Keep On Flippin’ (Vol. III 1952)

~ Release by Flip Phillips (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Goodbye
recorded in:
San Francisco, California, United States (in 1952-02)
baritone saxophone:
Jerome Richardson (in 1952-02)
bass:
Vernon Alley (in 1952-02)
drums (drum set):
Earl Watkins (in 1952-02)
piano:
Richard Wyands (in 1952-02)
tenor saxophone:
Flip Phillips (in 1952-02)
trombone:
Charlie Etter (in 1952-02)
trumpet:
Allen Smith (trumpet) (in 1952-02)
3:35
2Salute to Pres
recorded in:
San Francisco, California, United States (in 1952-02)
baritone saxophone:
Jerome Richardson (in 1952-02)
bass:
Vernon Alley (in 1952-02)
drums (drum set):
Earl Watkins (in 1952-02)
piano:
Richard Wyands (in 1952-02)
tenor saxophone:
Flip Phillips (in 1952-02)
trombone:
Charlie Etter (in 1952-02)
trumpet:
Allen Smith (trumpet) (in 1952-02)
2:51
3Swedish Pastry
recorded in:
San Francisco, California, United States (in 1952-02)
baritone saxophone:
Jerome Richardson (in 1952-02)
bass:
Vernon Alley (in 1952-02)
drums (drum set):
Earl Watkins (in 1952-02)
piano:
Richard Wyands (in 1952-02)
tenor saxophone:
Flip Phillips (in 1952-02)
trombone:
Charlie Etter (in 1952-02)
trumpet:
Allen Smith (trumpet) (in 1952-02)
recording of:
Swedish Pastry (in 1952-02)
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
3:16
4Undecided
recorded in:
San Francisco, California, United States (in 1952-02)
baritone saxophone:
Jerome Richardson (in 1952-02)
bass:
Vernon Alley (in 1952-02)
drums (drum set):
Earl Watkins (in 1952-02)
piano:
Richard Wyands (in 1952-02)
tenor saxophone:
Flip Phillips (in 1952-02)
trombone:
Charlie Etter (in 1952-02)
trumpet:
Allen Smith (trumpet) (in 1952-02)
2:56
5Someone to Watch Over Me
recorded in:
New York, New York, United States (in 1952-03)
alto saxophone:
Charlie Kennedy (saxophonist) (in 1952-03)
baritone saxophone:
Cecil Payne (in 1952-03)
bass:
Clyde Lombardi (in 1952-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1952-03)
guitar:
Freddie Green (in 1952-03)
piano:
Mickey Crane (in 1952-03)
tenor saxophone:
Flip Phillips (in 1952-03)
trombone:
Bill Harris (jazz trombonist) (in 1952-03)
trumpet:
Al Porcino (in 1952-03)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1952-03)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:06
6I’m Puttin’ All My Eggs in One Basket
recorded in:
New York, New York, United States (in 1952-03)
alto saxophone:
Charlie Kennedy (saxophonist) (in 1952-03)
baritone saxophone:
Cecil Payne (in 1952-03)
bass:
Clyde Lombardi (in 1952-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1952-03)
guitar:
Freddie Green (in 1952-03)
piano:
Mickey Crane (in 1952-03)
tenor saxophone:
Flip Phillips (in 1952-03)
trombone:
Bill Harris (jazz trombonist) (in 1952-03)
trumpet:
Al Porcino (in 1952-03)
instrumental recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (in 1952-03)
lyricist and composer:
Irving Berlin (in 1936)
2:57
7Singin’ in the Rain
recorded in:
New York, New York, United States (in 1952-03)
alto saxophone:
Charlie Kennedy (saxophonist) (in 1952-03)
baritone saxophone:
Cecil Payne (in 1952-03)
bass:
Clyde Lombardi (in 1952-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1952-03)
guitar:
Freddie Green (in 1952-03)
piano:
Mickey Crane (in 1952-03)
tenor saxophone:
Flip Phillips (in 1952-03)
trombone:
Bill Harris (jazz trombonist) (in 1952-03)
trumpet:
Al Porcino (in 1952-03)
instrumental recording of:
Singin’ in the Rain (in 1952-03)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
2:58
8Gina
recorded in:
New York, New York, United States (in 1952-03)
alto saxophone:
Charlie Kennedy (saxophonist) (in 1952-03)
baritone saxophone:
Cecil Payne (in 1952-03)
bass:
Clyde Lombardi (in 1952-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1952-03)
guitar:
Freddie Green (in 1952-03)
piano:
Mickey Crane (in 1952-03)
tenor saxophone:
Flip Phillips (in 1952-03)
trombone:
Bill Harris (jazz trombonist) (in 1952-03)
trumpet:
Al Porcino (in 1952-03)
2:46
9Empty Ballroom Blues
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
J.C. Heard (in 1952-06)
guitar:
Nick Exposito (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trombone:
Bennie Green (jazz trombonist) (in 1952-06)
2:33
10Cherry
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
J.C. Heard (in 1952-06)
guitar:
Nick Exposito (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trombone:
Bennie Green (jazz trombonist) (in 1952-06)
2:27
11San Francisco Blues
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
J.C. Heard (in 1952-06)
guitar:
Nick Exposito (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trombone:
Bennie Green (jazz trombonist) (in 1952-06)
2:49
12Love Is Just Around the Corner
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
J.C. Heard (in 1952-06)
guitar:
Nick Exposito (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trombone:
Bennie Green (jazz trombonist) (in 1952-06)
instrumental recording of:
Love Is Just Around the Corner (in 1952-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Lewis E. Gensler
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
2:52
13If I Had You
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
Alvin Stoller (in 1952-06)
guitar:
Barney Kessel (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trumpet:
Charlie Shavers (in 1952-06)
instrumental recording of:
If I Had You (jazz standard) (in 1952-06)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
2:52
14Cottontail
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
Alvin Stoller (in 1952-06)
guitar:
Barney Kessel (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trumpet:
Charlie Shavers (in 1952-06)
instrumental recording of:
Cotton Tail (in 1952-06)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:11
15Blues for Midgets
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
Alvin Stoller (in 1952-06)
guitar:
Barney Kessel (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trumpet:
Charlie Shavers (in 1952-06)
3:15
16What Is This Thing Called Love?
recorded in:
Los Angeles, California, United States (in 1952-06)
bass:
Ray Brown (jazz bassist) (in 1952-06)
drums (drum set):
Alvin Stoller (in 1952-06)
guitar:
Barney Kessel (in 1952-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-06)
tenor saxophone:
Flip Phillips (in 1952-06)
trumpet:
Charlie Shavers (in 1952-06)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-06)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
3:19
17Carioca
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
2:30
18Three Little Words
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
instrumental recording of:
Three Little Words
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
2:42
19Sleepy Head
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
3:10
20Bugle Call Rag
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
recording of:
Bugle Call Rag (in 1952-12)
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
3:06
21Take the “A” Train
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
recording of:
Take the “A” Train (original instrumental version) (in 1952-12)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
2:55
22I Didn’t Know What Time It Was
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1952-12)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:16
23Trio Boogie
recorded in:
New York, New York, United States (in 1952-12)
drums (drum set):
Buddy Rich (in 1952-12)
piano:
Hank Jones (piano) (in 1952-12)
tenor saxophone:
Flip Phillips (in 1952-12)
3:17