The Complete Pablo Solo Masterpieces

~ Pubblicazione di Art Tatum (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

According to Discogs, two releases with different packaging are known (Discogs links added below):

- 7 CDs in a normal CD box, with 2 wide multi CD jewel cases.

- 7 CDs in a 12" card board CD box, probably in a number jewel cases (I cannot say, because I have not seen the box).

Concerning the specification given for this MusicBrainz release, it is not possible to decide, to which one of the two CD boxes it refers. However, I assume that the production of the CDs themselves was the same, hence front this point of view, there should be no difference. I think that would justify a single MusicBrainz database entry.

Annotazione modificata l'ultima volta il 2020-10-25 07:00 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloValutazioneDurata
1Embraceable You
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Embraceable You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
4:30
2Come Rain or Come Shine
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Come Rain or Come Shine
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
5:07
3Just A-Sittin' and A-Rockin'
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Just A‐Sittin’ and A‐Rockin’
paroliere:
Lee Gaines (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941) e Billy Strayhorn (nel 1941)
3:59
4There Will Never Be Another You
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
There Will Never Be Another You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, volume I)
5:30
5Tenderly
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Tenderly
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
5:06
6What Does It Take
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
What Does It Take
paroliere:
Jimmy Van Heusen
autore:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:54
7You Took Advantage of Me
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
You Took Advantage of Me
paroliere:
Lorenz Hart (nel 1928)
compositore:
Richard Rodgers (composer) (nel 1928)
editore:
Chappell’s • Sydney
3:18
8I've Got the World on a String
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3:56
9Yesterdays
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Yesterdays
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
3:29
10I Hadn't Anyone Till You
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
I Hadn’t Anyone Till You
paroliere e compositore:
Ray Noble
editore:
Bourne Co. (not for release label use, this is a music publisher)
3:34
11Night and Day
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
3:17
12Jitterbug Waltz
registrata a:
Los Angeles, California, Stati Uniti (il 1953-12-28)
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione di:
Jitterbug Waltz (il 1953-12-28)
compositore:
Fats Waller
editore:
Anne-Rachel Music Corp.
3:48
13Someone to Watch Over Me
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
Someone to Watch Over Me (Oh, Kay!) (il 1953-12-28)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
3:48
14The Very Thought of You
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
The Very Thought of You
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
4:30
15You're Driving Me Crazy
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
You’re Driving Me Crazy
paroliere:
Walter Donaldson
compositore:
Walter Donaldson (nel 1930)
editore:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC e Tobago Music Co.
2:41
16I Don't Stand a Ghost of a Chance With You
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-28)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-28)
registrazione strumentale di:
(I Don’t Stand) A Ghost of a Chance
paroliere:
Bing Crosby e Ned Washington
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited e Mills Music, Inc.
4:13
17Stardust
pianoforte :
Art Tatum (US jazz pianist) (il 1953-12-29)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1953-12-29)
registrazione strumentale di:
Stardust (the jazz standard) (il 1953-12-29)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
5:03
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