The Ultimate Grammy Box: From the Recording Academy’s Collection of Award Winning Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Where It’s At
Produzent(in) und Mix:
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen) und The Dust Brothers (production duo John King & Mike Simpson)
Akustikgitarre, Bassgitarre, Celesta, Clavinet, Schlagzeug, E-Gitarre, Hybrid-Piano, Mundharmonika, Keyboard, Orgel, Perkussion und Slide-Gitarre und Sologesang:
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen)
Orgel und Trompete:
Mike Boito
Saxophon:
David Arthur Brown (member of Brazzaville)
aufgenommen bei:
PCP Labs (PCP Labs) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
Needle to the Groove von Mantronix (the group)
Musikvideos:
Where It's At (Music video) von Beck (alt rock, multi‐instrumentalist Beck Hansen)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 155)
recording of:
Where It’s At
Verfasser(in):
Beck Hansen (alt rock, multi‐instrumentalist Beck Hansen), John King (US producer, The Dust Brothers) und Mike Simpson (member of The Dust Brothers)
Beck3.755:32
2Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly4.52:31
3No More “I Love You’s”
Techniker(in):
Marius de Vries und Heff Moraes
Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
aufgenommen bei und mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
No More “I Love You’s”
Verfasser(in):
David Freeman und Joseph Hughes
publisher:
Universal–Songs of PolyGram International, Inc. und Universal/Anxious Music Ltd
Annie Lennox4.54:52
4Nel blu dipinto di blu (Volare)
recorded in:
Italien
vocals:
Domenico Modugno
phonographisches Urheberrecht (℗) von:
Nuova Fonit Cetra S.p.A. (company credits only; do NOT use as release label) (in 1958) und Warner Music Italia S.r.l. (not for release label use! Italian subsidiary of Warner Music International Inc.) (in 1958)
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1959 winner), Billboard Hot 100: 1958-08-11 (Nummer: 2), Italy in the Eurovision Song Contest (Italien beim Eurovision Song Contest) (Nummer: 1958) und Winners of the Sanremo Music Festival (Nummer: 1958)
recording of:
Nel blu dipinto di blu (Volare) (in 1958)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Domenico Modugno43:35
5End of the Road
Koproduzent(in):
Daryl Simmons
leitende(r) Produzent(in):
Antonio M. Reid und Kenneth Edmonds (R&B musician Kenny Edmonds)
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
recording of:
End of the Road
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
publisher:
Ensign Music Corporation, Green Skirt Music (publisher) und Kear Music (publisher)
Boyz II Men4.655:52
6Act II: Vissi d’arte (From “Tosca”)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Leontyne Price3:18
7Stones in the Road
recording engineer und Mix:
Bob Dawson (engineer and producer)
Produzent(in):
Mary Chapin Carpenter und John Jennings (supporting guitarist for Mary Chapin Carpenter)
Akustikgitarre:
Mary Chapin Carpenter und John Jennings (supporting guitarist for Mary Chapin Carpenter)
Bass:
Don Dixon
E-Gitarre:
Steuart Smith
Hammond-Orgel [Hammond C-3] und Klavier:
Benmont Tench
Schlagzeug:
Kenny Aronoff
Sologesang:
Mary Chapin Carpenter
aufgenommen bei:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, Vereinigte Staaten
cover recording of:
Stones in the Road
Texter und Komponist(in):
Mary Chapin Carpenter
Mary Chapin Carpenter4:33
8Blue
cover recording of:
Blue
Texter und Komponist(in):
Bill Mack
LeAnn Rimes4.52:49
9Aquarius / Let the Sunshine In (The Flesh Failures)
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:49
10Let’s Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:14
11Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.854:18
12U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:19
13Sneakin’ Around
Produzent(in):
Chet Atkins, Darryl Dybka und Jerry Reed
Bass:
David Hungate
guitar family:
Chet Atkins, Pat Bergeson und Jerry Reed
Keyboard:
Darryl Dybka
membranophone und Perkussion:
Larrie Londin
Mundharmonika:
Terry McMillan
recording of:
Sneakin' Around
Komponist(in):
R. L. Kass
publisher:
Farm Use Only Music und Sixteen Stars Music (BMI-affiliated)
Chet Atkins & Jerry Reed4:27
14He Stopped Loving Her Today
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1980-02-06)
Gitarre:
Phil Baugh (am 1980-02-06), Billy R. Sanford (guitar) (am 1980-02-06) und Pete Wade (am 1980-02-06)
Klavier:
Hargus Robbins (am 1980-02-06)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1980-02-06)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1980-02-06)
Schlagzeug:
Jerry Carrigan (US drummer) (am 1980-02-06)
Steel-Gitarre:
Pete Drake (steel guitar player) (am 1980-02-06)
vocals:
George Jones (US country music vocalist) (am 1980-02-06)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 270)
recording of:
He Stopped Loving Her Today (am 1980-02-06)
Texter und Komponist(in):
Bobby Braddock und Claude “Curly” Putman, Jr.
George Jones53:17
15Shining Star
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
Verfasser(in):
Philip Bailey, Lorenzo Dunn und Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:51
16Black Hole Sun
assistierende(r) Techniker(in) und assistierende(r) Mix:
Adam Kasper
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Michael Beinhorn und Soundgarden
Mix:
Brendan O’Brien (engineer)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1994)
mixed at und engineered at:
Bad Animals Studio in Seattle, Washington, Vereinigte Staaten
Musikvideos:
Black Hole Sun von Soundgarden
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 231) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 368)
recording of:
Black Hole Sun (von 1993-07 bis 1993-09)
Texter und Komponist(in):
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH und You Make Me Sick I Make Music (in 1994)
Soundgarden4.055:20
17To Zion
recording of:
To Zion
Texter:
Ms. Lauryn Hill
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist), Norman Gimbel und Ms. Lauryn Hill
Lauryn Hill4:33
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Discogs:https://www.discogs.com/master/690198 [Info]