Sweet Soul of the ’70s (2020 Version)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: I Love Music
2▼CD: I Love Music
Nr.TitelKünstlerBewertungLänge
1Bad Luck, Part 1
recording of:
Bad Luck
Verfasser(in):
Victor Carstarphen (keyboardist, composer and producer), Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3:17
2Always and Forever
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976)
recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:34
3That Lady, Part 1
teilweise recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers53:19
4Kiss and Say Goodbye
Instrumente:
MFSB (Mother Father Sister Brother)
Hintergrundgesang:
Carla Benson, Evette Benton, Barbara Ingram und The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
Sologesang [singing voice on 1st lead]:
Gerald Alston
Sprecher [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
The Manhattans3.54:29
5I’ve Got to Use My Imagination
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 9)
recording of:
I’ve Got to Use My Imagination
Verfasser(in):
Gerry Goffin und Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips3.83:31
6Let Me Make Love to You
recording of:
Let Me Make Love to You
Verfasser(in):
Allan Felder und Bunny Sigler
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:39
7The Groove Line
assistierende(r) Techniker(in):
Mike Hedges (UK producer/recording engineer) und Andy Jackson (UK recording engineer/prog musician)
Techniker(in) und Mix:
James Guthrie
Produzent(in):
Barry Blue (singer, producer, and songwriter)
assistierende(r) Mix:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
Orchestrator(in):
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:16
8The Greatest Love of All
recording of:
The Greatest Love of All
Texter:
Linda Creed
Komponist(in):
Michael Masser
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited), EMI Music Publishing Australia Pty Ltd (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Golden Horizon Music Corp. (in 1986), Golden Torch Music Corp. (in 1986) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
George Benson3:35
9Just Don’t Want to Be Lonely
The Main Ingredient3:34
10I’m Doin Fine Now
recording of:
I’m Doin’ Fine Now
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:49
11I Wanna Know Your Name
recording of:
I Wanna Know Your Name
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
The Intruders5:52
12That’s the Way of the World
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 329)
recording of:
That’s the Way of the World
Verfasser(in):
Charles Stepney (musician, producer, arranger and songwriter), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Embassy Music Corporation und EMI April Music Inc.
Earth, Wind & Fire3.255:45
13The Way We Were, Try to Remember
Techniker(in) und Produzent(in):
Ralph Moss (engineer)
phonographisches Urheberrecht (℗) von:
Buddah Records, Inc. (in 1974)
aufgenommen bei:
Pine Knob Music Theatre in Clarkston, Michigan, Vereinigte Staaten (in 1974)
Bearbeitung von:
The Way We Were / Try to Remember (live, 1974: Pine Knob Music Theatre, Clarkston, MI, USA; ~4:48 single version) von Gladys Knight & the Pips
live medley including a recording of:
The Way We Were (in 1974)
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. und Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
live medley including a recording of:
Try to Remember (The Fantasticks) (in 1974)
Texter:
Tom Jones (musical theatre lyricist)
Komponist(in):
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) und Warner/Chappell Music Ltd. (1996–2019)
Gladys Knight & the Pips4:35
14Wildflower
The New Birth4:01
15Look at Me (I’m in Love)
The Moments3:18
3▶CD: Just to Be Close to You
4▶CD: Just to Be Close to You
5▶CD: Stone in Love With You
6▶CD: Stone in Love With You
7▶CD: Distant Lover
8▶CD: Distant Lover
9▶CD: The Sound of Philadelphia
10▶CD: The Sound of Philadelphia
11▶CD: Reunited