Weihnachts-Oratorium BWV 248

~ Release by Johann Sebastian Bach; Thomanerchor Leipzig, Gewandhausorchester Leipzig, Barbara Schlick, Christoph Prégardien, Klaus Mertens, Georg Christoph Biller (see all versions of this release, 1 available)

Tracklist

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1Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.36 Chor: „Fallt mit Danken, fallt mit Loben“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
2Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.37 Evangelist: „Und da acht Tage um waren“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
3Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.38 Rezitativ (Baß): „Immanuel, o süßes Wort!“ — Arioso (Sopran, Baß): „Jesu, du mein liebstes Leben“ — „Komm! Ich will dich mit Lust umfassen“
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:32
4Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.39 Aria (Sopran, Echo): „Flößt, mein Heiland, flößt dein Name“
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:52
5Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.40 Rezitativ (Baß): „Wohlan, dein Name soll allein“ — Arioso (Sopran): „Jesu, meine Freud und Wonne“
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:31
6Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.41 Aria (Tenor): „Ich will nur dir zu Ehren leben“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:00
7Weihnachts-Oratorium, BWV 248: 4. Teil: Am Neujahrstage / Nr.42 Choral: „Jesus richte mein Beginnen“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:02
8Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.43 Chor: „Ehre sei dir, Gott, gesungen“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:02
9Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.44 Evangelist: „Da Jesus geboren war zu Bethlehem“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
10Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.45 Chor: „Wo ist der neugeborne König der Juden?“ — Rezitativ (Alt): „Sucht ihn in meiner Brust“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:55
11Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.46 Choral: „Dein Glanz all Finsternis verzehrt“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
12Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.47 Aria (Baß): „Erleucht auch meine finstre Sinnen“
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:09
13Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.48 Evangelist: „Da das der König Herodes hörte“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
14Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.49 Rezitativ (Alt): „Warum wollt ihr erschrecken?“
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
15Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.50 Evangelist: „Und ließ versammeln alle Hohepriester“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:32
16Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.51 Terzett (Sopran, Alt, Tenor): „Ach, wann wird die Zeit erscheinen?“
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
17Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.52 Rezitativ (Alt): „Mein Liebster herrschet schon“
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
18Weihnachts-Oratorium, BWV 248: 5. Teil: Am Sonntage nach Neujahr / Nr.53 Choral: „Zwar ist solche Herzensstube“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
19Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.54 Chor: „Herr, wenn die stolzen Feinde schnauben“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:12
20Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.55 Evangelist: „Da berief Herodes die Weisen heimlich“ — Herodes: „Siehet hin und forschet fleißig“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
21Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.56 Rezitativ (Sopran): „Du Falscher, suche nur den Herrn zu fällen“
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
22Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.57 Aria (Sopran): „Nur ein Wink von seinen Händen“
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:30
23Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.58 Evangelist: „Als sie nun den König gehöret hatten“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:14
24Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.59 Choral: „Ich steh an deiner Krippen hier“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
25Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.60 Evangelist: „Und Gott befahl ihnen im Traum“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
26Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.61 Rezitativ (Tenor): „So geht! Genug, mein Schatz geht nicht von hier“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
27Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.62 Aria (Tenor): „Nun mögt ihr stolzen Feinde schrecken“
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:22
28Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.63 Rezitativ (Sopran, Alt, Tenor, Baß): „Was will der Hölle Schrecken nun?“
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:35
29Weihnachts-Oratorium, BWV 248: 6. Teil: Am Feste der Erscheinung Christi / Nr.64 Choral: „Nun seid ihr wohl gerochen“
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:54

Credits

Release

recorded at:Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (on 1998-12-12)
Discogs:https://www.discogs.com/release/9509260 [info]
ASIN:DE: B000031WM3 [info]