| # | Title | Artist | Rating | Length |
|---|
| 1 | Beyond the Sea | Robbie Williams | 3.4 | 4:30 |
| 2 | I Get a Kick Out of You | Jamie Cullum | 4 | 4:12 |
| 3 | Peroxide Swing | Michael Bublé | 2.5 | 2:38 |
| 4 | Come Fly With Me | James Darren | | 3:07 |
| 5 | That’s Amore | Dean Martin | 4.35 | 3:07 |
| 6 | Mack the Knife | Bobby Darin | | 3:22 |
| 7 | Music to Watch Girls By | Matt Monro | | 2:11 |
| 8 | It Don’t Mean a Thing If It Ain’t Got That Swing | Chantz | | 2:25 |
| 9 | Fever | Gwyneth Herbert | | 4:02 |
| 10 | My Favourite Things | Anita Baker & Cyrus Chestnut | | 3:42 |
| 11 | Let’s Call the Whole Thing Off- recorded in:
- Los Angeles, California, United States (on 1957-07-23)
- double bass:
- Ray Brown (on 1957-07-23)
- drums (drum set):
- Louie Bellson (in 1957, on 1957-07-23)
- guitar:
- Herb Ellis (in 1957, on 1957-07-23)
- piano:
- Oscar Peterson (in 1957, on 1957-07-23)
- trumpet:
- Louis Armstrong (in 1957, on 1957-07-23)
- vocals:
- Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (in 1957, on 1957-07-23)
- performer:
- Ella Fitzgerald
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
- cover recording of:
- Let’s Call the Whole Thing Off (on 1957-07-23)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Gershwin Publishing Corp (in 1937)
- translated version of:
- Vamos a dejarlo ya (Let's Call the Whole Thing Off)
- part of:
- Shall We Dance
| Ella Fitzgerald & Louis Armstrong | 3.65 | 4:12 |
| 12 | Splanky | Count Basie | | 3:34 |
| 13 | That Ole Devil Called Love | Alison Moyet | 3 | 3:06 |
| 14 | Love Me or Leave Me | Nina Simone | 4 | 4:04 |
| 15 | In the Mood | Glenn Miller | 3.75 | 3:37 |
| 16 | Papa Loves Mambo- bass:
- Joe Mondragon (on 1954-10-18)
- cello:
- Cy Bernard (on 1954-10-18) and Eleanor Slatkin (on 1954-10-18)
- drums (drum set):
- Lee Young (on 1954-10-18)
- guitar:
- Al Hendrickson (on 1954-10-18)
- harp:
- Ann Mason Stockton (on 1954-10-18)
- percussion:
- Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (on 1954-10-18)
- piano:
- Bill Miller (on 1954-10-18)
- reeds:
- Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
- trombone:
- Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
- trumpet:
- Johnny Best (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
- viola:
- Alvin Dinkin (on 1954-10-18) and Stanley Harris (on 1954-10-18)
- violin:
- Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (on 1954-10-18), Eudice Shapiro (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
- choir vocals:
- [unknown] (on 1954-10-18)
- vocals:
- Nat King Cole (on 1954-10-18)
- orchestra:
- Billy May & His Orchestra (on 1954-10-18)
- conductor:
- Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
- arranger:
- Billy May and Nelson Riddle
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-10-18)
- cover recording of:
- Papa Loves Mambo (on 1954-10-18)
- writer:
- Al Hoffman, Dick Manning and Bickley Reichner
| Nat King Cole | | 2:43 |
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