Arias

~ Release by Bach; Angelika Kirchschlager, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Erfreute Zeit, from cantata no. 83 "Erfreute Zeit im neuen Bunde"
violin [baroque violin]:
Giuliano Carmignola (violinist)
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach6:57
2Vergnügte Ruh, from cantata no. 170 "Vergnügte Ruh, beliebte Seelenlust"
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:09
3Schlummert ein, ihr matten Augen, from cantata no. 82 "Ich habe genug"
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 82a "Ich habe genug": III. Aria (Soprano) "Schlummert ein, ihr matten Augen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 34)
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach9:45
4Nichts kann mich erretten, from cantata no. 74 "Wer mich liebet, der wird mein Wort halten"
violin [baroque violin]:
Giuliano Carmignola (violinist)
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach5:16
5Wo zwei und drei versammelt sind, from cantata no. 42 "Am Abend aber desselbigen Sabbats"
oboe [baroque oboe]:
Nicola Favaro and Stefanie Haegele
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alto) "Wo zwei und drei versammelt sind"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach10:19
6Herr, was du willst, from cantata no. 156 "Ich steh mit einem Fuss im Grabe"
oboe [baroque oboe]:
Stefanie Haegele
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach3:32
7Erbarme Dich, from St. Matthew Passion
violin [baroque violin]:
Giuliano Carmignola (violinist)
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:40
8Widerstehe doch der Sünde, from cantata no. 54 "Widerstehe doch der Sünde"
violin [baroque violin]:
Giuliano Carmignola (violinist)
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
Johann Sebastian Bach8:45
9Laudamus te, from B minor Mass
violin [baroque violin]:
Giuliano Carmignola (violinist)
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:15
10Sinfonia, from cantata no. 156 "Ich steh mit einem Fuss im Grabe"
oboe [baroque oboe]:
Stefanie Haegele
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach2:45
11Bereite dich Zion, from Christmas Oratorio
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:03
12Wie soll ich dich empfangen, chorale from Christmas Oratorio
vocals:
Angelika Kirchschlager (mezzo soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:34