Bach Adagios (BMG club edition)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD: CD: 1
#TitleRatingLength
1Orchestral Suite no. 3 in D major, BWV 1068: Air (Air on a G String)
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:16
2Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": "Sleepers Awake"
orchestra:
New Symphony of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
arranger:
Sir Granville Bantock (British composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements) (in 1958-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
2:31
3Concerto for Flute, Harpsichord, Strings, and Basso Continuo in A minor, BWV 1044 "Triple Concerto": Adagio, ma non tanto, e dolce
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
transverse flute:
Lisa Beznosiuk (flautist) (in 1984-03)
viola d'amore:
Simon Standage (English violinist and conductor) (in 1984-03)
violin:
Simon Standage (English violinist and conductor)
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": II. Adagio, ma non tanto e dolce (in 1984-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce
part of:
Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto"
5:42
4Cantata, BWV 156 "Ich steh mit einem Fuss im Grabe": Sinfonia
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor)
orchestra:
Camerata Bern
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
2:34
5Brandenburg Concerto no. 5 in D major, BWV 1050: Affettuoso
flute:
Jean‐Pierre Rampal (flautist) (in 1980-05)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1980-05)
violin:
Henryk Szeryng (violinist) (in 1980-05)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1980-05)
conductor:
Neville Marriner (conductor) (in 1980-05)
arranger:
Jacques Loussier
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-05)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (in 1980-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:44
6Goldberg Variations, BWV 988: Aria
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:53
7Italian Concerto in F major, BWV 971: Andante
producer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1976-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-05)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
5:45
8Concerto for Violin, Strings and Basso Continuo in A minor, BWV 1041: Andante
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1978-11-06 until 1978-11-11)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
solo violin:
Arthur Grumiaux (Belgian violinist)
violin:
Arthur Grumiaux (Belgian violinist) (from 1978-11-06 until 1978-11-11)
orchestra:
Les Solistes Romands (from 1978-11-06 until 1978-11-11)
conductor:
Arpad Gérecz (violinist/conductor) (from 1978-11-06 until 1978-11-11)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (from 1978-11-06 until 1978-11-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
6:08
9Keyboard Concerto no. 5 in F minor, BWV 1056: Largo
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
orchestra:
English Chamber Orchestra (in 1974-04)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:57
10Suite in D: Sarabande
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
4:07
11Oboe Concerto in F major, BWV 1053: Siciliano
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05, from 1982-05 until 1982-07)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1982-05) and Academy of St Martin in the Fields (from 1982-05 until 1982-07)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05, from 1982-05 until 1982-07)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-05, from 1982-05 until 1982-07)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oboe Concerto in F major, BWV 1053R
4:20
12Christmas Oratorio, BWV 248: Sinfonia
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
orchestra:
Munich Bach Orchestra (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (engineer) (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:17
13Sonata for Flute no. 3 in A minor, BWV 1032: Largo
flute:
Wilbert Hazelzet (flautist)
harpsichord:
Henk Bouman
recording of:
Sonata for Flute and Harpsichord in A major, BWV 1032: II. Largo e dolce
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonata for Flute and Harpsichord in A major, BWV 1032
3:28
14Lute Suite in G minor, BWV 995: Gavotte I/II en Rondeau
lute:
Narciso Yepes (classical guitarist)
recording of:
Suite for Lute in G minor, BWV 995: V. Gavotte I (Lute Suite in G Minor, BWV 995: Gavotte I)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1727 until 1731)
part of:
Suite for Lute in G minor, BWV 995 (original for lute)
recording of:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite for Lute in G minor, BWV 995: VI. Gavotte II en Rondeau
part of:
Suite in G minor, BWV 995 [trans. A minor]
5:06
15Motet, BWV 227 "Jesu, meine Freude": "Jesu, Priceless Treasure"
organ:
Simon Preston (organist, conductor, composer)
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 196)
is based on:
Jesu, meine Freude
part of:
Jesu, meine Freude, BWV 227
1:51
2▶CD: CD: 2