Simply Mahler

~ Release by Mahler (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Symphony No. 5: 1st Movement (excerpt)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
partial recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
5:00
2Symphony No. 5: 4th Movement - Adagietto
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
9:58
3Symphony No. 1: 2nd Movement
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
7:50
4Symphony No. 1: 3rd Movement (excerpt)
orchestra:
Chicago Symphony Orchestra (in 1983-10)
conductor:
Sir Georg Solti (conductor) (in 1983-10)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-10)
partial recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1983-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
8:00
5Symphony No. 4: 3rd Movement (excerpt)
orchestra:
Chicago Symphony Orchestra (in 1983-04)
conductor:
Sir Georg Solti (conductor) (in 1983-04)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-04)
partial recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1983-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
4:40
6Symphony No. 4: 4th Movement
sound engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1983-04)
orchestra:
Chicago Symphony Orchestra (in 1983-04)
conductor:
Sir Georg Solti (conductor) (in 1983-04)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1984)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1983-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
8:29
7Symphony No. 7: 2nd Movement (excerpt)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
3:53
8Symphony No. 3: 2nd Movement
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
orchestra:
Chicago Symphony Orchestra (in 1982-11)
conductor:
Sir Georg Solti (conductor) (in 1982-11)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1982-11)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1982-11)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
9:54
9Symphony No. 6: Andante (excerpt)
orchestra:
Chicago Symphony Orchestra (from 1970-03 until 1970-04)
conductor:
Sir Georg Solti (conductor) (from 1970-03 until 1970-04)
recorded at:
Medinah Temple in Chicago, Illinois, United States (from 1970-03 until 1970-04)
partial recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (from 1970-03 until 1970-04)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
4:42
10Symphony No. 2 "Resurrection" - conclusion
choir vocals:
Chicago Symphony Chorus
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
5:53
11Symphony No. 8 "Symphony of a Thousand": Dir, der Unberührbaren (excerpt)
choir vocals:
Vienna Singverein and Vienna State Opera Chorus (Wiener Staatsoper Choir)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium))
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
3:41
12Symphony No. 8 "Symphony of a Thousand": Alles vergängliche (final chorus)
engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer)
baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09), Vienna Singverein (in 1971-09) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-09)
contralto vocals:
Helen Watts (contralto) (in 1971-09)
mezzo-soprano vocals:
Yvonne Minton (mezzo-soprano) (in 1971-09)
soprano vocals:
Heather Harper (soprano) (in 1971-09) and Lucia Popp (soprano) (in 1971-09)
tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (in 1971-09)
conductor:
Sir Georg Solti (conductor) (in 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (in 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:32