Century: La musique des siècles, Volume 14: L'Allemagne du baroque tardif

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Canon pour trois violons et basse continue
Johann Pachelbel3:42
2Frische Clavier Früchte : I-II Molto Adagio
Johann Kuhnau2:58
3Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
organ:
René Saorgin (French organist)
recording of:
Kommt her zu mir, spricht Gottes Sohn, BuxWV 201
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 201)
Dietrich Buxtehude2:40
4Messe en si mineur, BWV 232 : Agnus Dei
alto vocals:
Cantus Cölln (German vocal music ensemble)
conductor:
Konrad Junghänel (lutenist and conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2003-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
5Messe en si mineur, BWV 232 : Dona nobis pacem
choir vocals:
Cantus Cölln (German vocal music ensemble)
conductor:
Konrad Junghänel (lutenist and conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 2003-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
6Cantate "Weinen, Klagen, Sorgen, Zagen", BWV 12
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen” (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:08
7Passion selon saint Jean, BWV 245 : Chorus "Ruht wohl, ihr heiligen gebeine"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach7:28
8Passion selon saint Matthieu, BWV 244 : Chorus I & II "Kommt ihr Töchter, helft mir klagen"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
soprano vocals [Soprano in ripieno]:
Schola Cantorum Cantate Domino (Belgian boys choir) (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:03
9Concerto brandebourgeois nº 3 en Sol majeur, BWV 1048 : [Ohne Satzbezeichnung]
cello:
Ulrike Becker (Violist, cellist), Claire Pottinger and Jan Freiheit
double bass:
Harald Winkler (double bass)
viola:
Clemens Nußbaumer, Sabine Fehlandt and Anja-Regine Graewel
violin:
Kerstin Erben (violinist), Georg Kallweit and Dörte Wetzel (violinist)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1997)
recorded at:
Christuskirche (Berlin-Oberschöneweide) in Berlin, Germany (from 1997-05 until 1997-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1997)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:26
10Concerto brandebourgeois nº 3 en Sol majeur, BWV 1048 : Adagio
cello:
Ulrike Becker (Violist, cellist), Claire Pottinger and Jan Freiheit
double bass:
Harald Winkler (double bass)
viola:
Clemens Nußbaumer, Sabine Fehlandt and Anja-Regine Graewel
violin:
Kerstin Erben (violinist), Georg Kallweit and Dörte Wetzel (violinist)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1997)
recorded at:
Christuskirche (Berlin-Oberschöneweide) in Berlin, Germany (from 1997-05 until 1997-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) (in 1997)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach1:34
11Concerto brandebourgeois nº 3 en Sol majeur, BWV 1048 : Allegro
cello:
Ulrike Becker (Violist, cellist), Claire Pottinger and Jan Freiheit
double bass:
Harald Winkler (double bass)
viola:
Clemens Nußbaumer, Sabine Fehlandt and Anja-Regine Graewel
violin:
Kerstin Erben (violinist), Georg Kallweit and Dörte Wetzel (violinist)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1997)
recorded at:
Christuskirche (Berlin-Oberschöneweide) in Berlin, Germany (from 1997-05 until 1997-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1997)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach4:19
12Ouverture en Ré majeur, TWV 23:1 : Jubeloratorium für die Hamburger Admiralität
Georg Philipp Telemann6:58
13Croesus : Acte II, scène 8 : Liebe, sag', was fängst du an?
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Croesus: Act II, Scene VIII. Aria "Liebe, sag', was fängst du an" (Elmira)
composer:
Reinhard Keiser (composer)
part of:
Croesus
Reinhard Keiser4:59
14Cleopatra e Cesare : Acte II, scène 20: All'armi, al cimento
Carl Heinrich Graun3:05
15Suite Ludovicus pius (Louis le Pieux) : I. Overture
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2004)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004)
recording of:
Suite "Ludovicus Pius": I. Ouverture (in 2004)
composer:
Georg Caspar Schürmann (in 1726)
part of:
Suite "Ludovicus Pius"
Georg Caspar Schürmann6:42
16Symphonie en Fa majeur, Wq 183/3 (H.665) : Presto
Carl Philipp Emanuel Bach2:44
17Adagio & Fugue en fa mineur : Trio et adagio
Wilhelm Friedemann Bach4:12
18Symphonie en sol mineur, op. 6/6 : Allegro molto
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2002-10)
conductor:
Stephan Mai (in 2002-10)
recording of:
Sinfonia in G minor, op. 6 no. 6: III. Allegro molto (in 2002-10)
composer:
Johann Christian Bach (German composer, son of JSB)
part of:
Sinfonia in G minor, op. 6 no. 6, W. C12
Johann Christian Bach2:21

Credits

Release

part of:Century: La musique des siècles (harmonia mundi series) (number: 14) (order: 14)
ASIN:FR: B000B8N4V8 [info]

Release group

part of:Chansons de la Renaissance Century: La musique des siècles (number: 14) (order: 10)