The Complete Recordings

~ Release by Mahler; Philharmonia Orchestra, Giuseppe Sinopoli (see all versions of this release, 1 available)

Tracklist

1▶CD: Das klagende Lied
2▶CD: Symphony nos. 1 & 2
3▶CD: Symphony no. 2
4▶CD: Symphony no. 3
5▼CD: Symphony no. 3 / Lieder eines fahrenden Gesellen / Sechs frühe Lieder
#TitleArtistRatingLength
1Symphony no. 3: Part II: IV. Sehr langsam. Misterioso. Durchaus ppp. "O Mensch! Gib acht!"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (mezzo soprano) (in 1994-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1994-02)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler11:06
2Symphony no. 3: Part II: V. Lustig im Tempo und keck im Ausdruck "Bimm Bamm! Es sungen drei Engel einen süßen Gesang"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (mezzo soprano) (in 1994-02)
choir vocals:
New London Children’s Choir (in 1994-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:03
3Symphony no. 3: Part II: VI. Langsam. Ruhevoll. Empfunden
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler23:04
4Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:48
5Lieder eines fahrenden Gesellen: II. "Ging heut' morgen übers Feld"
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:22
6Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:23
7Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen"
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:57
8Sechs frühe Lieder: I. "Selbstgefühl"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Selbstgefühl (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XIV. Selbstgefühl (for voice and piano)
Gustav Mahler1:58
9Sechs frühe Lieder: II. "Frühlingsmorgen"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Frühlingsmorgen (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano)
Gustav Mahler2:35
10Sechs frühe Lieder: III. "Nicht wiedersehen"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Nicht wiedersehen (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XIII. Nicht wiedersehen (for voice and piano)
Gustav Mahler5:46
11Sechs frühe Lieder: IV. "Zu Straßburg auf der Schanz"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Zu Straßburg auf der Schanz (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: X. Zu Straßburg auf der Schanz (for voice and piano)
Gustav Mahler3:59
12Sechs frühe Lieder: V. "Ablösung im Sommer"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Ablösung im Sommer (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
Gustav Mahler1:33
13Sechs frühe Lieder: VI. "Um schlimme Kinder artig zu machen"
producer:
Wolfgang Stengel
baritone vocals:
Bernd Weikl (baritone) (in 1985-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen (orch. Byrns) (in 1985-01)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano)
Gustav Mahler1:43
6▶CD: Symphony no. 4
7▶CD: Symphony no. 5
8▶CD: Symphony no. 6: I - III
9▶CD: Symphony no. 6: IV / Kindertotenlieder
10▶CD: Symphony no. 7: I - III
11▶CD: Symphony no. 7: IV - V / Symphony no. 8, Part I
12▶CD: Symphony no. 8, Part II
13▶CD: Das Lied von der Erde
14▶CD: Symphony no. 9: I - II
15▶CD: Symphony no. 9: III - IV / Adagio from Symphony no. 10

Credits

Release

part of:Collectors Edition (Deutsche Grammophon & Decca Classics) (order: 3)
discography entry:http://deutschegrammophon.com/gb/cat/4714512 [info]