Femmes du jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Your Heart Is as Black as Night
Bass:
Ken Pendergast (bass player, vocalist)
Hammond-Orgel:
Larry Goldings
Schlagzeug:
Vinnie Colaiuta (drummer)
Tenorsaxophon:
Bryan Rogers (Musician - Saxophonist)
Trompete:
Patrick Hughes (Musician - Trumpet Player - Vocalist)
vocals:
Melody Gardot
recording of:
Your Heart Is as Black as Night
Texter und Komponist(in):
Melody Gardot
Melody Gardot52:43
2Love Me or Leave Me
Bassgitarre und Perkussion:
Lisle Atkinson (am 1965-10-01)
flute und Gitarre:
Rudy Stevenson (am 1965-10-01)
Klavier:
Nina Simone (am 1965-10-01)
Mundharmonika:
Al Schackman (am 1965-10-01)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1965-10-01)
cover recording of:
Love Me or Leave Me (am 1965-10-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone44:05
3Whisper Not
Anita O’Day & The Three Sounds2:55
4Is You Is or Is You Ain’t My Baby?
cover recording of:
Is You Is or Is You Ain’t My Baby?
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington & Quincy Jones and His Orchestra2:59
5Strange Fruit
Produzent(in):
Milt Gabler
alto saxophone und Saxophon:
Tab Smith (am 1939-04-20)
Gitarre:
Jimmy McLin (am 1939-04-20)
Klavier:
Sonny White (am 1939-04-20)
Kontrabass:
John Williams (jazz bassist) (am 1939-04-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-04-20)
Tenorsaxophon:
Kenneth Hollon (am 1939-04-20) und Stan Payne (am 1939-04-20)
Trompete:
Frankie Newton (am 1939-04-20)
vocals:
Billie Holiday (am 1939-04-20)
aufgenommen bei:
Brunswick World Broadcasting Studio in New York, New York, Vereinigte Staaten (am 1939-04-20)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (Nummer: 1939, inducted: 2002) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 21)
recording of:
Strange Fruit (am 1939-04-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday33:04
6Got You on My Mind
recording engineer:
Stuart Bruce (von 2016-01-12 bis 2016-01-13)
assistierende(r) Techniker(in):
Joe Jones (producer, engineer) (von 2016-01-12 bis 2016-01-13)
Mix:
Stuart Bruce
E-Gitarre:
Jon Herington (von 2016-01-12 bis 2016-01-13)
Gitalele und Gitarre:
Madeleine Peyroux (US jazz singer & songwriter) (von 2016-01-12 bis 2016-01-13)
Kontrabass:
Barak Mori (von 2016-01-12 bis 2016-01-13)
vocals:
Madeleine Peyroux (US jazz singer & songwriter), Jon Herington (von 2016-01-12 bis 2016-01-13) und Barak Mori (von 2016-01-12 bis 2016-01-13)
aufgenommen bei:
Parish Church of St. Mary the Virgin in Great Milton, Oxfordshire, England, Vereinigtes Königreich (von 2016-01-12 bis 2016-01-13)
recording of:
Got You on My Mind
Verfasser(in):
Howard Biggs und Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Angle Music, Shelby Singleton Music Inc. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Madeleine Peyroux4:30
7Carry On
recording engineer und Techniker(in):
Ted Tuthill
zusätzlich recording engineer:
Ted Tuthill
assistierende(r) Techniker(in):
Cameron Alexander (studio assistant), Brandon Bost, Jeff Citron, Owen Mulholland (engineer) und Adam Tilzer
Koproduzent(in):
Sarah Oda
Produzent(in):
Norah Jones und Eli Wolf
assistierende(r) Mix:
Joe Visciano
Mix:
Tom Elmhirst (mixing engineer)
akustische Bassgitarre [acoustic bass]:
Chris Thomas (US bassist, member of Brian Blade Fellowship)
Hammond-Orgel [Hammond B-3 organ]:
Jon Cowherd (piano)
Klavier:
Norah Jones
Schlagzeug:
Brian Blade (US jazz drummer, composer, and session musician)
Hintergrundgesang:
Dr. Lonnie Smith
vocals:
Norah Jones
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2016)
aufgenommen bei und engineered at:
Sear Sound in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Brooklyn Recording in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Carry On
Texter und Komponist(in):
Norah Jones
publisher:
EMI Blackwood Music Inc. (in 2016) und Muthajones Music (in 2016)
Norah Jones32:45
8Live My Love for You (Chan’s Love Song) (vocal version of “My Little Suede Shoes”)
Kandace Springs, Donny McCaslin, Ben Monder, Craig Taborn, Scott Colley & Eric Harland3:45
9The Nearness of You
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Abbey Lincoln & Hank Jones5:40
10I’d Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:34
11Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald & Count Basie4:06
12Try Your Wings
Blossom Dearie3:26
13Fly Me to the Moon
Techniker(in):
Val Valentin
leitende(r) Produzent(in):
Ken Druker
Produzent(in):
Creed Taylor
vocals:
Astrud Gilberto (von 1964-10-21 bis 1965-02-04)
conductor:
Claus Ogerman (von 1964-10-21 bis 1965-02-04)
arranger:
Claus Ogerman
aufgenommen bei:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1964-10-21)
cover recording of:
Fly Me to the Moon (von 1964-10-21 bis 1965-02-04)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:21
14Bibbidi‐Bobbidi‐Boo (French version)
cover recording of:
Bibbidi-Bobbidi-Boo (French version)
Verfasser(in):
Mack David (American lyricist and songwriter), Al Hoffman und Jerry Livingston (songwriter)
übersetzte Version von:
Bibbidi‐Bobbidi‐Boo (Cinderella, 1950 animated film)
Stacey Kent3:12
15Song for My Father (album version)
Dee Dee Bridgewater5:39
16If You Know Love (album version)
Molly Johnson3:48
17Woman of the Ghetto
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
recording of:
Woman of the Ghetto
Verfasser(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) und Marlena Shaw
Marlena Shaw6:02
18Misty
alto saxophone:
Marcel Hrasko (am 1958-07-07)
baritone saxophone:
William Boucaya (am 1958-07-07) und Jo Hrasko (am 1958-07-07)
Gitarre:
Pierre Cullaz (am 1958-07-07)
Klavier:
Ronnell Bright (am 1958-07-07)
Schlagzeug:
Kenny Clarke (am 1958-07-07)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1958-07-07)
Vibraphon:
Michel Hausser (am 1958-07-07)
Orchester:
Quincy Jones and His Orchestra
arranger:
Quincy Jones
aufgenommen bei:
Studio Hoche (Barclay) in Paris, Île-de-France, Frankreich (am 1958-07-07)
cover recording of:
Misty (am 1958-07-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Sarah Vaughan32:59
19And I Love Him
Shirley Horn2:30
20(You Don’t Know) How Glad I Am
recording of:
(You Don’t Know) How Glad I Am
Verfasser(in):
Larry Harrison und Jimmy Williams (50s/60s US funk/soul songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
Nancy Wilson2:37
21Why Don’t You Do Right (Get Me Some Money Too) (remastered 1998)
vocals:
Peggy Lee (jazz vocalist) (am 1947-11-19)
conductor:
Dave Barbour (am 1947-11-19)
cover recording of:
Why Don’t You Do Right? (am 1947-11-19)
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee42:29
22Whatever Lola Wants
recording of:
Whatever Lola Wants (Damn Yankees)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
Teil von:
Damn Yankees (1955 musical)
Carmen McRae43:00
23Stormy Weather (Keeps Rainin’ All the Time) (album version)
Betty Carter & Richard Wess3:22
24Imagination
cover recording of:
Imagination
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
Laika2:50
25I Love You Porgy
recording engineer und Mix:
Jean-Paul Gonnod
assistierende(r) Techniker(in):
Thomas de Fraguier und Adrien Hollocou
Produzent(in):
Malia (Anglo-Malawian jazz singer)
Saiteninstrumente [double bass, guitar]:
Jean-Daniel Botta
Schlagzeug:
Laurent Sériès
vocals:
Malia (Anglo-Malawian jazz singer)
phonographisches Urheberrecht (℗) von:
Malia (Anglo-Malawian jazz singer) (vom 2012 bis heute)
recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Malia3:19
26Moon River
The Puppini Sisters3:54
27’Deed I Do
Rosemary Clooney1:47
28Lilac Wine
cover recording of:
Lilac Wine
Texter und Komponist(in):
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Helen Merrill4:26
29Taking a Chance on Love
Dinah Shore3:28
30It Don’t Mean a Thing (If It Ain’t Got That Swing)
Ernestine Anderson2:19
31Since I Fell for You
Gladys Knight3:52
32Plain Gold Ring
Assistent recording engineer und assistierende(r) Mix:
Aristide Rosier (French engineer)
recording engineer:
François Gaucher (French engineer)
Artdirection:
Pierre-François Dufour
Produzent(in):
Clément Ducol und Maxime Le Guil (French engineer)
Mix:
Maxime Le Guil (French engineer)
Bassgitarre und zusätzlich Keyboard:
Christophe Mink
Klavier:
Bojan Z (Franco-Serbian jazz pianist)
Perkussion und Schlagzeug:
Cyril Atef
Saiteninstrumente:
Ensemble Archipel
Solo-Cello:
Pierre-François Dufour
Solo-Geige / Violine:
Arnaud Chataignier (French violinist)
Sologesang:
Youn Sun Nah
conductor:
Clément Ducol
arranger:
Clément Ducol
cover recording of:
Plain Gold Ring
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
나윤선5:20
33Our Love Will Always Be There (album version)
Techniker(in):
Don Murray (producer / engineer)
Produzent(in):
Eddie Arkin und Barry Manilow
vocals:
Diane Schuur
recording of:
Our Love Will Always Be There
Verfasser(in):
Adrienne Anderson, Eddie Arkin und Barry Manilow
publisher:
Kobalt Music Publishing Ltd. (UK), Obbligato Music, Somisongs, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Vegavox Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Diane Schuur3:30
34One for My Baby (album version)
Dianne Reeves3:50
35Tupelo Honey / Angel
recording engineer:
Jamie Staub
assistierende(r) Techniker(in):
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian und Julio Peralta
Produzent(in):
Craig Street
Mix:
Danny Kopelson
Editing:
Fred Kevorkian
Gitarre:
Brandon Ross (von 1993-03 bis 1993-07)
kleine Trommel / Snare:
Lance Carter (von 1993-03 bis 1993-07)
Kontrabass:
Lonnie Plaxico (von 1993-03 bis 1993-07)
Mandocello und Geige / Violine:
Charles Burnham (violinist) (von 1993-03 bis 1993-07)
Perkussion:
Kevin Johnson (jazz drummer) (von 1993-03 bis 1993-07)
Sologesang:
Cassandra Wilson (von 1993-03 bis 1993-07)
arranger:
Brandon Ross
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten (von 1993-03 bis 1993-07)
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Tupelo Honey (von 1993-03 bis 1993-07)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music, Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America
Cassandra Wilson5:37
36A Man and a Woman
Eliane Elias3:17
37I’m in the Mood for Love
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel (in 1955-08)
Kontrabass [bass]:
Ray Leatherwood (in 1955-08)
vocals:
Julie London (in 1955-08)
recording of:
I’m in the Mood for Love (in 1955-08)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Julie London42:30
38I Love Paris (album version)
recording engineer:
Rudy van Gelder (am 1960-06-21)
Gitarre:
Skeeter Best (am 1960-06-21)
Holzblasinstrumente:
Frank Wess (am 1960-06-21)
Klavier:
Richard Wyands (am 1960-06-21)
Kontrabass:
George Duvivier (am 1960-06-21)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1960-06-21)
vocals:
Etta Jones (vocals, jazz) (am 1960-06-21)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1960-06-21)
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1960-06-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Etta Jones4:00
39Little Black Train
Indra Rios‐Moore33:28
40Seems I’m Never Tired Lovin’ You
Lizz Wright4:44
41Over the Rainbow
recording engineer und Mix:
Daniel Cinelli
Produzent(in):
Rob Fahie und Rob Fahie (Aufgabe: mixes)
Klavier:
John Sadowy
Sologesang:
Nikki Yanofsky (Canadian jazz-pop singer)
phonographisches Urheberrecht (℗) von:
Decca Label Group (not for release label use! defunct North American label group) (vom 2010 bis heute)
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Nikki Yanofsky5:08
42I Know You Know (album version)
recorded in:
Vereinigte Staaten (in 2007)
recording engineer, Techniker(in) und Mix:
Martin Walters
Koproduzent(in):
Martin Walters
Produzent(in):
Esperanza Spalding
akustische Bassgitarre und Sologesang:
Esperanza Spalding (in 2007)
Bongos, Caxixi, Becken und triangle:
Jamey Haddad (in 2007)
Klavier:
Leo Genovese (Argentine jazz pianist, keyboardist, and composer) (in 2007)
Schlagzeug:
Otis Brown III (drummer and composer) (in 2007)
arranger:
Esperanza Spalding
recording of:
I Know You Know (in 2007)
Texter und Komponist(in):
Esperanza Spalding
Esperanza Spalding43:45
43Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Patricia Barber3:36
44My Baby Just Cares for Me
Sologesang:
Térez Montcalm
Térez Montcalm3:04