100 Greatest Australian Singles of the ’60s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Little Boy Lost
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1960)
recording of:
Little Boy Lost
Verfasser(in):
Johnny Ashcroft und Tony Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Universal/MCA Music Publishing Pty Ltd
Johnny Ashcroft?:??
2Little Boy Sad
phonographisches Urheberrecht (℗) von:
Go!! (in 1965)
recording of:
Little Boy Sad
Verfasser(in):
Wayne Walker
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
M.P.D. Limited?:??
3Living in a Child’s Dream
phonographisches Urheberrecht (℗) von:
Masters Apprentices Pty Limited (in 1967)
recording of:
Living in a Child's Dream
Texter und Komponist(in):
Mick Bower
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Master's Apprentices?:??
4Louie Louie
phonographisches Urheberrecht (℗) von:
The Pink Finks (in 1965)
recording of:
Louie Louie
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Pink Finks?:??
5Love Machine
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1968)
recording of:
Love Machine
Texter und Komponist(in):
Billy Griffin und Warren Moore
Horn und Saiteninstrumente arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Pastoral Symphony?:??
6Magic Eyes
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1967)
recording of:
Magic Eyes
Verfasser(in):
Kevin Peek, Alan Tarney und Robert ‘RJ’ Taylor
publisher:
Mushroom Music Pty. Ltd.
James Taylor Move?:??
7Midnight Bus
phonographisches Urheberrecht (℗) von:
Betty McQuade (in 1961)
recording of:
Midnight Bus
Texter und Komponist(in):
John D. Loudermilk
publisher:
Southern Music Publishing Co. (publishing company) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Betty McQuade?:??
8Minnie the Moocher
phonographisches Urheberrecht (℗) von:
Go!! (in 1967)
recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
The Cherokees?:??
9Move Baby Move
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2008)
recording of:
Move Baby Move
Verfasser(in):
Wes Farrell und Matt Maurer
publisher:
EMI Davis Music Australia Pty Limited und Universal/MCA Music Publishing Pty Ltd
Johnny O’Keefe?:??
10Movin’ Man
phonographisches Urheberrecht (℗) von:
Buddy England (UK‐born Australian singer) (in 1967)
recording of:
Movin’ Man
Verfasser(in):
Phil Barr (songwriter) und Billy Meshel (songwriter)
publisher:
Hawk Music Australia
Buddy England?:??
11My Old Man’s a Groovy Old Man
phonographisches Urheberrecht (℗) von:
Fable Records (in 1970)
recording of:
My Old Man's a Groovy Old Man
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd.
The Valentines?:??
12Needle in a Haystack
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1966)
recording of:
Needle in a Haystack
Verfasser(in):
N. Whitfield und W. Stevenson (Motown songwriter)
publisher:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Jobete Music (UK) Ltd.
The Twilights?:??
13Of Hopes and Dreams and Tombstones
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1966)
recording of:
Of Hopes and Dreams and Tombstones
Komponist(in):
Joy Byers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Australia Pty. Ltd.
The Purple Hearts?:??
14Oh, Monah
phonographisches Urheberrecht (℗) von:
Go!! (in 1965)
recording of:
Oh! Mo'nah
Verfasser(in):
Country Washburne und Ted Weems
Komponist(in):
Joe Washburne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Australia Pty. Ltd.
The Cherokees?:??
15Ooh La La
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1966)
recording of:
Ooh La La
Verfasser(in):
Mickey Keen und Robin Shaw
publisher:
Southern Music Publ. Co. (A'Asia)
Normie Rowe?:??
16One
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1969)
recording of:
One
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Australia Pty. Ltd.
Johnny Farnham?:??
17Over the Rainbow
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1964)
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Billy Thorpe & the Aztecs?:??
18Poison Ivy
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1994)
recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
Billy Thorpe & the Aztecs?:??
19Pride
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1988)
recording of:
Pride
Verfasser(in):
John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Wallaby Music Pty. Limited
Ray Brown & the Whispers?:??
20Que sera sera
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1965)
cover recording of:
Que será, será (Whatever Will Be, Will Be)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Normie Rowe & The Playboys?:??
21Rachael
phonographisches Urheberrecht (℗) von:
Go!! (in 1966)
recording of:
Rachael
Texter und Komponist(in):
Hans Poulsen
publisher:
Universal/MCA Music Publishing Pty Ltd
18th Century Quartet?:??
22Royal Telephone
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1963)
recording of:
Royal Telephone
Verfasser(in):
Robert H. Iredal (Australian producer), Hal Saunders und Tycho Thomas
publisher:
EMI Belinda Music Australia Pty. Ltd.
Jimmy Little?:??
23Sadie the Cleaning Lady
phonographisches Urheberrecht (℗) von:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2011)
recording of:
Sadie the Cleaning Lady
Verfasser(in):
Ray Gilmore, John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Universal/MCA Music Publishing Pty Ltd
John Farnham?:??
24Shakin’ All Over
phonographisches Urheberrecht (℗) von:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1965)
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Normie Rowe & The Playboys?:??
25She’s So Fine
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1965)
recording of:
She’s So Fine
Verfasser(in):
Stevie Wright und George Young (Australian musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son P/L und J. Albert & Son Pty. Ltd.
The Easybeats?:??
4▶CD

Nennungen

Veröffentlichung

liner notes:David N. Pepperell
Colin Talbot
Produzent(in):David Laing (album compiler)
mastering:Warren Barnett
Zusammensteller:David N. Pepperell
Colin Talbot
design:Ellen Yan Cheng
hergestellt von und vertrieben von:Warner Music Australia (AU subsidiary of Warner Music International since 1988)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2015)
vermarkted von:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
produced for:Festival Records (Australian)
Discogs:https://www.discogs.com/release/7824641 [Info]