German Baroque Sacred Music: Passion‐Resurrection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Johannes Passion, BWV 245: Zweiter Teil: Recitativo (Evangelist, Jesu): Und von Stund an
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:33
2Johannes Passion, BWV 245: Zweiter Teil: Aria (A): Es ist vollbracht
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach5:16
3Johannes Passion, BWV 245: Zweiter Teil: Recitativo (Evangelist): Und neigte das Haupt
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:33
4Johannes Passion, BWV 245: Zweiter Teil: Aria (B) con coro: Mein treurer Heiland
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:59
5Johannes Passion, BWV 245: Zweiter Teil: Recitativo (Evangelist): Und siehe da
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:29
6Johannes Passion, BWV 245: Zweiter Teil: Arioso (T): Mein Herz!
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:48
7Johannes Passion, BWV 245: Zweiter Teil: Aria (S): Zerfliesse mein Herz
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:49
8Johannes Passion, BWV 245: Zweiter Teil: Recitativo (Evangelist): Die Juden aber
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:11
9Johannes Passion, BWV 245: Zweiter Teil: Choral: O hilf Christe
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn"
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:04
10Johannes Passion, BWV 245: Zweiter Teil: Recitativo (Evangelist): Darnach bat Pilatus
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:57
11Johannes Passion, BWV 245: Zweiter Teil: Coro: Ruht wohl
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:38
12Johannes Passion, BWV 245: Zweiter Teil: Choral: Ach Herr, lass dein lieb’Engelein
orchestra:
Les Agrémens (Belgian instrumental baroque ensemble)
conductor:
Guy Van Waas (Belgian conductor, clarinetist, organist)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein"
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:37
13Christ lag in Todesbanden BWV 625
organ:
Bernard Foccroulle (Belgian instrumentalist (organ, harpsichord), composer and opera director)
recorded at:
Klosterkirche Muri in Muri, Aargau, Switzerland
recording of:
Choralvorspiele für Orgel in a-Moll, BWV 625 "Christ lag in Todesbanden"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 27) and Bach-Werke-Verzeichnis (number: BWV 625)
Johann Sebastian Bach1:43
14Christ lag in Todesbanden, BWV 4: Sinfonia
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:03
15Christ lag in Todesbanden, BWV 4: Christ lag in Todesbanden (Coro)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Christ lag in Todesbanden: II. Choral “Christ lag in Todesbanden”
composer:
Johann Kuhnau (composer)
part of:
Christ lag in Todesbanden
Johann Sebastian Bach3:43
16Christ lag in Todesbanden, BWV 4: Den Tod niemand zwingen kann (SA)
alto vocals:
Steve Dugardin (Belgian counter-tenor vocalist)
soprano vocals:
Greta de Reyghere (Belgian soprano singer)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:38
17Christ lag in Todesbanden, BWV 4: Jesus Christus Gottes Sohn (T)
tenor vocals:
Ian Honeyman
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:09
18Christ lag in Todesbanden, BWV 4: Es war ein wunderlicher Krieg (SATB)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:48
19Christ lag in Todesbanden, BWV 4: Hier ist das rechte Osterlamm (B)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:08
20Christ lag in Todesbanden, BWV 4: So feiern wir das hohe Fest (ST)
soprano vocals:
Greta de Reyghere (Belgian soprano singer)
tenor vocals:
Ian Honeyman
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:50
21Christ lag in Todesbanden, BWV 4: Wir essen und leben wohl (Coro)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 1995-05)
conductor:
Pierre Cao (composer and conductor) (in 1995-05)
recorded at:
Eglise Saint-Jacques (Liège) in Liège, Liège (Province of Liège), Wallonie (Wallonia), Belgium (in 1995-05)
live recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:36
22Ich habe genug, BWV 82: Aria: Ich habe genug
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:54
23Ich habe genug, BWV 82: Recitativo: Ich habe genug
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:02
24Ich habe genug, BWV 82: Aria: Schlummert ein
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:15
25Ich habe genug, BWV 82: Recitativo: Mein gott!
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:49
26Ich habe genug, BWV 82: Aria: Ich freue mich auf meinen Gott
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Ricercar Consort (Belgian classical music ensemble)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:34