La sonnambula (1957 studio remastered)

~ Release by Giuseppe Verdi; Maria Callas, Nicola Monti, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto (see all versions of this release, 7 available)

Annotation

℗ & © «A Warner Classics release»
© «2014 Parlophone Records Limited»
℗ «1957, 2014 Parlophone Records Limited»

Countries excluded (Spotify + Deezer)

(As of 2024-10-09).

  • Caribbean: 🇦🇮 Anguilla (ai) 🇰🇾 Cayman Islands (ky) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇬 British Virgin Islands (vg)
  • South America: 🇫🇰 Falkland Islands (fk)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Polynesia: 🇵🇳 Pitcairn (pn)
Annotation last modified on 2024-10-09 09:17 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1La sonnambula: Atto I. “Viva! Viva Amina!” - “Tutto è gioia, tutto è festa” (Coro, Lisa, Alessio)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. Cavatina “Tutto è gioia” (Coro, Lisa, Alessio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
recording of:
La sonnambula: Atto I, scena 1. Coro d’introduzione “Viva Amina!” [1] (voci lontane)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
recording of:
La sonnambula: Atto I, scena 1. Stretta dell'introduzione “Viva Amina!” [2] (Coro, Lisa, Alessio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:34
2La sonnambula: Atto I. “In Elvezia non v’ha rosa” (Coro, Lisa, Alessio)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “In Elvezia non v’ha rosa” (Coro, Lisa, Alessio) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:29
3La sonnambula: Atto I. “Care compagne” (Amina, Coro)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Amina]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
partial recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:10
4La sonnambula: Atto I. “Come per me sereno” - “Sempre, o felice Amina” (Amina, Coro)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Amina]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
partial recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:02
5La sonnambula: Atto I. “Sovra il sen la man mi posa” (Amina, Teresa, Coro)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Amina]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:38
6La sonnambula: Atto I. “Io più di tutti, o Amina” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo “Io più di tutti” (Alessio, Amina, Lisa, Teresa, Coro, Notaro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:19
7La sonnambula: Atto I. “Perdona, o mia diletta” (Elvino, Amina, Coro, Notaro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Perdona, o mia diletta” (Elvino, Amina, Notaro, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:45
8La sonnambula: Atto I. “Scritti nel ciel già sono” - “Ah! vorrei trovar parola” (Coro, Elvino, Amina, Lisa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Scritti nel ciel già sono” … “Ah! Vorrei trovar parole” (Tutti, Elvino, Amina, Lisa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:16
9La sonnambula: Atto I. “Domani, appena aggiorni” (Elvino, Coro, Amina)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Amina]:
Maria Callas (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, Scena 1. Recitativo e cavatina “Domani, appena aggiorni” (Elvino, Tutti, Amina)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini0:23
10La sonnambula: Atto I. “Come noioso e lungo il cammin” - “Vi ravviso, o luoghi ameni” - “È gentil, leggiadra molto” (Rodolfo, Lisa, Amina, Coro, Elvino, Teresa)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Amina]:
Maria Callas (soprano)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Come noioso e lungo il cammin” … “Vi ravviso, o luoghi ameni” … “È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini6:26
11La sonnambula: Atto I. “Contezza del paese” (Elvino, Rodolfo, Teresa, Lisa, Coro)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e coro “Contezza del paese avete voi?” (Elvino, Rodolfo, Teresa, Lisa, coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:19
12La sonnambula: Atto I. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:57
13La sonnambula: Atto I. “Basta così. Ciascuno si attenga” (Rodolfo, Teresa, Amina, Lisa, Elvino, Rodolfo, Alessio, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Basta così” (Rodolfo, Teresa, Elvino, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:22
14La sonnambula: Atto I. “Elvino! E me tu lasci” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Elvino! E me tu lasci” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:26
15La sonnambula: Atto I. “Son geloso del zefiro errante” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Duetto “Son geloso del zefiro errante” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:56
16La sonnambula: Atto I. “Davver, non mi dispiace” (Rodolfo, Lisa)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2: “Davver, non mi dispiace” (Rodolfo, Lisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:06
17La sonnambula: Atto I. “Che veggio?” (Rodolfo, Amina, Lisa)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
soprano vocals [Amina]:
Maria Callas (soprano)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “Che veggio?” (Rodolfo, Amina, Lisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:30
18La sonnambula: Atto I. “O ciel! che tento?” (Rodolfo, Amina)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
soprano vocals [Amina]:
Maria Callas (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “O ciel! Che tento” (Rodolfo, Amina)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:39
19La sonnambula: Atto I. “Osservate. L’uscio è aperto” (Coro)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto” (Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:56
20La sonnambula: Atto I. “È menzogna” (Elvino, Coro, Lisa, Amina)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Amina]:
Maria Callas (soprano)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “È menzogna” … “Oh me, infelice” (Elvino, Coro, Lisa, Amina, Alessio, Teresa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:05
21La sonnambula: Atto I. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Amina]:
Maria Callas (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:21
22La sonnambula: Atto I. “Non più nozze” (Elvino, Coro, Amina, Lisa, Alessio, Teresa)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals [Amina]:
Maria Callas (soprano)
soprano vocals [Lisa]:
Eugenia Ratti (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. Stretta del finale primo “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:46
23La sonnambula: Atto II. “Qui la selva è più folta ed ombrosa” (Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Coro d’introduzione “Qui la selva” (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:54
24La sonnambula: Atto II. “Reggimi, o buona madre” (Amina, Teresa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Scena ed aria “Reggimi, o buona madre” (Amina, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:35
25La sonnambula: Atto II. “Vedi, o madre....è afflitto e mesto” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Vedi, oh madre… E afflitto e mesto” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:25
26La sonnambula: Atto II. “Viva il Conte!” (Voci lontani, Elvino, Amina, Teresa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Viva il Conte!” (Voci lontane, Elvino, Amina, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:28
27La sonnambula: Atto II. “Ah! perché non posso odiarti” (Elvino, Teresa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti” (Elvino, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:57
28La sonnambula: Atto II. “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. Quartetto “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:56
29La sonnambula: Atto II. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:36
30La sonnambula: Atto II. “Signor?…che creder deggio?” (Elvino, Rodolfo, Teresa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2: Scena ed aria, finale “Signor? Che creder deggio?” (Elvino, Rodolfo, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:43
31La sonnambula: Atto II. “Oh! Se una volta sola” (Amina, Rodolfo, Teresa, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:33
32La sonnambula: Atto II. “Ah! non credea mirarti” (Amina, Elvino)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
other vocals and tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:44
33La sonnambula: Atto II. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Amina]:
Maria Callas (soprano)
tenor vocals [Elvino]:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto II, scena 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:15
34La sonnambula: Atto II. “Ah! non giunge uman pensiero” (Amina, Coro)
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:10