Essential Puccini

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Titelliste

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Nr.TitelBewertungLänge
1La bohème: “Che gelida manina”
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:40
2La bohème: “Sì, mi chiamano Mimì”
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:18
3Madama Butterfly: “Dovunque al mondo”
Baritongesang [Sharpless]:
Robert Kerns (baritone)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:31
4Madama Butterfly: “Un bel dì vedremo”
recording engineer:
Jack Law (engineer) (am 1974-01-31), James Lock (James Locke, engineer) (am 1974-01-31) und Gordon Parry (engineer) (am 1974-01-31)
assistierende(r) Produzent(in):
Michael Woolcock (producer)
Produzent(in):
Christopher Raeburn (producer)
Soprangesang [Butterfly]:
Mirella Freni (soprano) (am 1974-01-31)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (am 1974-01-31)
conductor:
Herbert von Karajan (conductor) (am 1974-01-31)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (am 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (am 1974-01-31)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:36
5La fanciulla del West: “Ch’ella mi creda libero”
Tenor-Gesang [Johnson]:
Jussi Björling (tenor) (in 1959)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1959)
conductor:
Alberto Erede (conductor) (in 1959)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1959)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:28
6La bohème: Musetta’s Waltz
Baritongesang [Marcello]:
Rolando Panerai (baritone)
Soprangesang [Mimì]:
Mirella Freni (soprano)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano)
Tenor-Gesang [Alcindoro]:
Michel Sénéchal (tenor)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:48
7Manon Lescaut: Intermezzo
recording engineer:
James Lock (James Locke, engineer) (in 1982-09)
Produzent(in):
James Mallinson (producer)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-09)
conductor:
Riccardo Chailly (conductor) (in 1982-09)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1982-09)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (in 1982-09)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut
5:23
8Turandot: “Non piangere Liù”
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia)
conductor:
Franco Patanè (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:48
9Turandot: Atto III. “Tu, che di gel sei cinta”
Chorgesang:
The John Alldis Choir
Soprangesang [Liù]:
Montserrat Caballé (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
2:30
10La fanciulla del West: “Non mi defendero”
Soprangesang [Minnie]:
Renata Tebaldi (soprano) (von 1958-07 bis 1958-08)
Tenor-Gesang [Johnson]:
Mario Del Monaco (tenor) (von 1958-07 bis 1958-08)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (von 1958-07 bis 1958-08)
conductor:
Franco Capuana (conductor) (von 1958-07 bis 1958-08)
recording of:
La fanciulla del West: Atto II. “Una parola sola” … “lo so, lo so! Ma non vi avrei rubato!” (Johnson, Minnie) (von 1958-07 bis 1958-08)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
La fanciulla del West: Atto II
4:03
11La fanciulla del West: “Laggiù nel Soledad”
Baritongesang [Rance]:
Cornell MacNeil (American baritone) (von 1958-07 bis 1958-08)
Soprangesang [Minnie]:
Renata Tebaldi (soprano) (von 1958-07 bis 1958-08)
Tenor-Gesang [Johnson]:
Mario Del Monaco (tenor) (von 1958-07 bis 1958-08)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (von 1958-07 bis 1958-08)
conductor:
Franco Capuana (conductor) (von 1958-07 bis 1958-08)
recording of:
La fanciulla del West: Atto I. “Laggiù nel Soledad” (Minnie, Rance, Johnson) (von 1958-07 bis 1958-08)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
La fanciulla del West: Atto I
2:34
12Manon Lescaut: “Oh, sarò la più bella!”
Soprangesang:
Kiri Te Kanawa (soprano)
Tenor-Gesang [Des Grieux]:
José Carreras (Spanish tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
8:36
13Manon Lescaut: “In quelle trine morbide”
Techniker(in):
Simon Eadon (classical music engineer) und James Lock (James Locke, engineer)
Produzent(in):
Chris Hazell und Christopher Raeburn (producer)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1987-05 bis 1987-06)
Orchester:
Orchestra del Teatro Comunale di Bologna (von 1987-05 bis 1987-06)
conductor:
Riccardo Chailly (conductor) (von 1987-05 bis 1987-06)
aufgenommen bei:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (von 1987-05 bis 1987-06)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (von 1987-05 bis 1987-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:16
14Manon Lescaut: “Ah! Non v’avvicinate!”
Baritongesang [Captain]:
Neil Howlett (English operatic baritone)
Tenor-Gesang [Des Grieux]:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Manon Lescaut: Atto III. “Ah, non v’avvicinate!” … “Come io piango ed imploro” (Des Grieux, Comandante, Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto III
3:25
15Manon Lescaut: Atto III. “Sola, perduta, abbandonata”
Techniker(in):
Simon Eadon (classical music engineer) und James Lock (James Locke, engineer)
Produzent(in):
Chris Hazell und Christopher Raeburn (producer)
Soprangesang [Manon]:
Kiri Te Kanawa (soprano)
Orchester:
Bologne Opera Orchestra
conductor:
Riccardo Chailly (conductor)
aufgenommen bei:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (von 1987-05 bis 1987-06)
teilweise recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
4:58
16Madama Butterfly: “Addio, fiorito asil ”
Baritongesang [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:06
17Turandot: “Signore, ascolta!”
Soprangesang [Liù]:
Montserrat Caballé (soprano) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:43
18La bohème: “Dunque è propio finita!”
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
6:10

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Veröffentlichung

ASIN:UK: B000174LV6 [Info]