Rock Em Stock 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Crazy Little Thing Called Love
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
acoustic guitar [acoustic rhythm guitar] and lead vocals:
Freddie Mercury (from 1979-06 until 1979-07)
bass, bass guitar, guitar and keyboard:
John Deacon (from 1979-06 until 1979-07)
drums (drum set):
Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
electric guitar and solo guitar:
Brian May (Queen guitarist) (from 1979-06 until 1979-07)
handclaps:
John Deacon (from 1979-06 until 1979-07), Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
background vocals:
Brian May (Queen guitarist) (from 1979-06 until 1979-07), Freddie Mercury (from 1979-06 until 1979-07) and Roger Taylor (Queen drummer) (from 1979-06 until 1979-07)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) and Raincloud Productions Ltd. (in 1979, in 2014)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1980-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 371)
recording of:
Crazy Little Thing Called Love (from 1979-06 until 1979-07)
lyricist and composer:
Freddie Mercury (in 1979)
publisher:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1979), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Beechwood Music Corp. (in 1979) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.45?:??
2Don’t Do Me Like That
assistant engineer:
John Mathias (engineer), Thom Panunzio, Gray Russell, Skip Saylor and Tori Swenson
engineer and mixer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
12 string guitar and guitar and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
12 string guitar, guitar and harmonica and lead vocals:
Tom Petty
bass guitar:
Ron Blair
drums (drum set) and percussion:
Stan Lynch
harmonium, organ and piano:
Benmont Tench
background vocals:
Stan Lynch and Benmont Tench
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Sound City Studios in Van Nuys, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Don’t Do Me Like That
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers4?:??
3Turn It On Again
engineer:
David Hentschel
assistant producer:
David Bascombe
producer:
Genesis (English rock band) and David Hentschel
bass guitar and guitar:
Mike Rutherford (from 1979-11 until 1979-12)
drums (drum set) and lead vocals:
Phil Collins (of Genesis) (from 1979-11 until 1979-12)
keyboard:
Tony Banks (Genesis) (from 1979-11 until 1979-12)
phonographic copyright (℗) by:
Charisma Records Ltd. (from 1980 to present) and Virgin Records Ltd. (not for release label use! for company relationships only) (from 1994 to present)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (from 1979-11 until 1979-12)
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
recording of:
Turn It On Again (from 1979-11 until 1979-12)
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Anthony Banks Ltd. (from 1980 to present) and Philip Collins Ltd. (from 1980 to present)
Genesis3.4?:??
4One Way or Another
live recording of:
One Way or Another (in 1978)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie?:??
5ElectricityOrchestral Manoeuvres in the Dark?:??
6Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.1?:??
7Guilty
recording of:
Guilty
lyricist and composer:
Sal Solo
Classix Nouveaux?:??
8Baby I Love You
assistant engineer:
Bruce Gold (Engineer)
engineer:
Larry Levine and Boris Menart
producer:
Phil Spector
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Ramones4?:??
9“Heroes”
mastering:
Dr. Toby Mountain (American musician and mastering engineer)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
mixer:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) and Tony Visconti
bass:
George Murray (American bass guitarist)
guitar:
Carlos Alomar and Robert Fripp
guitar, keyboard and saxophone and lead vocals:
David Bowie (English singer‐songwriter)
keyboard and synthesizer:
Brian Eno
percussion:
Dennis Davis (drummer)
recorded at:
Hansa by the Wall in Berlin, Germany (from 1977-07-23 until 1977-08-08)
recording of:
“Heroes” (from 1977-07-23 until 1977-08-08)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
Bewlay Bros., BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music (publisher), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers, Universal Music MGB Ltd. and Universal Music Publishing International MGB Ltd.
David Bowie3.65?:??
10Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc. and Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls?:??
11Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.9?:??
12Goodnight Tonight
acoustic guitar:
Laurence Juber (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
bass, drums (drum set), synthesizer, tambourine, vocoder and lead vocals:
Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
electric guitar:
Laurence Juber (from 1978-02-06 until 1979-02), Denny Laine (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
percussion:
Steve Holley (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
background vocals:
Steve Holley (from 1978-02-06 until 1979-02), Laurence Juber (from 1978-02-06 until 1979-02) and Paul McCartney (The Beatles) (from 1978-02-06 until 1979-02)
vocals:
Denny Laine (from 1978-02-06 until 1979-02) and Linda McCartney (from 1978-02-06 until 1979-02)
recorded at:
Rude Studio in Scotland, United Kingdom (on 1978-02-06, from 1978-12 until 1979-02)
mixed at:
Replica Studio in London (Greater London), England, United Kingdom (from 1978-01-23 until 1978-02-09)
recording of:
Goodnight Tonight (from 1978-02-06 until 1979-02)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney3.25?:??
13Johnny B. Goode
producer:
Chris Kimsey and Peter Tosh
bass:
Leebert "Gibby" Morrison
clavinet:
Peter Tosh
drums (drum set):
Carlton “Santa” Davis
guitar:
Donald Kinsey and Stevie Golding
keyboard:
Byron Allred and Peter Couch
organ:
Robbie Lyn
percussion:
Scully Sims and Uziah “Sticky” Thompson
piano:
Keith Sterling
background vocals:
Audrey Hall (Jamaican reggae singer), Pam Hall, Raymond Hall (Jamaican singer), Donald Kinsey, Dorrett Myers, Peter Tosh and Betty Wright (American soul and R&B singer)
remixer:
Jellybean (US producer John Benitez)
produced for:
Intel-Diplo Enterprises Inc and Wonderknob Ltd
cover recording of:
Johnny B. Goode
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック (Rock ’n’ Roll Music)
part of:
Back to the Future: the Musical
Peter Tosh4?:??
14Food for Thought
UB40?:??
15Pretty in Pink (movie version)
recording of:
Pretty in Pink
writer:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn and Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and EMI Songs Ltd.
The Psychedelic Furs?:??
16On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter?:??
17Show Me
producer:
Tony Visconti
recording of:
Show Me
writer:
James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
Dexys Midnight Runners4?:??
18Can, Can
recording of:
Can Can (“Bad Manners” version)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
version of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
Bad Manners?:??
2CD

Credits

Release

compiler:Luís Filipe Barros (Portuguese producer and radio show host)
copyrighted (©) by and phonographic copyright (℗) by:EMI‐Valentim de Carvalho, Música Lda. (not for release label use! this was a company, for distribution and manufacturer use only) (in 2000)
Discogs:https://www.discogs.com/release/10301054 [info]