The Greatest 80’s No1 Hits Album

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:54
2Right Here Waiting
Richard Marx4:24
3Love Is a Battlefield
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar4:06
4Do You Really Want to Hurt Me?
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
5Move Closer
phonographic copyright (℗) by:
Carrere (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1984)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson24:28
6Escape (Pina Colada Song)
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes4:11
7Perfect
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
music videos:
Perfect by Fairground Attraction
recording of:
Perfect
lyricist and composer:
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:36
8Pump Up the Jam
Technotronic3:37
9Now You’re in Heaven
recording of:
Now You’re in Heaven
writer:
Julian Lennon and John McCurry
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Julian Lennon3:40
10Private Eyes
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
drums (drum set) [drums]:
Mickey Curry
phonographic copyright (℗) by:
BMG Entertainment (in 1981) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
live recording of:
Private Eyes
writer:
Janna Allen (songwriter), Sara Allen, Daryl Hall and Warren Pash
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Daryl Hall & John Oates4.553:21
11Feels Like I’m in Love
recording of:
Feels Like I’m in Love
lyricist and composer:
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) and Satellite Music Ltd.
Kelly Marie3:19
12Jeopardy
phonographic copyright (℗) by:
Castle Communications PLC (not for label use, copyright holder) (in 1983)
recording of:
Jeopardy
writer:
Greg Kihn and Steve Wright (bassist for the Greg Kihn Band)
Greg Kihn Band3.353:49
13I Wanna Wake Up With You
recording of:
I Want to Wake Up With You
lyricist and composer:
Ben Peters (country music songwriter)
publisher:
Ben Peters Music (BMI) and IQ Music
Boris Gardiner3:05
14Agadoo
producer:
Black Lace (1980s British pop band) and Neil Ferguson (Chumbawamba)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom
recording of:
Agadoo
composer:
Michel Delancray, Gilles Péram and Mya Simille (Micheline Helyett)
adaptation of:
Junkanoo-oo-oo
translated version of:
Agadou-dou-dou (original French version)
Black Lace3:08
15You Got It (The Right Stuff)
recording of:
You Got It (The Right Stuff)
lyricist and composer:
Maurice Starr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs and Maurice Starr Music
New Kids on the Block4:10