Ljuva 50-tal 1955-1959

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What You’ve Done to Me
vocals:
Micki Marlo
zusätzlich vocals:
Paul Anka (Canadian singer, songwriter and actor)
recording of:
What You’ve Done to Me
Verfasser(in):
Dorian Burton (New York-based singer, songwriter and producer) und Lee Pincus
publisher:
Gil Music Corporation
Paul Anka feat. Micki Marlo2:24
2Mona Lisa
recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Conway Twitty2:24
3Stupid Cupid
vocals:
Connie Francis (American former actress and chart-topping singer)
conductor:
Leroy Holmes
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 496)
recording of:
Betty, Baby (Stupid Cupid)
Texter:
Richard Anthony (French‐Egyptian pop singer) und Jacques Plante
Komponist(in):
Howard Greenfield und Neil Sedaka
publisher:
Aldon Music, Inc.
Version von:
Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:11
4Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:21
5The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:39
6Oh! Carol
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
Oh! Carol (in 1959)
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal Music Careers
Neil Sedaka32:15
7Oh Lonesome Me
recording of:
Oh Lonesome Me (am 1957-12-03)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff Rose Publications Ltd., Acuff-Rose Publications, Inc. (BMI), Esperanza MV Frank Oldenburg e. K., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
Don Gibson42:30
8Whole Lotta Shakin’ Going On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:52
9Dream Lover
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1959)
recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin3.752:30
10Buona sera
Produzent(in):
Voyle Gilmore
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber (am 1956-04-19)
Kontrabass:
Amato Rodrigues (am 1956-04-19)
Posaune:
James Blount, Jr. (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete:
Louis Prima (am 1956-04-19)
vocals:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Buona sera (am 1956-04-19)
Texter:
Carl Sigman
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:59
11Everybody Loves a Lover
vocals:
Doris Day (am 1958-05-12)
Orchester:
Frank DeVol’s Orchestra (am 1958-05-12)
conductor:
Frank De Vol (am 1958-05-12)
recording of:
Everybody Loves a Lover (am 1958-05-12)
Texter:
Richard Adler (musical composer/lyricist)
Komponist(in):
Robert Allen (US songwriter/arranger/pianist)
Doris Day2:44
12Just Walking in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (am 1956-06-29)
Orchester:
Ray Conniff, His Orchestra & Chorus (am 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (am 1956-06-29)
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray42:39
13Love Potion No 9
The Clovers1:50
14A Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:35
15He’s Got the Whole World in His Hands
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recording of:
He’s Got the Whole World in His Hands (in 1958)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
Laurie London2:21
16Tom Dooley
recording of:
Tom Dooley
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 4192)
The Kingston Trio43:03
17Personality
recording of:
Personality (in 1959)
Texter und Komponist(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
Lloyd Price2:34
18Sweet Little Sixteen
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
E-Gitarre und Sologesang:
Chuck Berry (von 1957-12-29 bis 1957-12-30)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1957-12-29 bis 1957-12-30)
Kontrabass:
Willie Dixon (von 1957-12-29 bis 1957-12-30)
Schlagzeug:
Jasper Thomas (von 1957-12-29 bis 1957-12-30)
phonographisches Urheberrecht (℗) von:
Geffen Records Ltd. (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (von 1957-12-29 bis 1957-12-30)
recording of:
Sweet Little Sixteen (von 1957-12-09 bis 1957-12-30)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:01
19Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:17
20Love Letters in the Sand
cover recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone42:14
21The Three Bells (Les trois cloches)
cover recording of:
The Three Bells (in 1959)
Texter und Komponist(in):
Gilles (Swiss composer/vocalist/actor Jean Villard Gilles) (in 1939)
Übersetzer:
Bert Reisfeld (in 1948)
publisher:
Southern Music ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
übersetzte Version von:
Les Trois Cloches
The Browns2:51
22Be‐Bop‐a‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:35
23Tequila
recording of:
Tequila
Texter und Komponist(in):
Daniel Flores (Daniel Flores)
publisher:
Longitude Music Co. und Powerforce Music
sub-publisher:
EMI Music Publishing France und Universal Music Publishing France (not for release label use!)
The Champs4.32:10
24Rock Around the Clock
E-Gitarre:
Danny Cedrone (am 1954-04-12)
Gitarre:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
vocals:
Bill Haley (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:11
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