The Very Best of Aretha Franklin & Otis Redding Together

~ Veröffentlichung von Aretha Franklin & Otis Redding (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD: Aretha Franklin
Nr.TitelKünstlerBewertungLänge
1Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:26
2I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:31
3(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:40
4Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:15
5Son of a Preacher Man
Techniker(in):
Tom Dowd und Jerome Gasper
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
Hintergrundgesang:
The Sweet Inspirations (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
cover recording of:
Son of a Preacher Man (am 1969-10-03)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Aretha Franklin4.53:15
6Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Aretha Franklin23:28
7Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:45
8People Get Ready
recorded in:
New York, New York, Vereinigte Staaten (von 1967-12-19 bis 1967-12-20)
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (von 1967-12-19 bis 1967-12-20)
Bassgitarre:
Tommy Cogbill (von 1967-12-19 bis 1967-12-20)
Bassposaune:
Tony Studd (von 1967-12-19 bis 1967-12-20)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1967-12-19 bis 1967-12-20), Joe South (von 1967-12-19 bis 1967-12-20) und Bobby Womack (von 1967-12-19 bis 1967-12-20)
Hybrid-Piano und Orgel:
Spooner Oldham (von 1967-12-19 bis 1967-12-20)
Klavier:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1967-12-19 bis 1967-12-20)
Tenorsaxophon:
King Curtis (saxophonist) (von 1967-12-19 bis 1967-12-20), Seldon Powell (von 1967-12-19 bis 1967-12-20) und Frank Wess (von 1967-12-19 bis 1967-12-20)
Trompete:
Bernie Glow (von 1967-12-19 bis 1967-12-20), Melvin Lastie (von 1967-12-19 bis 1967-12-20) und Joe Newman (US jazz trumpeter) (von 1967-12-19 bis 1967-12-20)
Vibraphon:
Warren Smith (jazz percussionist) (von 1967-12-19 bis 1967-12-20)
Chorgesang:
Aretha Franklin (von 1967-12-19 bis 1967-12-20), Carolyn Franklin (von 1967-12-19 bis 1967-12-20) und The Sweet Inspirations (von 1967-12-19 bis 1967-12-20)
vocals:
Aretha Franklin (von 1967-12-19 bis 1967-12-20)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
cover recording of:
People Get Ready (von 1967-12-19 bis 1967-12-20)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin43:41
9Rock Steady
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Orgel:
Donny Hathaway (am 1971-02-16)
Perkussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (am 1971-02-16) und Robert Popwell (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Tenorsaxophon:
Andrew Love (am 1971-02-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Tom Dowd
Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Rock Steady (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
Aretha Franklin3.753:10
10You’re All I Need to Get By
recording engineer und Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
You’re All I Need to Get By
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin3.53:32
11Until You Come Back to Me (That’s What I Am Going to Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:23
12Angel
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Phil Schier
Tenorsaxophon:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Angel (in 1972-04)
Verfasser(in):
Carolyn Franklin und Sonny Sanders
publisher:
Carlin Music Corporation und Springtime Music, Inc.
Aretha Franklin44:27
13A Rose Is Still a Rose
recording engineer:
Commissioner Gordon (US hip hop producer Gordon Williams) und Warren Riker
Programmierung:
Vada Nobles
Produzent(in):
Ms. Lauryn Hill
assistierende(r) Mix:
Alex Olsson
Mix:
Commissioner Gordon (US hip hop producer Gordon Williams)
Hintergrundgesang:
Ms. Lauryn Hill
Saiteninstrumente arranger:
Akua Dixon
arranger:
Ms. Lauryn Hill
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1997)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten und Vanguard Recording Complex (Oak Park, Detroit) in Oak Park, Michigan, Vereinigte Staaten
mixed at:
Chung King Studios in New York, New York, Vereinigte Staaten
recording of:
A Rose Is Still a Rose
Texter und Komponist(in):
Ms. Lauryn Hill
publisher:
Obverse Creation Music, Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
Aretha Franklin23:59
14Ain’t Nothing Like the Real Thing
Techniker(in):
Phil Ramone
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Stanley Clarke (am 1973-04-10)
Gitarre:
David Spinozza (am 1973-04-10)
Keyboard:
Donny Hathaway (am 1973-04-10) und Bob James (US jazz keyboardist, arranger and producer) (am 1973-04-10)
Perkussion:
Ralph MacDonald (am 1973-04-10)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (am 1973-04-10)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (am 1973-04-10), Cissy Houston (am 1973-04-10), Sylvia Shemwell (am 1973-04-10) und Myrna Smith (am 1973-04-10)
Sologesang:
Aretha Franklin (am 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1973-04-10)
cover recording of:
Ain’t Nothing Like the Real Thing (am 1973-04-10)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Aretha Franklin3:44
15Save Me
recording engineer:
Tom Dowd und Arif Mardin
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-08)
Bassgitarre:
Tommy Cogbill (am 1967-02-08)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-08) und Chips Moman (am 1967-02-08)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-08)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-08) und King Curtis (saxophonist) (am 1967-02-08)
Trompete:
Melvin Lastie (am 1967-02-08)
vocals:
Aretha Franklin (am 1967-02-08)
conductor:
Tom Dowd (am 1967-02-08)
arranger:
Tom Dowd
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recording of:
Save Me (Aretha Franklin song) (am 1967-02-08)
Verfasser(in):
Aretha Franklin, Carolyn Franklin und Curtis Ousley
publisher:
Kilynn Music und Pronto Music (publisher)
Aretha Franklin4.52:16
16Don’t Play That Song (You Lied)
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Aretha Franklin42:56
17Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24)
Klavier:
Aretha Franklin (von 1967-01-24 bis 1967-01)
Orgel:
Spooner Oldham (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Hintergrundgesang:
Carolyn Franklin (am 1967-01-24), Erma Franklin (am 1967-01-24) und Cissy Houston (am 1967-01-24)
vocals:
Aretha Franklin (von 1967-01-24 bis 1967-01)
conductor:
Tom Dowd (am 1967-01-24)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1967-01) und Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 473)
recording of:
Do Right Woman, Do Right Man (von 1967-01-24 bis 1967-01)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Aretha Franklin53:16
18Let It Be
recording engineer:
Adrian Barber (producer/engineer) und Jerome Gasper
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Klavier:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3.253:30
19Bridge Over Troubled Water
Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
E-Bass:
Chuck Rainey (American bassist) (am 1970-08-13)
Gitarre:
Cornell Dupree (am 1970-08-13)
Klavier:
Aretha Franklin (am 1970-08-13)
Orgel:
Billy Preston (am 1970-08-13)
Schlagzeug:
Ray Lucas (am 1970-08-13)
Tenorsaxophon:
King Curtis (saxophonist) (am 1970-08-13)
Hintergrundgesang:
Cissy Houston (am 1970-08-13), The Sweet Inspirations (am 1970-08-13) und The Sweethearts of Soul (am 1970-08-13)
vocals:
Aretha Franklin (am 1970-08-13)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Bridge Over Troubled Water (am 1970-08-13)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin5:28
20Baby, I Love You
recording engineer:
Tom Dowd (am 1967-06-23) und Arif Mardin (am 1967-06-23)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-23)
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Bassposaune:
Tony Studd (am 1967-06-23)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano, Klavier und Orgel:
Spooner Oldham (am 1967-06-23) und Truman Thomas (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-06-23) und King Kurtis (saxophonist) (am 1967-06-23)
Trompete:
Melvin Lastie (am 1967-06-23)
Vibraphon:
Ted Somers (vibes) (am 1967-06-23)
Chorgesang:
Aretha Franklin (am 1967-06-23), Carolyn Franklin (am 1967-06-23) und Irma Franklyn (am 1967-06-23)
Sologesang:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
recording of:
Baby I Love You (am 1967-06-23)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. und Pronto Music (publisher)
Aretha Franklin32:38
21Sisters Are Doin’ It for Themselves
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1985)
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin with the Eurythmics4:14
22Who’s Zoomin’ Who
Techniker(in):
Dr. Dave Frazer
Produzent(in):
Narada Michael Walden
zusätzliche(r) Mix:
Michael Brauer (engineer)
Bass-Synthesizer:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Corrado Rustici
Keyboard:
Walter Afanasieff und Preston Glass
Klavier und Schlagzeug:
Narada Michael Walden
Hintergrundgesang:
Jim Gilstrap, Preston Glass, Randy Jackson (former bassist with Journey and American Idol judge), Laundon Von Kendricks, Sylvester (US disco and soul singer-songwriter), Jeanie Tracy und Vickie Randle
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
Who’s Zoomin’ Who
Verfasser(in):
Aretha Franklin, Preston Glass und Narada Michael Walden
publisher:
Bellboy Music, Carlin Music Corporation, Gratitude Sky Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin34:42
23I Knew You Were Waiting (For Me)
recording engineer:
David Frazer (engineer) (in 1986)
Perkussion-Programmierung:
Preston Glass (in 1986)
Synthesizer-Programmierung:
Walter Afanasieff (in 1986)
zusätzliche(r) assistierende(r) Techniker(in):
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas und Jim Watts (engineer)
zusätzliche(r) Techniker(in):
Dana Jon Chappelle und Maureen Droney
Produzent(in):
George Michael und Narada Michael Walden
Mix:
David Frazer (engineer) und Serban Ghenea
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
E-Gitarre:
Corrado Rustici (in 1986)
Perkussion und Tamburin:
Greg “Gigi” Gonaway (in 1986)
Schlagzeug:
Narada Michael Walden (in 1986)
Synthesizer:
Walter Afanasieff (in 1986)
Hintergrundgesang:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) und Claytoven Richardson (in 1986)
Sologesang:
Aretha Franklin (in 1986) und George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
zusätzlich vocals:
Aretha Franklin (in 1986)
Saiteninstrumente arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
I Knew You Were Waiting (for Me) (in 1986)
Verfasser(in):
Simon Climie und Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aretha Franklin with George Michael3.83:58
2▶CD: Otis Redding

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