Mastermix Classic Cuts 94: Early Soul

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Walking in Rhythm
registrazione di:
Walking in Rhythm
paroliere e compositore:
Barney Perry
The Blackbyrds52:53
2Chain Gang
produttore:
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore e Hugo Peretti
chitarra :
Clifton White
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”)
direttore d'orchestra:
Glenn Osser
registrata in aggiunta presso:
RCA Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1960-04-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 37)
registrazione di:
Chain Gang (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke32:33
3Could It Be I'm Falling in Love
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:34
4Reach Out I'll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:59
5I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
6Oh Happy Day
registrazione di:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
paroliere:
Philip Doddridge
compositore:
Edward Francis Rimbault (nel 1854)
arrangiatore:
Edwin Hawkins (nel 1967)
editore:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
arrangiamento di:
Oh Happy Day
versione di:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers45:10
7Behind a Painted Smile
registrazione di:
Behind a Painted Smile
autore:
Ivy Jo Hunter e Beatrice Verdi
editore:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:44
8Breaking Down the Walls of Heartache
Johnny Johnson & The Bandwagon2:37
9I'll Pick a Rose for My Rose
registrazione di:
I’ll Pick a Rose for My Rose
autore:
James Dean (US soul songwriter), Marv Johnson e William Weatherspoon
editore:
Jobete Music (UK) Ltd.
Marv Johnson2:40
10Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:01
11Baby Dont Change Your Mind
registrazione cover di:
Baby Don’t Change Your Mind
paroliere e compositore:
Van McCoy
Gladys Knight & the Pips3.653:14
12Mr Big Stuff
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 34) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 398)
registrazione di:
Mr. Big Stuff
autore:
Joseph Broussard, Carrol Washington e Ralph Williams (US soul composer)
editore:
Caraljo Music Inc., Malaco Music Company e Peermusic III, Ltd. (BMI)
Jean Knight52:46
13Kiss and Say Goodbye
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans4:28
14Girls
produttore:
Al Goodman (US 70s R&B singer/producer) e Harry Ray
registrazione di:
Girls
autore:
Venus Dodson (Jazz singer), Al Goodman (US 70s R&B singer/producer) e Harry Ray
Moments and Whatnauts23:13
15I'm Doing Fine Now
registrazione di:
I’m Doin’ Fine Now
autore:
Thom Bell (keyboards, songwriter, producer) e Sherman Marshall
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:58
16Backstabbers
tecnico di registrazione:
Joe Tarsia (engineer) (nel 1972)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:05
17Third Finger Left Hand
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Third Finger, Left Hand
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Stone Agate Music Division
Martha and the Vandellas2:48
18I Second That Emotion
chitarra :
Marvin Tarplin (il 1967-09-21)
strumenti:
The Funk Brothers (il 1967-09-21)
voce di accompagnamento:
Warren “Pete” Moore (il 1967-09-21), Claudette Robinson (il 1967-09-21), Bobby Rogers (il 1967-09-21) e Ronald White (soul singer, founding member of The Miracles) (il 1967-09-21)
voce principale:
Smokey Robinson (il 1967-09-21)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-09-21)
registrazione di:
I Second That Emotion (il 1967-09-21)
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:43
19Farewell Is a Lonely Sound
registrazione di:
Farewell Is a Lonely Sound
autore:
James Dean (US soul songwriter), Jack Goga e William Weatherspoon
Jimmy Ruffin3:01
20Ain't Nothin' but a Houseparty
parte di:
Cachitos Nochevieja 2022 (numero: 27)
registrazione di:
Ain’t Nothing but a House Party
autore:
Dell Sharh (Del Sharh) e Joseph David Thomas
editore:
Dandelion Music Co.
The Show Stoppers2:38
21My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:39
22Automatically Sunshine
produttore:
Smokey Robinson
produttore esecutivo:
Berry Gordy
voce principale:
Jean Terrell e Mary Wilson
arrangiatore:
Paul Riser
registrazione di:
Automatically Sunshine
paroliere e compositore:
Will Robinson (songwriter & producer, Nashville)
The Supremes2:39
23Nathan Jones
produttore:
Frank Wilson (Motown singer/songwriter)
voce principale:
Jean Terrell
arrangiatore:
David Van dePitte e Jerry Long (Motown songwriter Jerry Long, Sr.)
registrazione di:
Nathan Jones
paroliere e compositore:
Leonard Caston (father of Leonard "Lenny" Caston jr.) e Kathy Wakefield (singer, songwriter)
autore:
Lenny Caston (son of Leonard Caston)
editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (nel 1971), Stone Agate Music Division (nel 1971), Jobete Music (appears also as: Jobete Msc.) (nel 1988) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes3:02
24You Little Trustmaker
registrazione di:
You Little Trustmaker
paroliere e compositore:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:48
25Yester Me, Yester You, Yesterday
produttore:
Johnny Bristol e Harvey Fuqua
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione di:
Yester‐Me, Yester‐You, Yesterday
autore:
Ron Miller (Motown songwriter Ronald Norman Miller) e Bryan Wells
editore:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:05

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parte di:Mastermix Classic Cuts (numero: 94) (ordine: 94)