Solti At The Ballet

~ Release by Sir Georg Solti, Orchestra of the Royal Opera House, Covent Garden, Israel Philharmonic Orchestra & Chicago Symphony Orchestra (see all versions of this release, 1 available)

Annotation

℗ & © «1957 Decca Music Group Limited»
℗ «This Compilation»

Excluded Regions (as of 2026-06-29)

🇮🇴 British Indian Ocean Territory, 🇵🇷 Puerto Rico

Annotation last modified on 2026-06-29 00:04 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Gaîté parisienne: 1. Overture
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:00
2Gaîté parisienne: 2. Allegro brillante
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: II. Allegro brillante (from « Mesdames de la halle ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:06
3Gaîté parisienne: 3. Polka
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: III. Polka (from « Voyages dans la lune ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:50
4Gaîté parisienne: 4. Allegro - Valse
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: IV. Ländler. Allegro (from « Lieschen et Fritzchen ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:36
5Gaîté parisienne: 5. Mazurka (Allegro)
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: V. Mazurka (from « Vert-Vert ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:13
6Gaîté parisienne: 6. Valse
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XI. Valse (from « La Périchole ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:50
7Gaîté parisienne: 7. (Allegro)
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: VII. Allegro (Danse péruvienne) (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:06
8Gaîté parisienne: 8. Polka
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: VIII. Polka (from « La Belle Hélène ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:19
9Gaîté parisienne: 9. Valse lente
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: IX. Valse lente (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach3:13
10Gaîté parisienne: 10. Tempo di marcia
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: X. Tempo di marcia (from « Trombalcazar ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:23
11Gaîté parisienne: 11. Valse
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XI. Valse (from « La Périchole ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:52
12Gaîté parisienne: 12. Allegro vivo - Valse
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
partial recording of:
Gaîté Parisienne: XII. Allegro vivo (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XIII. Valse (from 1960-05-26 until 1960-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:15
13Gaîté parisienne: 13. Allegro vivace. Misterioso
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XIV. Allegro vivace – Misterioso (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:07
14Gaîté parisienne: 14. Valse
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XV. Valse moderato (Pas de deux) (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:55
15Gaîté parisienne: 15. Allegro - Cancan
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XVI. Allegro vivo (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
recording of:
Gaîté Parisienne: XVII. Cancan (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:27
16Gaîté parisienne: 16. Quadrille - Cancan
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XVIII. Quadrille (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:35
17Gaîté parisienne: 17. Allegro moderato
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XIX. Allegro moderato (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:38
18Gaîté parisienne: 18. Allegro
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XX. Allegro (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:26
19Gaîté parisienne: 19. Leggiero
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XXI. Vivo (leggiero) (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:01
20Gaîté parisienne: 20. Vivo
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:07
21Gaîté parisienne: 21. Barcarolle
engineer:
Kenneth Wilkinson (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1960-05-26 until 1960-05-27)
conductor:
Sir Georg Solti (conductor) (from 1960-05-26 until 1960-05-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1960-05-26 until 1960-05-27)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1960-05-26 until 1960-05-27)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach4:47
22La Boutique Fantasque: Overture
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: I. Overture. Tempo di Marcia – Allegretto – Meno mosso – Même mouvement – Vivo (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi6:10
23La Boutique Fantasque: Tarantella
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
La boutique fantasque, P. 120
Ottorino Respighi2:47
24La Boutique Fantasque: Mazurka
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: III. Mazurka. Vivo – Lento – Moderato – Più vivo – Poco meno – Vivacissimo (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi5:24
25La Boutique Fantasque: Cossack Danse
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: IV. Danse Cosaque. Allegretto marcato – Animando un poco – Vivo – Allegretto brillante – Vivace (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi4:51
26La Boutique Fantasque: Can‐Can
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: V. Cancan. Allegretto grottesco – Vivacissimo – Poco meno vivo – Andantino mosso – Andantino mosso (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Péchés de vieillesse, Volume 10 "Miscellanée pour piano": No. 6. Petite Caprice (Style Offenbach)
part of:
La boutique fantasque, P. 120
Ottorino Respighi5:48
27La Boutique Fantasque: Valse lente
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: VI. Valse lente. Andantino moderato – Un poco più mosso – Con brio – Tempo I – Più animato – Tempo I (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi5:47
28La Boutique Fantasque: Nocturne
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: VII. Nocturne. Andantino – Allegretto (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi3:54
29La Boutique Fantasque: Galop
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1957-03-28 until 1957-03-29)
conductor:
Sir Georg Solti (conductor) (from 1957-03-28 until 1957-03-29)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
La Boutique fantasque: VIII. Galop. Vivacissimo – Allegro brillante – Prestissimo – Tempo I (from 1957-03-28 until 1957-03-29)
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
part of:
La boutique fantasque, P. 120
Ottorino Respighi4:55
30Swan Lake (Suite), Op. 20a, TH 219: 1. Scene - Swan Theme
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1875 until 1876)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Pyotr Ilyich Tchaikovsky2:46
31Swan Lake (Suite), Op. 20a, TH 219: 2. Valse in A
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse (in 1988-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
recording of:
Swan Lake: Act I. Waltz
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
recording of:
Valse (Swan Lake)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
Pyotr Ilyich Tchaikovsky6:55
32Swan Lake (Suite), Op. 20a, TH 219: 3. Danse des petits cygnes
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky1:34
33Swan Lake (Suite), Op. 20a, TH 219: 4. Scene
producer:
Michael Haas (classical music producer)
cello:
John Sharp (cellist) (in 1988-10)
harp:
Edward Druzinsky (harpist) (in 1988-10)
violin:
Rubén González (violinist)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky6:58
34Swan Lake (Suite), Op. 20a, TH 219: 5a. Danse Hongroise
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise (in 1988-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky3:11
35Swan Lake (Suite), Op. 20a, TH 219: 5b. Danse Espagnole
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole (in 1988-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:59
36Swan Lake (Suite), Op. 20a, TH 219: 5c. Danse Napolitaine
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1988-10)
conductor:
Sir Georg Solti (conductor) (in 1988-10)
balance engineer:
Stanley Goodall (engineer) (in 1988-10) and James Lock (James Locke, engineer) (in 1988-10)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1989)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1988-10)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine (in 1988-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:21
37Nutcracker Suite, Op. 71a: 1. Miniature Overture
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Pyotr Ilyich Tchaikovsky3:17
38Nutcracker Suite, Op. 71a: 2a. March
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky2:30
39Nutcracker Suite, Op. 71a: 2b. Dance of the Sugar‐Plum Fairy
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Pyotr Ilyich Tchaikovsky1:45
40Nutcracker Suite, Op. 71a: 2c. Russian Dance (Trepak)
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:07
41Nutcracker Suite, Op. 71a: 2d. Arabian Dance (Coffee)
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky3:37
42Nutcracker Suite, Op. 71a: 2e. Chinese Dance (Tea)
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Pyotr Ilyich Tchaikovsky1:14
43Nutcracker Suite, Op. 71a: 2f. Dance of the Reed‐Pipes
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Pyotr Ilyich Tchaikovsky2:41
44Nutcracker Suite, Op. 71a: 3. Waltz of the Flowers
producer:
Michael Haas (classical music producer)
orchestra:
Chicago Symphony Orchestra (in 1986-02)
conductor:
Sir Georg Solti (conductor) (in 1986-02)
balance engineer:
John Pellowe (audio engineer) (in 1986-02)
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 1987) and Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1986-02)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1986-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky7:13
45L’Apprenti sorcier
engineer:
James Brown (engineer) (task: stereo) and Gordon Parry (engineer) (task: mono)
producer:
John Culshaw and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1957)
conductor:
Sir Georg Solti (conductor) (in 1957)
recorded at:
Tifferet Cinema in Rishon LeZion, HaMerkaz (Central District), Israel (from 1957-03-28 until 1957-03-29)
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice) (in 1957)
composer:
Paul Dukas (French composer) (from 1896 until 1897)
Paul Dukas9:51