Hotdogs, Hits & Happy Days (disc 1)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 17 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
2Be Bop A Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
3Lovers Who Wander
recording of:
Lovers Who Wander
Verfasser(in):
D. DiMucci (US singer-songerwriter, blends doo-wop, pop rock & R&B) und Ernie Maresca
Dion & The Belmonts2:30
4Turn Me Loose
recording of:
Turn Me Loose
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Fabian2:22
5Ballad of a Teenage Queen
Produzent(in):
Jack Clement
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1957-11-12)
E-Gitarre:
Luther Perkins (am 1957-11-12)
Kontrabass:
Marshall Grant (am 1957-11-12)
Hintergrundgesang:
Bill Abbott (barbershop lead vocalist) (am 1957-11-22), Don Carter (barbershop baritone vocalist) (am 1957-11-22), Lee Holt (am 1957-11-22), Cyd Mosteller (am 1957-11-22), Nita Smith (am 1957-11-22) und Asa Wilkerson (am 1957-11-22)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1958)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-11-12, am 1957-11-22)
Samples von:
The Fabulous Johnny Cash von Johnny Cash (country music legend)
recording of:
Ballad of a Teenage Queen (von 1957-11-12 bis 1957-11-22)
Texter und Komponist(in):
Jack Clement
Johnny Cash4.52:10
6Mister Sandman
Produzent(in):
Archie Bleyer
Interpret(in):
The Chordettes
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
recording of:
Mr. Sandman
Texter und Komponist(in):
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes4.32:25
7Tossin’ and Turnin’
recording of:
Tossin’ and Turnin’
Verfasser(in):
Ritchie Adams und Malou Rene
publisher:
EMI Grove Park Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Lewis2:26
8Papa Oom Mow Wow
recording of:
Papa‐Oom‐Mow‐Mow
Komponist(in):
Al Frazier, John Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) und Turner Wilson (1960s doo wop)
The Rivingtons2:27
9Rockin’ Pneumonia & The Boogie Woogie FluHuey “Piano” Smith2:17
10Buona Sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:07
11I Get Around
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Bassgitarre:
Al Jardine (guitarist and singer) (am 1964-04-02)
Cembalo, Hammond-Orgel [Hammond B3 organ], Klavier und Hintergrundgesang und Sologesang:
Brian Wilson (Beach Boys co‐founder) (am 1964-04-02)
E-Bass [6-string electric bass guitar]:
Glen Campbell (US country singer, guitarist & actor) (am 1964-04-02) und Ray Pohlman (am 1964-04-02)
E-Gitarre:
Carl Wilson (Beach Boys) (am 1964-04-02)
Perkussion [rim with thin stick] und Timbales [timbales with brush]:
Hal Blaine (U.S. studio drummer and percussionist) (am 1964-04-02)
Schlagzeug:
Dennis Wilson (Beach Boys) (am 1964-04-02)
Bass-Gesang und Sologesang:
Mike Love (Beach Boys) (am 1964-04-02)
Hintergrundgesang:
Al Jardine (guitarist and singer) (am 1964-04-02), Carl Wilson (Beach Boys) (am 1964-04-02) und Dennis Wilson (Beach Boys) (am 1964-04-02)
Sologesang:
Mike Love (Beach Boys)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
I Get Around (am 1964-04-02)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
sub-publisher:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.452:14
12Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:01
13Teen Beat
recording of:
Teen Beat
Komponist(in):
Arthur Egnoian und Sandy Nelson
publisher:
Lovolar Music
Sandy Nelson2:23
14Why
phonographisches Urheberrecht (℗) von:
Chancellor (vom 1959 bis heute) und Chancellor Records Inc. (in 1959)
recording of:
Why (1959 song)
Texter:
Robert P. Marcucci
Komponist(in):
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Frankie Avalon2:37
15Louie, Louie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 156) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 169)
cover recording of:
Louie Louie (in 1963)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:47
16Killer Joe
The Rocky Fellers2:21
17Only Love Can Break a Heart
recording of:
Only Love Can Break a Heart (in 1962)
Texter:
Hal David (in 1962)
Komponist(in):
Burt Bacharach (in 1962)
Gene Pitney2:52
18Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson42:33
19Drinkin’ Wine Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
Jerry Lee Lewis2:34
20Shout Shout (Knock Yourself Out)
recording of:
Shout! Shout! (Knock Yourself Out)
Texter und Komponist(in):
T.F. Bogdany und Ernie Maresca
Ernie Maresca2:13

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/272480 [Info]