonographic copyright (℗) by:
Conifer Records Ltd. (not for release label use!) (in 1993)
recording of:
Selva morale e spirituale: Dixit Dominus II a 8 [Psalm 109] SV 264
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 264)
part of:
Selva morale e spirituale
Claudio Monteverdi7:01
4Or soit loué l’Eternel
organ:
Silas Standage (composer/harpsichordist/organist (né Silas Standage))
viola da gamba:
Angela East (cellist)
violone:
Elizabeth Bradley (double bass)
choir vocals:
Choir of Trinity College, Cambridge
conductor and chorus master:
Richard Marlow (English choral conductor and organist)
recording of:
Livre troisieme des pseaumes de David : 30. Pseaume 150 : Or soit loué l’Eternel
additional composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Jan Pieterszoon Sweelinck (composer and organist)
librettist:
Theodore Beza
Jan Pieterszoon Sweelinck7:19
5This is the record of John
choir vocals:
Choir of Trinity College, Cambridge
countertenor vocals:
Reiner Schneider-Waterberg
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
This is the record of John
composer:
Orlando Gibbons (composer)
Orlando Gibbons4:29
6In darknesse let mee dwell
lute:
Jakob Lindberg (lutenist)
soprano vocals:
Christina Högman (soprano)
recording of:
In Darkness Let Me Dwell (A Musicall Banquet, No. 10: “In Darkness Let Me Dwell”)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) (in 1610)
John Dowland3:47
7Lachrimae antiquae
lute:
Jakob Lindberg (lutenist) (from 1985-12-12 until 1985-12-15)
choir vocals:
The Dowland Consort
orchestra:
The Dowland Consort
conductor:
Jakob Lindberg (lutenist)
performer:
The Dowland Consort (from 1985-12-12 until 1985-12-15)
recording of:
Lachrimæ, or Seaven Teares: Lachrimae Antiquae (from 1985-12-12 until 1985-12-15)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans)
John Dowland3:59
8Warum toben die Heiden?
brass:
His Majestys Sagbutts and Cornetts (British early music group)
choir vocals:
Choir of Trinity College, Cambridge
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Warum toben die Heiden (Psalm 2), SWV 23 (Psalmen Davids)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 23)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz4:20

Credits

Release group

part of:The Music Collection (The Sunday Times) (number: 7) (order: 7)