Bach to Work

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Prelude in D major, BWV 925
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1991-06-21 until 1991-06-22)
recorded at:
House of Arts (Szekszárd) in Szekszárd, Tolna (Tolna County), Hungary (from 1991-06-21 until 1991-06-22)
recording of:
9 kleine Präludien: Präludium D-Dur, BWV 925 (from 1991-06-21 until 1991-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
9 Kleine Präluden (number: 2) and Bach-Werke-Verzeichnis (number: BWV 925)
1:12
2Prelude in D minor, BWV 926
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1991-06-21 until 1991-06-22)
recorded at:
House of Arts (Szekszárd) in Szekszárd, Tolna (Tolna County), Hungary (from 1991-06-21 until 1991-06-22)
recording of:
9 kleine Präludien: Präludium d-Moll, BWV 926 (from 1991-06-21 until 1991-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
9 Kleine Präluden (number: 3) and Bach-Werke-Verzeichnis (number: BWV 926)
1:18
3Cantata, BWV 51: Jauchzet Gott in allen Landen
soprano vocals:
Siri Karoline Thornhill (soprano)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:30
4Cantata, BWV 140: Wachet auf, ruft uns die Stimme
producer:
Günter Appenheimer (producer/engineer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Richard Edlinger (conductor and composer) (in 1988-01)
arranger:
Peter Breiner (pianist, conductor, composer)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1988-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
5:50
5Two-part Inventions, No. 8 in F major, BWV 779
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1991-06-21 until 1991-06-22)
recorded at:
House of Arts (Szekszárd) in Szekszárd, Tolna (Tolna County), Hungary (from 1991-06-21 until 1991-06-22)
recording of:
Inventio Nr. 8 F-Dur, BWV 779 (from 1991-06-21 until 1991-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
15 Inventions, BWV 772-786 (number: 8) and Bach-Werke-Verzeichnis (number: BWV 779)
0:56
6The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C major, BWV 846
engineer:
János Bohus (Hungarian sound engineer.) (in 1995-12)
producer:
Ibolya Tóth (in 1995-12)
editor:
István Berényi (engineer) (in 1995-12)
piano:
Jenő Jandó (pianist) (from 1995-12-02 until 1995-12-10)
recorded at:
Unitarian Church in Budapest, Hungary (from 1995-12-02 until 1995-12-10)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 (from 1995-12-02 until 1995-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
4:27
7The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 6 in D minor, BWV 851
engineer:
János Bohus (Hungarian sound engineer.) (in 1995-12)
producer:
Ibolya Tóth (in 1995-12)
editor:
István Berényi (engineer) (in 1995-12)
piano:
Jenő Jandó (pianist) (from 1995-12-02 until 1995-12-10)
recorded at:
Unitarian Church in Budapest, Hungary (from 1995-12-02 until 1995-12-10)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 6 in D minor, BWV 851 (from 1995-12-02 until 1995-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 851), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 851.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 851), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 851) and Bach Compendium (number: BC L 85)
part of:
The Well-Tempered Clavier, Book I
3:15
8The Well-Tempered Clavier, Book 2, Prelude & Fugue No. 12 in F minor, BWV 881
piano:
Jenő Jandó (pianist) (from 1993-09-14 until 1993-09-17)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 12 in F minor, BWV 881 (from 1993-09-14 until 1993-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
Bach-Werke-Verzeichnis (number: BWV 881)
part of:
The Well-Tempered Clavier, Book II
5:51
9Oboe Concerto in G minor, BWV 1056: II. Largo
engineer:
Gabriele Albert (in 1996-11)
producer:
Uwe Walter (classical engineer)
oboe:
Christian Hommel (oboist) (in 1996-11)
orchestra:
Cologne Chamber Orchestra (in 1996-11)
conductor:
Helmut Müller‐Brühl (conductor) (in 1996-11)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (from 1997 to ????)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1996-11)
recording of:
Concerto for Oboe in G minor, BWV 1056: II. Largo (in 1996-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe in G minor, BWV 1056
2:51
10Allemande, BWV 836
piano:
Wolfgang Rübsam (organist)
recording of:
Allemande in G minor, BWV 836
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Wilhelm Friedemann Bach (German composer)
part of:
Bach-Werke-Verzeichnis (number: BWV 836)
2:50
11Minuet in G major, BWV 841
piano:
Wolfgang Rübsam (organist)
recording of:
Menuet 1 in G, BWV 841
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1722) and Bach-Werke-Verzeichnis (number: BWV 841)
arrangement of:
Menuett (Petri free arrangement of BWV 841-3)
1:51
12Minuet in G minor, BWV 842
piano:
Wolfgang Rübsam (organist)
recording of:
Menuet 2 in G, BWV 842
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 842)
arrangement of:
Menuett (Petri free arrangement of BWV 841-3)
1:12
13Violin Concerto in A minor, BWV 1041: III. Allegro assai
piano:
Terence Dennis
violin:
西崎崇子 (Takako Nishizaki, violinist)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
3:53
14The Well-Tempered Clavier, Book 1, Prelude No. 3 in C sharp major, BWV 848
piano:
Wolfgang Rübsam (organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 3 in C-sharp major, BWV 848.2/848
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 848), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 848.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 848) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 848)
part of:
The Well-Tempered Clavier, Book I
1:48
15The Well-Tempered Clavier, Book 1, Prelude No. 5 in D major, BWV 850
piano:
Wolfgang Rübsam (organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 5 in D major, BWV 850.2/850: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Klavierbüchlein für Wilhelm Friedemann Bach (number: 17)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 5 in D major, BWV 850.2/850
1:08
16The Well-Tempered Clavier, Book 1, Prelude No. 10 in E minor, BWV 855a
piano:
Wolfgang Rübsam (organist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855
1:56
17Goldberg Variations, BWV 988: Aria
harpsichord:
Anne-Catherine Bucher
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:59
18Violin Partita No. 2 in D minor, BWV 1004: III. Sarabande
violin:
Ilya Kaler (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
4:27
19Concerto for Two Violins in D minor, BWV 1043: I. Vivace
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Alexander Jablokov (violinist) (from 1989-05-28 until 1989-06-02) and Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
4:01
20Prelude & Fugue in A minor, BWV 894: II. Fugue
piano:
Jenő Jandó (pianist)
recording of:
Präludium und Fuge a-Moll, BWV 894: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge a-Moll, BWV 894
4:29
21Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro
conductor:
Andrés Gabetta (violinist)
performer:
Swiss Baroque Soloists
recorded at:
Temple Saint-Jean de Mulhouse in Mulhouse, Haut-Rhin, Grand Est (Great East), France
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 2005-04-25 until 2005-05-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:18
22Motet, BWV 226: Der Geist hilft unser Schwachheit auf
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1996-02-05 until 1996-02-07)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-05 until 1996-02-07)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226 (from 1996-02-05 until 1996-02-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-10-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 226) and Bach Compendium (number: BC C 2)
7:39