50 Meisterwerke der Klassik 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Carmina Burana, Fortuna Imperatrix Mundi: I. O Fortuna
Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
UFA-Tonstudio in Berlin, Deutschland (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum & Chor der Deutschen Oper Berlin2:36
2Piano Concerto No. 1 in B-flat minor, Op. 23: 1. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito (excerpt)
Klavier:
Martha Argerich (Argentine pianist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky, Martha Argerich, Royal Philharmonic Orchestra & Charles Dutoit9:20
3Symphony No. 40 in G minor, K.550:1. Molto Allegro
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Ferenc Fricsay (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (catch-all for arrangements and unknown versions)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Arrangement von:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (catch-all for arrangements and unknown versions)
Wolfgang Amadeus Mozart, Wiener Symphoniker & Ferenc Fricsay9:23
4Liebestraum No. 3 in A-flat major, S. 541: Notturno III: O Lieb, So Lang Du Lieben Kannst
recording engineer:
Rainer Hoepfner (engineer)
Produzent(in):
Werner Mayer (classical producer) und Steven Paul (classical arranger/producer for Deutsche Grammophon)
Klavier:
Daniel Barenboim (pianist and conductor) (in 1980-04)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1980-04)
aufgenommen bei:
Studio Lankwitz in Lankwitz, Berlin, Deutschland (in 1980-04)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (in 1980-04)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt, Daniel Barenboim & Ferdinand Freiligrath4:32
5Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie
flute:
Aurèle Nicolet (flutist)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach, Münchener Bach‐Orchester, Aurèle Nicolet & Karl Richter1:30
6Tristan Und Isolde, WWV 90 / Act III: Mild Und Leise Wie Er Lächelt (live at Bayreuther Festspiele / 1966)
recording engineer:
Günter Hermanns (producer/engineer)
leitende(r) Produzent(in):
Dr. Hans Hirsch (producer at Deutsche Grammophon) und Otto Gerdes (conductor and producer)
Produzent(in):
Wolfgang Lohse
Soprangesang [Isolde]:
Birgit Nilsson (soprano) (in 1966-08)
Orchester:
Orchester der Bayreuther Festspiele (Bayreuth Festival Orchestra) (in 1966-08)
conductor:
Karl Böhm (Austrian conductor) (in 1966-08)
aufgenommen bei:
Bayreuther Festspiele 1966
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1966)
aufgenommen bei:
Richard-Wagner-Festspielhaus in Bayreuth, Bayern, Deutschland (in 1966-08)
live recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (in 1966-08)
Komponist(in):
Richard Wagner (composer) (von 1857-10 bis 1859-08)
Librettist:
Richard Wagner (composer) (von 1857-08-20 bis 1857-09-18)
Teil von:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner, Orchester der Bayreuther Festspiele, Birgit Nilsson & Karl Richter6:15
7Romance "Jeux Interdits" (Arr. Yepes for Guitar)
Gitarre:
Narciso Yepes (classical guitarist)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
Komponist(in):
[anonymous] (special purpose artist) und [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) und Narciso Yepes (classical guitarist)
Arrangement von:
Romance de Amor
Narciso Yepes2:29
8Nabucco, Act 3: Va, Pensiero "Chorus of the Hebrew Slaves"
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Chor der Deutschen Oper Berlin & Giuseppe Sinopoli4:54
9Waltz No. 6 in D Flat, Op. 64 No. 1 -"Minute": Molto Vivace
Fryderyk Chopin & Tamás Vásáry1:37
10Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr Langsam)
leitende(r) Produzent(in):
Wilfried Daenicke (producer at Deutsche Grammophon)
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (in 1971-01)
conductor:
Rafael Kubelík (conductor) (in 1971-01)
Tonmeister(in):
Heinz Wildhagen (engineer, producer) (in 1971-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1971)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1971-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1971-01)
Komponist(in):
Gustav Mahler (composer) (von 1901 bis 1902)
Teil von:
Symphony no. 5 (5. Sinfonie)
Gustav Mahler, Symphonieorchester des Bayerischen Rundfunks & Rafael Kubelík9:40
11Gymnopédie No. 1: Lent Et Douloureux
assistierendes Sound-Engineering:
Hans‐Rudolf Müller (engineer)
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
Produzent(in):
Arend Prohmann (producer / editor)
Klavier:
Jean‐Marc Luisada (pianist) (in 1994-07)
vocals:
Jeanne Moreau (in 1994-07)
Interpret(in):
Jean‐Marc Luisada (pianist)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1994)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (in 1994-07)
recording of:
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (in 1994-07)
Komponist(in):
Erik Satie (French composer)
publisher:
Das Maschine GMBH, Hanseatic Musikverlag GmbH & Co. KG (2001–2017) und Londek Edition
Arrangement von:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie & Jean‐Marc Luisada53:53
12Valse Triste, Op. 44 No. 1 (Recorded 1967)
Produzent(in):
Otto Gerdes (conductor and producer) und Hans Weber (producer/engineer)
Orchester:
Berliner Philharmoniker (am 1967-01-30)
conductor:
Herbert von Karajan (conductor) (in 1967, am 1967-01-30)
Tonmeister(in):
Günter Hermanns (producer/engineer) (am 1967-01-30)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1967)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (am 1967-01-30)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (am 1967-01-30)
Komponist(in):
Jean Sibelius (Finnish composer) (in 1903)
überarbeitet von:
Jean Sibelius (Finnish composer) (in 1904)
Premiere bei:
Konsertti (1904-04-25)
Premiere bei:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finnland (am 1904-04-25)
Teil von:
2 Pieces from Kuolema, op. 44
Revision von:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius, Berliner Philharmoniker & Herbert von Karajan6:15
13Lieder Ohne Worte, Op. 62: No. 6 Allegretto Grazioso "Spring Song"
Felix Mendelssohn & Daniel Barenboim2:04
14Ave Maria, "Ellens Gesang III", D839 - Arr. Ion Marin
Franz Schubert, London Symphony Orchestra, Cheryl Studer & Ion Marin5:37
15"Pomp and Circumstance," Op. 39: March, No. 1 in D
Orchester:
Royal Philharmonic Orchestra (in 1975-06)
conductor:
Norman Del Mar (conductor) (in 1975-06)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1975-06)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (in 1975-06)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch‐all for arrangements)
Komponist(in):
Edward Elgar (composer) (in 1901)
Arrangement von:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Edward Elgar, Royal Philharmonic Orchestra & Norman Del Mar5:53
16Piano Sonata No. 11 in A major, K. 331 "Alla Turca": III. Rondo Alla Turca. Allegretto
Wolfgang Amadeus Mozart & Christoph Eschenbach3:31
17Le Carnaval Des Animaux, R. 125: XIII. Le Cygne
Camille Saint‐Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky & Karl Böhm2:47
18Dido and Aeneas, Act III: No. 36, Recit. Thy Hand, Belinda - No. 37, Song. When I Am Laid in Earth "Dido's Lament"
Henry Purcell, Anne Sofie von Otter, The English Concert & Trevor Pinnock4:28
19Aria Mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria
Johann Sebastian Bach & Rosalyn Tureck4:42
20Peer Gynt Suite No.1, Op.46: 4. In the Hall of the Mountain King
Orchester:
Bamberger Symphoniker
conductor:
Richard Kraus (conductor)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg, Bamberger Symphoniker & Richard Kraus2:31
21Tosca, Act 3: Introduzione All'Aria - E Lucevan Le Stelle
Tenor-Gesang [Cavaradossi]:
Plácido Domingo (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra & Giuseppe Sinopoli4:10
22Gayaneh: Sabre Dance
Aram Il'yich Khachaturian2:16
23Vocalise, Op. 34, No. 14
Produzent(in):
Wolfgang Stengel
Orchester:
Berliner Philharmoniker (in 1983-03)
conductor:
Lorin Maazel (conductor) (in 1983-03)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1983-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1983-03)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (in 1983-03)
Orchestrator(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1919)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1912)
Orchestrierung von:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Sergei Rachmaninoff, Berliner Philharmoniker & Lorin Maazel5:28
24Aida, Act 2: Chorus. Gloria All'Egitto - Grand March
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto II
Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Chor der Deutschen Oper Berlin & Giuseppe Sinopoli5:06
25Piano Concerto No. 2 in C minor, Op. 18: I. Moderato
Produzent(in):
Hans Weber (producer/engineer)
Editing:
Helmut Najda
Klavier:
Sviatoslav Richter (Swjatoslaw Teofilowitsch Richter, pianist) (von 1959-04-26 bis 1959-05-02)
Orchester:
Warsaw National Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra) (von 1959-04-26 bis 1959-05-02)
conductor:
Stanisław Wisłocki (conductor) (von 1959-04-26 bis 1959-05-02)
Tonmeister(in):
Heinz Wildhagen (engineer, producer)
aufgenommen bei:
Philharmonic Hall in Warsaw (Warschau), Mazowieckie (Woiwodschaft Masowien), Polen (von 1959-04-26 bis 1959-05-02)
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (von 1959-04-26 bis 1959-05-02)
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff, National Philharmonic Orchestra, Sviatoslav Richter & Stanisław Wisłocki4.511:06
26Cello Suite No. 1 in G major, BWV 1007: I. Prélude
Johann Sebastian Bach & Pierre Fournier2:47
27Samson Et Dalila, Act 2: "Mon Coeur S'Ouvre À Ta Voix"
Camille Saint‐Saëns, Radio-Symphonie-Orchester Berlin, Grace Bumbry & Janos Kulka5:27
28Carmen, WD 31, Act 1: VI. Les Toréadors (Act I Prelude. Allegro Giocoso)
Georges Bizet, Orchestre de l’Opéra Bastille, Orchestre de l’Opéra national de Paris & Myung-Whun Chung2:06
29El Amor Brujo: Danza Ritual Del Fuego, Para Ahuyentar Los Malos Espíritus
Manuel de Falla, Radio-Symphonie-Orchester Berlin & Lorin Maazel3:53
304 Impromptus, Op.90, D.899: No. 3 in G-flat major
Franz Schubert & Maria João Pires5:41
31Ravel: Pavane Pour Une Infante Défunte, M. 19
Produzent(in):
Thomas Mowrey
Solo-Waldhorn und Waldhorn:
Charles Kavaloski (horn player)
Orchester:
Orchestre Symphonique de Boston (in 1974-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1975)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1974-10)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1974-10)
Orchestrator(in):
Maurice Ravel (French composer) (in 1910)
Komponist(in):
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
Teil von:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 19a)
Orchestrierung von:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel, Boston Symphony Orchestra, Charles Kavaloski & Seiji Ozawa6:12
32Préludes / Book 1, L. 117: VIII. La Fille Aux Cheveux de Lin
Claude Debussy & Arturo Benedetti Michelangeli2:40
33Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv (live)
Modest Mussorgsky, Maurice Ravel, Berliner Philharmoniker & Claudio Abbado5:14
34Kaiserwalzer, Op. 437
Richard Strauss, Wiener Philharmoniker & Karl Böhm11:00
35Die Zauberflöte, K. 620, Act 2: No. 14, Der Hölle Rache "Queen of the Night Aria"
Wolfgang Amadeus Mozart, Berliner Philharmoniker, Roberta Peters & Karl Böhm2:58
36The Sleeping Beauty, Suite, Op.66a: Valse
Peter Ilyich Tchaikovsky, Wiener Philharmoniker & James Levine4:11
37L'Arlésienne Suite No. 1: Bizet: L'Arlésienne Suite No. 1: Prélude
Georges Bizet, Orchestre de l’Opéra Bastille, Orchestre de l’Opéra national de Paris & Myung-Whun Chung7:06
38Rhapsody in Blue (excerpt / Jazz Band version)
George Gershwin, Chicago Symphony Orchestra & James Levine5:59
39The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
Orchester:
Boston Symphony Orchestra (in 1970-10)
conductor:
William Steinberg (conductor) (in 1970-10)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1970-10)
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst, Boston Symphony Orchestra & William Steinberg7:57
4012 Etudes, Op. 10: No. 3 in E major "Tristesse"
Produzent(in):
Wolfgang Lohse
Klavier:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) und Polydor International GmbH (not for release label use!) (in 1965)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1965-05)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1965-05)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 16) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 74)
Teil von:
Études, op. 10
Frédéric Chopin & Tamás Vásáry4:02
41String Quartet in C major, Op. 76 No. 3, Hob. Lll:77 "Emperor": II. Poco Adagio, Cantabile
recording engineer:
Harald Baudis (sound engineer)
Produzent(in):
Dr. Manfred Richter (Producer for Deutsche Grammophon)
Bratsche / Viola:
Peter Schidlof (violist) (in 1963-09)
Cello:
Martin Lovett (cellist) (in 1963-09)
Geige / Violine [violin I]:
Norbert Brainin (violinist) (in 1963-09)
Geige / Violine [violin II]:
Siegmund Nissel (violinist) (in 1963-09)
Streichquartett:
Amadeus Quartet (in 1963-09)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1963-09)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1963-09)
Komponist(in):
Joseph Haydn (composer)
Version von:
Gott erhalte Franz, den Kaiser
Teil von:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn & Amadeus Quartet7:28
42Symphony No. 7 in A major, Op. 92: IV. Allegro Con Brio
Techniker(in):
Jürgen Bulgrin (sound engineer) und Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
leitende(r) Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon)
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Wiener Philharmoniker (von 1975-11 bis 1976-01)
conductor:
Carlos Kleiber (conductor) (von 1975-11 bis 1976-01)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1975-11 bis 1976-01)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (von 1975-11 bis 1976-01)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1811 bis 1812)
Teil von:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven, Wiener Philharmoniker & Carlos Kleiber8:34
43Concerto for Flute, Harp, and Orchestra in C, K.299: II. Andantino
leitende(r) Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Produzent(in):
Wolf Erichson (engineer/producer)
flute:
Susan Palma (flutist) (in 1988-12)
Harfe:
Nancy Allen (harpist) (in 1988-12)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1988-12)
Tonmeister(in):
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
aufgenommen bei:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1988-12)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1988-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra, Susan Palma & Nancy Allen7:41
44Te Deum for Soloists, Chorus and Orchestra, H 146: I. Prélude. Rondeau
recording engineer:
Jürgen Bulgrin (sound engineer)
Techniker(in):
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Peter Czornyj
Produzent(in):
Arend Prohmann (producer / editor)
Editing:
Stephan Flock
Orchester:
Les Musiciens du Louvre (vom 1997-03 bis heute, in 1997-03)
conductor:
Marc Minkowski (bassoonist and conductor) (vom 1997-03 bis heute, in 1997-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1997)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (vom 1997-03 bis heute)
recording of:
Te Deum, H. 146: Prélude (in 1997-03)
Komponist(in):
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
Te Deum, H. 146
Marc‐Antoine Charpentier, Les Musiciens du Louvre & Marc Minkowski1:17
45Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio Cantabile
Produzent(in):
Wolfgang Lohse (in 1965-01)
Klavier:
Wilhelm Kempff (pianist) (in 1965-01)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1965-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1965)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1965-01)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile) (in 1965-01)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven & Wilhelm Kempff4:54
46Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch
Orchester:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03, in 1985)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1984-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1985)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel, The English Concert & Trevor Pinnock3:05
47Gianni Schicchi: O Mio Babbino Caro
Soprangesang:
Rita Streich (soprano)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Reinhard Peters (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini, Orchester der Deutschen Oper Berlin, Rita Streich & Reinhard Peters2:03
4824 Caprices for Violin, Op. 1, MS. 25: No. 24 in A minor
recording engineer:
Klaus Behrens (engineer)
Produzent(in):
Werner Mayer (classical producer)
Geige / Violine:
Salvatore Accardo (violinist and conductor) (in 1977-05)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1977-05)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1977-05)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1977-05)
Komponist(in):
Niccolò Paganini (Italian composer and violinist)
Teil von:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini & Salvatore Accardo4:22
49Symphonic Studies, Op. 13: Etude XII (Finale)
Robert Schumann & Ivo Pogorelich5:42
50Die Walküre, WWV 86B - Concert Version / Act 3: The Ride of the Walkyres
Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) und Werner Mayer (classical producer) (in 1983-01)
Orchester:
Orchestre de Paris (in 1983-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1983-01)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1983-01)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (in 1983-01)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (in 1983-01)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner, Orchestre de Paris & Daniel Barenboim4:53

Nennungen

Veröffentlichungsgruppe

Teil von:50 Classical Masterworks (Deutsche Grammophon series of compilations) (Nummer: 2) (Reihenfolge: 2)