A-Collection

~ Release by Bill Frisell (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Gimme A Holler
assistant engineer:
Jason Lehning
engineer:
Roger Moutenot
bass:
Viktor Krauss (US acoustic & electric bassist)
guitar:
Bill Frisell
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
engineered at:
Sound Emporium Studios in Nashville, Tennessee, United States (from 1995-09 until 1995-10, in 1996-11)
recording of:
Gimme a Holler
composer:
Bill Frisell
?:??
2Verona
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
acoustic guitar and guitar:
Bill Frisell (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set) and percussion:
Jim Keltner (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Verona
composer:
Bill Frisell
publisher:
Friz‐Tone Music
?:??
3Shenandoah
recording engineer and mixer:
Judy Clapp
drums (drum set) and percussion:
Jim Keltner
guitar:
Ry Cooder, Bill Frisell and Greg Leisz
organ and piano:
Wayne Horvitz
instrumental cover recording of:
Shenandoah
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 324)
?:??
4Egg Radio
assistant recording engineer:
Jeff Shannon (engineer) (in 1997) and Brett Swain (in 1997)
recording engineer and mixer:
Judy Clapp (in 1997)
engineer:
Greg Calbi (American mastering engineer)
assistant mixer:
Jeff Shannon (engineer) (in 1997), Mark Slagle (in 1997) and Brett Swain (in 1997)
bass:
Viktor Krauss (US acoustic & electric bassist) (in 1997)
drums (drum set):
Jim Keltner (in 1997)
guitar:
Bill Frisell (in 1997)
phonographic copyright (℗) by:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead) (in 1998) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recorded at:
O’Henry Sound Studios in Burbank, California, United States (in 1997)
mixed at:
Different Fur Recording in San Francisco, California, United States (in 1997)
recording of:
Egg Radio
composer:
Bill Frisell
publisher:
Friz‐Tone Music
?:??
5Good Dog Happy Man?:??
6Have A Little Faith In Me
recording engineer, engineer and mixer:
Joe Ferla
assistant engineer:
Robert Smith (engineer)
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Have a Little Faith in Me (Bill Frisell arr.) (in 1992-03)
composer:
John Hiatt (guitarist, pianist and singer-songwriter)
arranger:
Bill Frisell
arrangement of:
Have a Little Faith in Me
?:??
7Keep Your Eyes Open
assistant engineer:
Jason Lehning
engineer:
Roger Moutenot
bass:
Viktor Krauss (US acoustic & electric bassist)
guitar:
Bill Frisell
mandolin:
Adam Steffey (bluegrass mandolin player)
engineered at:
Sound Emporium Studios in Nashville, Tennessee, United States (from 1995-09 until 1995-10, in 1996-11)
recording of:
Keep Your Eyes Open
composer:
Bill Frisell
?:??
8Wildwood Flower
recording engineer and mixer:
Christian Jones
acoustic guitar and electric guitar:
Bill Frisell
recorded at and mixed at:
Möbius Music in San Francisco, California, United States
cover recording of:
Wildwood Flower (Carter family version)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI)
version of:
I'll Twine 'mid the Ringlets (parlour song, source for Wildwood Flower)
?:??
9Strange Meeting
assistant recording engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player) and Tony Viramontes
recording engineer:
Joe Ferla (in 1992-10)
producer:
Lee Townsend
assistant mixer:
Kevin Scott (engineer)
editor:
Mark Slagle
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (in 1992-10)
mixed at:
The Site in San Rafael, California, United States
edited at:
Different Fur Studios in San Francisco, California, United States
recording of:
Strange Meeting (in 1992-10)
composer:
Bill Frisell
?:??
10Just Like A Woman
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Just Like a Woman (Bill Frisell arr.) (in 1992-03)
composer:
Bob Dylan
arranger:
Bill Frisell
arrangement of:
Just Like a Woman
?:??
11When I Fall In Love
assistant engineer:
Robert Smith (engineer)
engineer:
Joe Ferla
assistant mixer:
Sam Hofstedt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recorded at:
RPM Studios in New York, New York, United States (in 1992-03)
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
When I Fall in Love (Bill Frisell arr.) (in 1992-03)
composer:
Edward Heyman and Victor Young (American composer, arranger, violinist & conductor)
arranger:
Bill Frisell
arrangement of:
When I Fall in Love
?:??

Credits

Release

ASIN:US: B00004W9S4 [info]