100x Toppop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Series: 100x

Rights Society: BIEM/SDRM

Annotazione modificata l'ultima volta il 2023-11-23 04:10 UTC.

Elenco tracce

1▶CD
2▶CD
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5▼CD
#TitoloArtistaValutazioneDurata
1Street Life
registrazione di:
Street Life
autore:
Will Jennings e Joe Sample
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Crusaders5:31
2The Ballad of Lucy Jordan
produttore:
Mark Miller Mundy
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1979)
registrazione cover di:
The Ballad of Lucy Jordan
paroliere e compositore:
Shel Silverstein
editore:
Evil Eye Music Inc.
Marianne Faithfull3.654:08
3Stomp!
registrazione di:
Stomp!
autore:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson e Rod Temperton
The Brothers Johnson34:02
4Let’s Get Serious
produttore:
Stevie Wonder
arrangiatore:
Stevie Wonder
registrazione di:
Let’s Get Serious
autore:
Lee Garrett e Stevie Wonder
Jermaine Jackson3:32
5Celebration
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4.43:39
6Leila (The Queen of Sheba)
registrazione di:
Leila (The Queen of Sheba)
autore:
Peter van Asten e Richard de Bois
Dolly Dots3:13
7Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Human League3.93:59
8Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:55
9I Can Make You Feel Good
Shalamar4:19
10Heartbreaker
registrazione di:
Heartbreaker (Dionne Warwick song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick4:11
11Just an Illusion
registrazione di:
Just an Illusion
autore:
Cees Tol, Thomas Tol e Jan Tuijp
BZN3:16
12Nescio
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983)
registrazione di:
Nescio
paroliere e compositore:
Henk Hofstede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Nitsongs
Nits4:47
13Treat the Youths Right
registrazione di:
Treat the Youths Right
paroliere e compositore:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff3:43
14All at Once
tecnico:
Michael Mancini
produttore:
Michael Masser
tecnico di missaggio:
Bill Schnee
chitarra :
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) e Louie Shelton
chitarra basso :
Nathan East
tastiera :
Robbie Buchanan (Canadian producer), Randy Kerber e Richard Marx
voce di accompagnamento:
Debbie Thomas, Julia Waters, Maxine Waters e Oren Waters
voce principale:
Whitney Houston
editore:
Prince Street Productions, Inc.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1985)
registrazione di:
All at Once
autore:
Michael Masser e Jeffrey Osborne
editore:
Almo Music Corp. (USA, affiliated with ASCAP), March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Whitney Houston44:27
15Slave to Love
assistente tecnico:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs e Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Rhett Davies
tecnico aggiunto:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita e Bryan McGee (sound engineer)
produttore:
Rhett Davies e Bryan Ferry
tecnico di missaggio:
Bob Clearmountain
voce principale:
Bryan Ferry
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985, nel 1999, nel 2004)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Stati Uniti, RPM Studios in New York, New York, Stati Uniti, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e The White House in Nashville, Tennessee, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
Slave to Love di Bryan Ferry
registrazione di:
Slave to Love
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry3.654:26
16Kronenburg Park
voce:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
esecutore:
Frank Boeijen Groep
registrazione di:
Kronenburg Park
paroliere e compositore:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen Groep4.54:04
17Goin’ to the Bank
tecnico di registrazione e tecnico di missaggio:
Jeremy Smith (producer/engineer)
programmazione:
Claude Gaudette (session musician, songwriter, composer)
assistente tecnico:
Paul Ericksen (recording engineer)
produttore:
Dennis Lambert e Jeremy Smith (producer/engineer)
produttore esecutivo:
Dennis Lambert
produttore esecutivo associato:
Commodores (US funk/soul band with Lionel Richie)
chitarra :
Sheldon Reynolds
tastiera :
Claude Gaudette (session musician, songwriter, composer)
altra voce [rap]:
Siedah Garrett e J. D. Nicholas
voce di accompagnamento:
Darryl Phinessee, Siedah Garrett, Dennis Lambert e Phil Perry (US R&B/jazz singer, songwriter & musician)
voce principale:
Walter Orange
arrangiatore voce di accompagnamento:
Dennis Lambert
effetti sonori:
Casey Young
è stato produttore per:
Tuneworks Records Inc.
registrazione di:
Goin’ to the Bank
autore:
Franne Golde, Andy Goldmark e Dennis Lambert
editore:
Franne Gee Music (publisher) (nel 1986), Nonpareil Music Inc. (nel 1986) e Tuneworks Music Co. (nel 1986)
Commodores4:21
18Sailin’ Home
registrazione cover di:
Sailin’ Home
paroliere:
Marina Tucaković
compositore:
Đorđe Novković (songwriter)
traduttore:
Alan Parfitt e Piet Veerman
versione tradotta di:
Zora je
Piet Veerman4:29

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