One‐Hit Wonders

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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5CD
Nr.TitelKünstlerBewertungLänge
1Egyptian Reggae
recording of:
Egyptian Reggae
Verfasser(in):
Earl Anthony Johnson (reggae singer Earl Zero) und Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:37
22-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band4.253:19
3Don't It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:34
4Don't Let Me Be Misunderstood
phonographisches Urheberrecht (℗) von:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (in 1977)
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:26
5Dancing In The City
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (in 1978)
recording of:
Dancing in the City (in 1978)
Verfasser(in):
Kit Hain und Julian Marshall
publisher:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) und Rondor Music (London) Ltd.
Marshall Hain3:46
6Let's All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977, in 1978)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:03
7Substitute
Produzent(in):
Grahame Beggs
recording of:
Substitute (in 1978)
Texter und Komponist(in):
Willie Wilson
publisher:
Discoton (German club label)
Clout43:27
8Lucky Number
Produzent(in):
The Stateless (possibly Lene Lovich and Les Chappell)
Mix:
Roger Bechirian
Sologesang:
Lene Lovich
remixer:
Roger Bechirian
phonographisches Urheberrecht (℗) von:
Oval Records (in 1978) und Oval Sounds LLP (in 1979)
recording of:
Lucky Number
Verfasser(in):
Les Chappell und Lene Lovich
publisher:
Oval Music
Lene Lovich2.652:49
9Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 89)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.756:06
10Darlin'
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
11If I Had Words (feat. Yvonne Keeley)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 45)
cover recording of:
If I Had Words
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Jonathan Hodge
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald23:51
12(Ooh) Yes I Do
recording of:
Ooh, Yes I Do
Texter und Komponist(in):
Hans van Hemert
Luv’2:59
13Windsurfin'
recording of:
Windsurfin'
Verfasser(in):
Cees Bergman, Lucia Flint, Geertjan Hessing, Aart Mol (bassist, songwriter), Erwin van Prehn und Elmer Veerhoff
The Surfers2:53
14O.K. Fred
recording of:
O.K. Fred
Verfasser(in):
John Holt
Errol Dunkley3:47
15My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:00
16Sad Eyes
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
Sad Eyes
Texter und Komponist(in):
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:30
17Everytime I Think Of You
recording engineer und Produzent(in):
Ron Nevison
assistierende(r) Techniker(in):
Mike Clink
Bass:
Jack Conrad (producer and songwriter)
Gitarre:
Wally Stocker
Klavier:
Kevin Kelly (piano, organ, accordion player)
Perkussion und Schlagzeug:
Tony Brock
Hintergrundgesang:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews und Marti McCall (session vocalist)
Sologesang:
John Waite
conductor:
Jimmy Haskell
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (producer and songwriter) (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys4.354:01
18Weekend
Produzent(in):
Earth and Fire und Gerrit-Jan Leenders
recording of:
Weekend (Earth and Fire)
Texter und Komponist(in):
Gerard Koerts
publisher:
Nada Music (Dutch publisher)
Earth and Fire4.53:27
19Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4:29
20A Walk In The Park
Produzent(in):
Jeremy Paul (British producer, engineer & remixer Jeremy Paul Solomons)
recording of:
A Walk in the Park
Texter und Komponist(in):
Nicholas Charles Bailey
Nick Straker Band3:49
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8CD

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Veröffentlichung

ASIN:DE: B00005BJG7 [Info]