Kelly Blue

~ Release by Wynton Kelly (see all versions of this release, 17 available)

Tracklist

1▼CD
#TitleRatingLength
1Kelly Blue
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
instrumental recording of:
Kelly Blue
composer:
Wynton Kelly
publisher:
Orpheum Music
10:51
2Softly, as in a Morning Sunrise
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-03-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
6:32
3Do Nothin' Till You Hear From Me
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Do Nothin’ Till You Hear From Me (on 1959-03-10)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:26
4On Green Dolphin Street
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
On Green Dolphin Street (on 1959-03-10)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:44
5Willow Weep for Me
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Willow Weep for Me (on 1959-03-10)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
6:08
6Keep It Moving (take 4)
engineer:
Jack Higgins (recording engineer) (on 1959-02-10)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
recording of:
Keep It Moving (on 1959-02-10)
composer:
Wynton Kelly
publisher:
Orpheum Music
7:33
7Keep It Moving (take 3)
engineer:
Jack Higgins (recording engineer) (on 1959-02-10)
producer:
Orrin Keepnews
cornet:
Nat Adderley (on 1959-02-10)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-10)
flute:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (on 1959-02-10)
piano:
Wynton Kelly (on 1959-02-10)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-02-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-02-10)
recording of:
Keep It Moving (on 1959-02-10)
composer:
Wynton Kelly
publisher:
Orpheum Music
8:51
8Old Clothes
engineer:
Jack Higgins (recording engineer) (in 1959)
producer:
Orrin Keepnews
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-10)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-10)
piano:
Wynton Kelly (on 1959-03-10)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-03-10)
instrumental recording of:
Old Clothes
composer:
Wynton Kelly
publisher:
Orpheum Music
7:41

Credits

Release

liner notes:Orrin Keepnews
mastering:Jack Matthews (engineer, 1950s/60s)
artwork:Paul Bacon (American book and album cover designer and jazz musician)
rights society:BIEM (international rights organization representing member societies from 58 countries)
GEMA (German rights society; do not use this as a label or work publisher!)
manufactured by, distributed by and marketed by:ZYX Music
glass mastered at:ZYX Mastering
part of:Riverside Contemporary Series
20 Bit Remastered (Original Jazz Classics Series) (order: 1)
Discogs:https://www.discogs.com/release/2741661 [info]