Tracklist

1CD
#TitleArtistRatingLength
1Organ Sonata in G, op. 28: I. Allegro maestoso
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (on 1989-08-31)
conductor:
Vernon Handley (conductor) (on 1989-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1989-08-31)
recording of:
Organ Sonata in G major, op. 28: I. Allegro maestoso (orchestrated by Jacob) (on 1989-08-31)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: I. Allegro maestoso
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Elgar8:33
2Organ Sonata in G, op. 28: II. Allegretto
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (on 1989-08-31)
conductor:
Vernon Handley (conductor) (on 1989-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1989-08-31)
recording of:
Organ Sonata in G major, op. 28: II. Allegretto (orchestrated by Jacob) (on 1989-08-31)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: II. Allegretto
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Elgar4:15
3Organ Sonata in G, op. 28: III. Andante Espressivo
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (on 1989-08-31)
conductor:
Vernon Handley (conductor) (on 1989-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1989-08-31)
recording of:
Organ Sonata in G major, op. 28: III. Andante espressivo (orchestrated by Jacob) (on 1989-08-31)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: III. Andante espressivo
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Elgar6:39
4Organ Sonata in G, op. 28: IV. Presto (Comodo)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Liverpool Philharmonic Orchestra (on 1989-08-31)
conductor:
Vernon Handley (conductor) (on 1989-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (on 1989-08-31)
recording of:
Organ Sonata in G major, op. 28: IV. Presto (orchestrated by Jacob) (on 1989-08-31)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: IV. Presto
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Elgar5:17
5The Dream of Gerontius, op. 38, Part 1: Prelude
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar10:05
6The Dream of Gerontius, op. 38, Part 1: Jesu, Maria - I Am Near to Death (Gerontius)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar3:00
7The Dream of Gerontius, op. 38, Part 1: So Pray for Me - Kerie Eleison - Holy Mary, Pray for Him (Gerontius / Chorus)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar2:21
8The Dream of Gerontius, op. 38, Part 1: Rouse Thee, My Fainting Soul (Gerontius / Chorus)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar3:40
9The Dream of Gerontius, op. 38, Part 1: Sanctus Fortis, Sanctus Deus (Gerontius)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar5:38
10The Dream of Gerontius, op. 38, Part 1: I Can No More (Gerontius / Chorus / Semi Chorus)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
Elgar5:40
11The Dream of Gerontius, op. 38, Part 1: Proficiscere, Anima Christiana (Priest/ Chorus/ Semi-Chorus)
assistant engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
engineer:
Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
organ:
Stephen Disley
bass vocals [The Priest]:
Michael George (operatic bass)
choir vocals:
Huddersfield Choral Society and Royal Liverpool Philharmonic Choir
tenor vocals [Gerontius]:
Anthony Rolfe Johnson (tenor)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
chorus master:
Brian Kay and Ian Tracey (organist and choir master)
concertmaster:
Malcolm Stewart (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1993-01-16 until 1993-01-17, on 1993-01-19)
recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Elgar6:39
2CD

Credits

Release

printed in:United Kingdom
illustration:Giovanni Guercino
distributed by:EMI (EMI Records, or EMI Music only if there is no other imprint)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
copyrighted (©) by and phonographic copyright (℗) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
marketed by:EMI (EMI Records, or EMI Music only if there is no other imprint)
ASIN:UK: B000025XWS [info]