Tracklist

1CD
2CD
3CD
#TitleArtistRatingLength
1Counting the Beat
producer:
David Tickle
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1981) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 2002)
recording of:
Counting the Beat
writer:
Bones Hillman, Phil Judd and Buster Stiggs
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
part of:
APRA Silver Scroll Awards Winners (number: 1981) and APRA Top 100 New Zealand Songs of All Time (number: 4)
The Swingers3:01
2Lust for Life
Iggy Pop5:12
3Tubthumping
edit of:
Tubthumping (album version) by Chumbawamba
recording of:
Tubthumping (in 1996)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba4.353:59
4Dancing With Myself
engineer:
Nigel Walker (UK producer/engineer/guitarist)
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1980-09)
remixer:
Keith Forsey (drummer, producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
remix of:
Dancing With Myself (extended version) by Gen X (English post‐punk band aka “Gen X”)
recording of:
Dancing With Myself (in 1980-09)
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X4.354:50
5Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.63:45
6All Fired Up
assistant engineer:
Clif Norrell
engineer:
Paul Lini
producer:
Keith Forsey (drummer, producer and songwriter) and Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistant mixer:
Tim Leitner
mixer:
Chris Lord‐Alge
bass guitar:
Fernando Saunders
drums (drum set):
Myron Grombacher
guitar:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
percussion:
Bo Castro
lead vocals:
Pat Benatar
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar54:28
7Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:27
8Brown Eyed GirlVan Morrison3:04
9Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:52
10Forever Tuesday Morning
The Mockers3:42
11I’m on My Way
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:35
12Sierra Leone
recording of:
Sierra Leone
Coconut Rough3:38
13Underneath the Radar
recording of:
Underneath the Radar
writer:
Karl Hyde, Rick Smith (electronic producer, member of Underworld) and Alfie Thomas
Underworld5:07
14Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 112) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
15Keep Your Hands to Yourself
engineer and producer:
Jeff Glixman
bass guitar:
Rick Price (Georgia Satellites)
drums (drum set):
Mauro Magellan
guitar:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder) and Rick Richards (US rock/metal guitarist)
lead vocals:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1986)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 46)
recording of:
Keep Your Hands to Yourself
lyricist and composer:
Dan Baird (US singer/songwriter/guitarist, Georgia Satellites founder)
publisher:
Eleksylum Music Inc., No Surrender Music and Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
The Georgia Satellites4.43:26
16The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:53
17Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
drums (drum set):
John Keeble (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
18Here I Go Again
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Whitesnake3:53
19Theme From the Greatest American Hero (Believe It or Not)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981) and Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2004)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:14
20Closing Time
recording engineer and producer:
Nick Launay
assistant engineer:
Jim Champagne, Alex Oana, Shane Washington and Richard Werbowenko
mixer:
Jack Joseph‐Puig
bass guitar:
John Munson
drums (drum set):
Jacob Slichter
guitar and piano and lead vocals:
Dan Wilson (American singer/songwriter)
strings:
Bruce Allard, Mary Bahr, Carolyn Boulay, Troy Gardner and Josh Koestenbaum
vocals:
John Munson and Jacob Slichter
conductor:
Jacob Slichter
performer:
Semisonic
strings arranger:
Jacob Slichter
recorded at:
Seedy Underbelly (MN) in Minnesota, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Closing Time by Semisonic
part of:
Indie 88: Top 500 Indie Rock Songs (number: 367)
recording of:
Closing Time
lyricist and composer:
Dan Wilson (American singer/songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Semisonic3.74:36