Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Die Piraten: Akt II. “Ein Kinderchef für dies Piratenschloss, gehorchen wir dem jungen neuen Boss”
Orchester:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan3:55
2Die Piraten: Akt II. “Sie glauben doch etwa nicht, dass meine Matrosen mit dem Schiff desertiert sind”
Orchester:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan0:39
3Die Piraten: Akt II. “Unerhört, das werd' ich nicht erlauben”
Orchester:
Köln Rundfunk Orchester
conductor:
Franz Marszalek (conductor and composer) (in 1968-06)
Gilbert & Sullivan6:02
4Campbell Soups (commercial)Martyn Green1:06
5The Mikado: “Three Little Maids”
vocals:
Ella Fitzgerald (American jazz singer) (in 1963), Dinah Shore (in 1963) und Joan Sutherland (soprano) (in 1963)
live recording of:
The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) (in 1963)
Texter:
W.S. Gilbert (English dramatist, librettist, poet and illustrator)
Komponist(in):
Arthur Sullivan (Sir Arthur Sullivan, composer)
Teil von:
The Mikado: Act I
Joan Sutherland, Ella Fitzgerald and Dinah Shore2:03
6Madama Butterfly: “Un bel di vedremo”
Sprecher:
Noël Coward
vocals:
Mary Martin (US film and musical actor/singer)
recording of:
Madama Butterfly: “One Fine Day” (trans. Elkin)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Übersetzer:
Rosette Helen Elkin
übersetzte Version von:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Noël Coward introduces and coaches Mary Martin4:28
7Cathedral (Winchester Cathedral)
Baritongesang:
Robert Merrill (American operatic baritone)
Tenor-Gesang:
Jan Peerce (operatic tenor)
recording of:
Winchester Cathedral
Texter und Komponist(in):
Geoff Stephens
publisher:
Meteor Music und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Jan Peerce and Robert Merrill1:33
8Samson et Dalila : « Mon cœur s'ouvre à ta voix »
Tenor-Gesang:
Armand Tokatyan (Bulgarian-Armenian operatic tenor) (in 1933)
vocals:
Mae West (in 1933)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (in 1933)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Mae West and Armand Tokatyan3:03
9The Boy (bossa nova)
Soprangesang:
Evelyn Lear (soprano)
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Evelyn Lear2:43
10Night and Day
vocals:
Aksel Schiøtz (Danish tenor, later baritone)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Aksel Schiøtz3:04
11Mame: Bosom Buddies
Mezzosoprangesang:
Blanche Thebom (mezzo-soprano) (in 1967)
Soprangesang:
Eleanor Steber (soprano) (in 1967)
live recording of:
Bosom Buddies (in 1967)
Texter und Komponist(in):
Jerry Herman
Teil von:
Mame (full musical)
Eleanor Steber and Blanche Thebom3:22
12Blue Danube Swing
Soprangesang:
Lily Pons (soprano) (in 1938)
live recording of:
Blue Danube Swing (for coloratura soprano) (in 1938)
Komponist(in):
Fud Livingston
basiert auf:
An der schönen blauen Donau, op. 314
Lily Pons3:51
13A Big Brown Bear
Soprangesang:
Rosa Ponselle (soprano) (in 1934)
recording of:
The Big Brown Bear (in 1934)
Texter:
H. A. Weydt
Komponist(in):
Mana-Zucca (US composer)
Rosa Ponselle1:49
14Swedish Traditional
Soprangesang:
Elisabeth Söderström (soprano) (in 1981)
live recording of:
Swedish Traditional (in 1981)
Elisabeth Söderström1:48
15Our Voices Were Meant for Each Other
Soprangesang:
Helen Traubel (soprano) (in 1951)
vocals:
Jimmy Durante (comedian, actor, singer, pianist) (in 1951)
live recording of:
Our Voices Were Meant for Each Other (in 1951)
Verfasser(in):
Jimmy Durante (comedian, actor, singer, pianist)
Helen Traubel and Jimmy Durante7:26
16Cat Duet
Soprangesang:
Régine Crespin (soprano) (in 1982) und Leontyne Price (soprano) (in 1982)
live recording of:
Duetto buffo di due gatti (in 1982)
Komponist(in):
G. Berthold
vorher zugeschrieben zu:
Gioachino Rossini (composer)
basiert auf:
Otello: Atto II
Leontyne Price and Régine Crespin3:47
17Marianne
Mezzosoprangesang:
Marilyn Horne (American operatic mezzo-soprano) (in 1977)
live recording of:
Marianne (in 1977)
Marilyn Horne0:30
18The Fireman's Bride
Baritongesang:
Robert Merrill (American operatic baritone) (in 1949)
vocals:
Jeanette MacDonald (in 1949)
live recording of:
Up in Central Park: Act I. The Fireman's Bride (in 1949)
Komponist(in):
Sigmund Romberg
Teil von:
Up in Central Park: Act I
Jeanette MacDonald and Robert Merrill2:37
19Nymphs and Shepherd
Mezzosoprangesang:
Cathy Berberian (mezzo‐soprano) (in 1973)
live recording of:
The Libertine Destroyed, Z. 600: No. 1. "Nymphs and shepherds / We come" (in 1973)
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Libertine Destroyed, Z. 600
Cathy Berberian1:57
20An X-Rated Song
Streichquartett:
Budapest String Quartet (before 1967; do not use for Budapest Strings)
Bass-Gesang:
Ezio Pinza (operatic bass)
live recording of:
An X-Rated Song
Ezio Pinza with Budapest String Quartet3:06
21The Ame & Skit
Bass-Gesang:
Ezio Pinza (operatic bass) (in 1950)
Sprecher:
Judy Canova (in 1950) und Ezio Pinza (operatic bass) (in 1950)
recording of:
Te Ame & Skit (in 1950)
Ezio Pinza and Judy Canova7:52
22Bye, Bye Baby
Mezzosoprangesang:
Marilyn Horne (American operatic mezzo-soprano)
vocals:
Carol Channing
recording of:
Bye Bye Baby (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Horne and Carol Channing1:32
23People
Mezzosoprangesang:
Marilyn Horne (American operatic mezzo-soprano)
cover recording of:
People (Funny Girl)
Texter:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
Komponist(in):
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Funny Girl (Broadway musical)
Marilyn Horne4:20
24A Real Live Piano Player
Klavier:
Jimmy Durante (comedian, actor, singer, pianist)
Soprangesang:
Roberta Peters (soprano)
vocals:
Jimmy Durante (comedian, actor, singer, pianist)
recording of:
A Real Live Piano Player
Roberta Peters and Jimmy Durante4:16

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