La sonnambula

~ Release by Bellini; Maria Callas, Nicola Monti, Nicola Zaccaria, Eugenia Ratti, Fiorenza Cossotto, Orchestra e Coro del Teatro alla Scala di Milano, Antonino Votto (see all versions of this release, 7 available)

Tracklist

1▶CD
2▼CD
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1La sonnambula: Atto II, scena 1. “Qui la selva è più folta ed ombrosa”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Coro d’introduzione “Qui la selva” (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:53
2La sonnambula: Atto II, scena 1. “Reggimi, oh buona madre”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Scena ed aria “Reggimi, o buona madre” (Amina, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:34
3La sonnambula: Atto II, scena 1. “Vedi, oh madre… e afflitto e mesto“
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Vedi, oh madre… E afflitto e mesto” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:25
4La sonnambula: Atto II, scena 1. “Viva il conte!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Viva il Conte!” (Voci lontane, Elvino, Amina, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:27
5La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti” (Elvino, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:57
6La sonnambula: Atto II, scena 2. “E fia pur vero, Elvino”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. Quartetto “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:56
7La sonnambula: Atto II, scena 2. “Signor conte, agli occhi miei”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:35
8La sonnambula: Atto II, scena 2. “Signor? … che creder deggio?”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2: Scena ed aria, finale “Signor? Che creder deggio?” (Elvino, Rodolfo, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:43
9La sonnambula: Atto II, scena 2. “Oh! Se una volta sola”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:32
10La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
other vocals and tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:43
11La sonnambula: Atto II, scena 2. “No, più non reggo”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:15
12La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:08