| # | Title | Artist | Rating | Length |
|---|
| 1 | Killer | Adamski | 3.4 | 4:10 |
| 2 | Love Plus One | Haircut One Hundred | 4 | 3:36 |
| 3 | Perfect | Fairground Attraction | 4.25 | 3:36 |
| 4 | Maneater- assistant engineer:
- Bruce Buckhalter , Barry Harris and Michael Somer-Abbott
- engineer:
- Neil Kernon
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- mixer:
- Hugh Padgham
- phonographic copyright (℗) by:
- BMG Ariola Hamburg GmbH (in 1982), BMG Music (in 1982), RCA Records (in 1982), Sony BMG Music Entertainment (in 1982) and Sony Music Entertainment (in 1982)
- recording of:
- Maneater (in 1981-12)
- lyricist:
- Sara Allen, Daryl Hall and John Oates
- composer:
- Daryl Hall and John Oates
- publisher:
- BMG Rights Management (UK) Ltd. , Copyright Control , Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music and Warner/Chappell Music Ltd.
| Hall & Oates | 4.4 | 4:29 |
| 5 | Electric Avenue | Eddy Grant | | 3:43 |
| 6 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1983, in 1984) and MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4 | 4:30 |
| 7 | It Doesn’t Have to Be This Way | The Blow Monkeys | 3.35 | 3:58 |
| 8 | Boxer Beat | JoBoxers | 3 | 3:04 |
| 9 | Tell It to My Heart | Taylor Dayne | 3.75 | 3:38 |
| 10 | Our Lips Are Sealed | Fun Boy Three | 3.2 | 2:52 |
| 11 | Broken Wings- engineer:
- Paul DeVilliers
- producer:
- Paul DeVilliers and Mr. Mister
- bass guitar and lead vocals:
- Richard Page
- drums (drum set):
- Pat Mastelotto
- guitar:
- Steve Farris
- keyboard:
- Steve George
- phonographic copyright (℗) by:
- BMG Music (in 1985), RCA Records (in 1985) and Sony Music Entertainment (in 1985)
- recording of:
- Broken Wings
- writer:
- Steve George , John Lang and Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control , Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 3.85 | 4:39 |
| 12 | A New England | Kirsty MacColl | 4 | 3:53 |
| 13 | Bird of Paradise | Snowy White | | 4:06 |
| 14 | It’s My Party | Dave Stewart & Barbara Gaskin | | 3:45 |
| 15 | Feels Like I’m in Love | Kelly Marie | | 3:18 |
| 16 | Mickey | Toni Basil | 3.8 | 4:07 |
| 17 | We Close Our Eyes | Go West | 3.2 | 3:49 |
| 18 | Vienna- producer:
- Conny Plank and Ultravox
- bass:
- Chris Cross (in 1980-04)
- drums (drum set):
- Warren Cann (in 1980-04)
- guitar:
- Midge Ure (in 1980-04)
- keyboard and violin:
- Billy Currie (in 1980-04)
- vocals:
- Midge Ure (in 1980-04)
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1981, in 2025)
- recorded at:
- RAK Studios in London , England, United Kingdom (in 1980-04)
- mixed at:
- Conny’s Studio in Neunkirchen, Nordrhein-Westfalen , Germany (in 1980-05)
- edit of:
- Vienna by Ultravox
- music videos:
- Vienna by Ultravox and Vienna (uncut) by Ultravox
- recording of:
- Vienna (in 1980-04)
- writer:
- Warren Cann, Chris Cross , Billy Currie and Midge Ure
- publisher:
- Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. , Sing Sing Songs Ltd. and Universal Music Publishing Ltd.
| Ultravox | 3.35 | 4:37 |
| 19 | Rise to the Occasion | Climie Fisher | 2 | 4:48 |
| 20 | Missing You- producer:
- Gary Gersh, David Thoener and John Waite
- phonographic copyright (℗) by:
- EMI Records USA (in 1984) and EMI USA (in 1984)
- edit of:
- Missing You by John Waite
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.65 | 3:33 |