Jazz Like You've Never Heard It Before! - PolyGram CD Jazz Sampler ('GEMA' on disc)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Something's Coming
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson (US jazz engineer/producer)
producer:
Jim Davis (jazz producer)
double bass:
Ray Brown (jazz bassist) (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Something’s Coming (Tony) (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
The Oscar Peterson Trio3:55
2Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong2.854:59
3Count 'EmCount Basie5:23
4The Sweetest Sounds
cover recording of:
The Sweetest Sounds (from the 1962 Broadway musical “No Strings”)
lyricist and composer:
Richard Rodgers (composer) (in 1962)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company
Sarah Vaughan4:27
5Stardust
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
trumpet:
Clifford Brown (trumpet) (on 1955-01-20)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-01-20)
recording of:
Stardust (the jazz standard) (on 1955-01-20)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Clifford Brown3:24
6Corcovado (Quiet Nights)
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
Astrud Gilberto (from 1963-03-18 until 1963-03-19), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19) and Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
Corcovado (original Portuguese version) (from 1963-03-18 until 1963-03-19)
lyricist and composer:
Antônio Carlos Jobim
Stan Getz feat. João Gilberto, Astrud Gilberto & Antônio Carlos Jobim4:13
7Little Lulu
recorded in:
New York, New York, United States (on 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (on 1963-12-18)
producer:
Creed Taylor
double bass [bass]:
Gary Peacock (American jazz bassist) (on 1963-12-18)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1963-12-18)
piano:
Bill Evans (pianist) (on 1963-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-12-18)
instrumental cover recording of:
Little Lulu (on 1963-12-18)
writer:
Buddy Kaye, Sidney Lippman (American songwriter) and Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Bill Evans3:54
8Too Close for Comfort
Mel Tormé4:03
9Body and Soul
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1958-07-10)
recorded at:
Beltone Studios in New York, New York, United States (on 1958-07-10)
Sonny Rollins4:19
10Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music
Billie Holiday2.754:28
11Night Train
organ:
Jimmy Smith (US jazz organist) (on 1966-09-23)
performer:
Wes Montgomery
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1966-09-23)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Jimmy Smith and Wes Montgomery6:48
12Manhattan
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player)
double bass:
Milt Hinton
drums (drum set):
Panama Francis (US swing jazz drummer) (in 1959)
flute:
Jerome Richardson
guitar:
Kenny Burrell
piano:
Joe Zawinul (jazz and fusion keyboard player)
lead vocals:
Dinah Washington
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
Manhattan (from 1959-06 until 1959-08)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington24:18
13Djangology
engineer:
Gibbs Platen
producer:
Joachim-Ernst Berendt
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (from 1979-01-19 until 1979-01-21)
guitar:
Philip Catherine (Belgian jazz guitarist) (from 1979-01-19 until 1979-01-21) and Larry Coryell (from 1979-01-19 until 1979-01-21)
violin:
Stéphane Grappelli (jazz violinist) (from 1979-01-19 until 1979-01-21)
recorded at:
Tonstudio Zuckerfabrik in Stuttgart, Baden-Württemberg, Germany (from 1979-01-19 until 1979-01-21)
recording of:
Djangology (from 1979-01-19 until 1979-01-21)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Stéphane Grappelli33:24
14As Long as We're Together
Chuck Mangione3:47
15Armando's Rhumba
engineer:
Bernie Kirsh
producer:
Chick Corea (jazz pianist)
bass:
Stanley Clarke (in 1976-10)
handclaps:
Chick Corea (jazz pianist) and Narada Michael Walden
piano and synthesizer:
Chick Corea (jazz pianist) (in 1976-10)
violin:
Jean‐Luc Ponty (in 1976-10)
arranger:
Chick Corea (jazz pianist)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1976-10)
recording of:
Armando's Rhumba (in 1976-10)
composer:
Chick Corea (jazz pianist)
Chick Corea feat. Jean‐Luc Ponty & Stanley Clarke5:18