Catch Without Arms

~ Release by dredg (see all versions of this release, 7 available)

Annotation

Additional credits that aren't relationships:
Management by: Bret Bair & Michele Abreim for The MGMT. Company
Interscope A&R: Ben Gordon & MArk Williams
Interscope Marketing Director: Christian Clancy
Interscope marketing Coordinator: Kelly Sato
Interscope Publicity: Hillary Siskind
Interscope Production Coordinator: Les Scurry
Interscope New Media: Ingrid Erickson
Business Management: David Rawson @ Zeisler, Zeisler & Rawson

Annotation last modified on 2022-10-16 23:05 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Ode to the Sun
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Ode to the Sun
writer:
Chris DeGarmo and dredg
publisher:
Observing Non‐Existent Music
44:12
2Bug Eyes
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Bug Eyes
writer:
dredg
publisher:
Observing Non‐Existent Music
54:14
3Catch Without Arms
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Catch Without Arms
writer:
dredg
publisher:
Observing Non‐Existent Music
44:11
4Not That Simple
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Not That Simple
writer:
dredg
publisher:
Observing Non‐Existent Music
44:56
5Zebraskin
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Zebraskin
writer:
dredg
publisher:
Observing Non‐Existent Music
43:27
6The Tanbark Is Hot Lava
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
The Tanbark Is Hot Lava
writer:
dredg
publisher:
Observing Non‐Existent Music
43:46
7Sang Real
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Sang Real
writer:
dredg
publisher:
Observing Non‐Existent Music
44:29
8Planting Seeds
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
additional vocals:
Nathan Calvin
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Planting Seeds
writer:
dredg
publisher:
Observing Non‐Existent Music
44:13
9Spitshine
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Spitshine
writer:
Chris DeGarmo and dredg
publisher:
Observing Non‐Existent Music
43:34
10Jamais vu
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Jamais vu
writer:
dredg
publisher:
Observing Non‐Existent Music
44:56
11Hung Over on a Tuesday
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Hungover on a Tuesday
writer:
dredg
publisher:
Observing Non‐Existent Music
44:06
12Matroshka (The Ornament)
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
medley including a recording of:
Matroshka
writer:
dredg
publisher:
Observing Non‐Existent Music
medley including a partial instrumental recording of:
The Ornament
writer:
dredg
publisher:
Observing Non‐Existent Music
45:49
13Uplifting News
assistant recording engineer:
Floyd Reitsma
recording engineer, producer and mixer:
Terry Date (American record producer and engineer)
additional engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
audio engineer:
Sam Hofstedt, Scott Olsen and Floyd Reitsma
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2005)
recorded at:
Studio Litho in Seattle, Washington, United States
mixed at:
Studio X in Seattle, Washington, United States
recording of:
Uplifting News
writer:
dredg
publisher:
Observing Non‐Existent Music
3:22

Credits

Release

art direction and graphic design:Morning Breath
legal representation:Ian Montone (legal)
booking:Jenna Adler (booking agent)
Marlene Tsuchii (booking agent)
mastering:Ted Jensen (American mastering engineer)
additional arranger:Chris DeGarmo
illustration:cookieclock©
rights society:ASCAP (USA rights society; do not use this as a label or work publisher!)
BIEM (international rights organization representing member societies from 58 countries)
SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyrighted (©) by and phonographic copyright (℗) by:Interscope Records (part of UMG Recordings, Inc.) (in 2005)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/1138282 [info]
ASIN:DE: B0009VJZ4C [info]