ChartBoxx: One Hit Wonders

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1I Like Chopin
phonographic copyright (℗) by:
BMG Music (in 1983)
recording of:
I Like Chopin
lyricist:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
composer:
Pierluigi Giombini (arranger ,composer and producer)
publisher:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:10
2Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:54
3On My Way in L.A.
recording of:
On My Way in L.A
writer:
Phil Carmen and Simon Dale Sanders (songwriter)
publisher:
Hanseatic GmbH (publisher), Hanseatic Musikverlag GmbH (1964–2001), Intersong (publisher) and Intersong Musikverlag GmbH (publisher)
Phil Carmen3:57
4How Bizarre
additional engineer and additional mixer:
Rick Huntington
engineer and producer:
Alan Jansson
accordion:
Hershal Herscher
guitar:
Lee Baker (NZ guitarist)
trumpet:
George Chisholm (jazz trombonist (1915-1997))
background vocals:
Sina Saipaia
phonographic copyright (℗) by:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
writer:
Pauly Fuemana and Alan Jansson
publisher:
Lamont Music
part of:
APRA Top 100 New Zealand Songs of All Time (number: 34)
OMC3.953:46
5What’s Up
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.94:57
6Far From Over
engineer:
Joel W. Moss
producer:
Johnny Mandel (American composer and arranger)
arranger:
Vince DiCola and Frank Stallone
recording of:
Far From Over (Staying Alive)
writer:
Vince DiCola and Frank Stallone
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Frank Stallone3:55
7Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:08
8Take That Look Off Your Face
recorded in:
United Kingdom
recording engineer:
David Hamilton Smith (engineer), Nigel Green (engineer), Dave Harris (Recording engineer at Morgan Studios, London) and Martyn Webster (engineer)
engineer:
Gary Moore (mastering engineer) (task: digital engineering)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
vocals:
Marti Webb (actress and singer)
arranger:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Ltd. (The Really Useful Company Limited) (in 1980)
recording of:
Take That Look Off Your Face
additional lyricist:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
lyricist:
Don Black (English lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and The Really Useful Company Ltd. (The Really Useful Company Limited)
part of:
Song & Dance (Andrew Lloyd Webber musical)
part of:
Tell Me on a Sunday (full musical)
Marti Webb3:29
9Live Is Life
drums (drum set):
Günter Grasmuck (on 1984-09-02)
electric bass guitar:
Niki Gruber (on 1984-09-02)
guitar:
Ewald Pfleger (on 1984-09-02)
keyboard:
Kurt René Plisnier (on 1984-09-02)
lead vocals:
Herwig Rüdisser (on 1984-09-02)
phonographic copyright (℗) by:
OK Music (in 1984) and Deshima Music GmbH (in 2000)
recorded at:
Informstadion in Oberwart, Burgenland, Austria (on 1984-09-02)
music videos:
Live Is Life by Opus (Austrian band; track: “Live Is Life”)
live recording of:
Live Is Life (song by Opus) (on 1984-09-02)
lyricist:
Ewald Pfleger
composer:
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier and Herwig Rüdisser
publisher:
Garden of Music Publishing and Opus Music (Publisher for Opus)
Opus3.54:13
10Hang On Sloopy
recording of:
Hang On Sloopy
writer:
Bert Russell Berns and Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc and Robert Mellin Music, Inc.
The McCoys33:52
11Hey Paula
vocals:
Ray Hildebrand and Jill Jackson
recording of:
Hey Paula (in 1962)
lyricist and composer:
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:31
12Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
writer:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson and Graham Turner
publisher:
Warner Chappell North America and Warner/Chappell North America
part of:
Goodbye
Steam53:45
13Love Is Blue
Paul Mauriat & His Orchestra2:38
14Pilot of the Airwaves
recording of:
Pilot of the Airwaves
lyricist and composer:
Charlie Dore
Charlie Dore3:46
15I Don’t Mind at All
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1987)
recording of:
I Don’t Mind at All
writer:
Brent Bourgeois and Lyle Workman
Bourgeois Tagg2:34
16Escape (The Pina Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Geffen Records, Infinity Records Inc. and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:38
17Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:56
18If I Ever Fall in Love
Shai4:45
19There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:43
20Arabic Affair (instrumental)
Abdul Hassan Orchestra3:40