The No.1 DJ Collection: 80s (Digital Collection)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: 80s Volume 1: Number Ones 449 > 467
2▶Digitales Medium: 80s Volume 2: Number Ones 468 > 485
3▼Digitales Medium: 80s Volume 3: Number Ones 486 > 504
Nr.TitelKünstlerBewertungLänge
1Prince Charming
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Adam Ant (English new wave singer and actor) und Gary Tibbs
Gitarre:
Merrick (ex Adam & The Ants) und Marco Pirroni (British musician and producer)
Mundharmonika und Sologesang:
Adam Ant (English new wave singer and actor)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) und Terry Lee Miall
vocals:
Adam Ant (English new wave singer and actor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Musikvideos:
Prince Charming von Adam and the Ants (English new wave band) und Prince Charming (alt) von Adam and the Ants (English new wave band)
Teil von:
The Downloader’s Music Source Book (Nummer: 144)
recording of:
Prince Charming
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:16
2It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:46
3Every Little Thing She Does Is Magic
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:20
4Under Pressure
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack) und David Richards (Swiss-based producer and engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bassgitarre und Gitarre:
John Deacon (von 1981-06 bis 1982-03)
E-Gitarre:
Brian May (Queen guitarist) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
John Deacon (von 1981-06 bis 1982-03), Brian May (Queen guitarist) (von 1981-06 bis 1982-03), Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
David Bowie (English singer‐songwriter) (von 1981 bis 1982-03)
Keyboard:
John Deacon (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
Klavier:
Freddie Mercury (von 1981-06 bis 1982-03)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Synthesizer:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03)
Hintergrundgesang:
Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Sologesang:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
phonographisches Urheberrecht (℗) von:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) und Raincloud Productions Ltd. (in 1981, in 1994)
aufgenommen bei:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1981-06 bis 1982-03) und Musicland Studios (Munich) in München, Bayern, Deutschland (von 1981-06 bis 1982-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 429)
recording of:
Under Pressure (von 1981-06 bis 1982-03)
Verfasser(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, EMI Music Publishing Ltd. (PRS‐affiliated) (, in 1981), Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music (, in 1981), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4.253:55
5Begin the Beguine (Volver a Empezar)
Julio Iglesias4:43
6Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
7The Land of Make Believe
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
sonstige Unterstützung:
Andy Hill (English producer & songwriter)
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs und Universal Music–Z Tunes LLC
Bucks Fizz3.353:46
8Oh Julie
recording of:
Oh Julie (1982 song)
Texter und Komponist(in):
Shakin’ Stevens
publisher:
SM Limited und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Shakin’ Stevens42:31
9The Model
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
Texter:
Ralf Hütter und Emil Schult
Komponist(in):
Karl Bartos und Ralf Hütter
zusätzlich Übersetzer:
Ralf Hütter und Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
übersetzte Version von:
Das Modell
Kraftwerk4.153:39
10A Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:51
11The Lion Sleeps Tonight
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Musikvideos:
The Lion Sleeps Tonight von Tight Fit
cover recording of:
The Lion Sleeps Tonight
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
Tight Fit3.653:15
12Seven Tears
Produzent(in):
Jochen Petersen (producer and multi-instrumentalist)
recording of:
Seven Tears
Verfasser(in):
Wolfgang Jass (singer-songwriter, producer, composer, bassist) und Wolff-Ekkehardt Stein
publisher:
Aloha und Peer (publisher)
Goombay Dance Band3:48
13My Camera Never Lies
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1982)
recording of:
My Camera Never Lies
Verfasser(in):
Andy Hill (English producer & songwriter) und Nichola Martin (songwriter)
publisher:
Big Note Music Ltd., Paper Music Ltd. und Universal Music Publishing MGB Limited
Bucks Fizz3.653:46
14Ebony and Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:40
15A Little Peace
recording of:
A Little Peace
Texter:
Bernd Meinunger
Komponist(in):
Ralph Siegel
Übersetzer:
Paul Greedus
übersetzte Version von:
Ein bißchen Frieden
Nicole3:01
16House of Fun
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness32:55
17Goody Two Shoes
Produzent(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
Akustikgitarre und Bassgitarre:
Adam Ant (English new wave singer and actor)
Saxophon:
Jeff Daly
Schlagzeug:
Bogdan Wiczling
Trompete:
Martin Drover
vocals:
Adam Ant (English new wave singer and actor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1982-06)
remixed at:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, Vereinigtes Königreich (in 1982-06)
Musikvideos:
Goody Two Shoes von Adam Ant (English new wave singer and actor)
Teil von:
The Downloader’s Music Source Book (Nummer: 149)
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant2.353:29
18I've Never Been to Me
Produzent(in):
Don Costa (US pop music arranger & producer), Berry Gordy und Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1977) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (vom 1982 bis heute)
recording of:
I’ve Never Been to Me
Verfasser(in):
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:53
19Happy Talk
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:26
4▶Digitales Medium: 80s Volume 4: Number Ones 505 > 521
5▶Digitales Medium: 80s Volume 5: Number Ones 522 > 538
6▶Digitales Medium: 80s Volume 6: Number Ones 539 > 553
7▶Digitales Medium: 80s Volume 7: Number Ones 554 > 569
8▶Digitales Medium: 80s Volume 8: Number Ones 570 > 586
9▶Digitales Medium: 80s Volume 9: Number Ones 587 > 602
10▶Digitales Medium: 80s Volume 10: Number Ones 603 > 621
11▶Digitales Medium: 80s Volume 11: Number Ones 622 > 638