The Ballads Collection

~ Veröffentlichung von Whitney Houston (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
4.54:31
2I Have Nothing
Techniker(in):
David Reitzas
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Mick Guzauski
Saiteninstrumente arranger:
David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1993)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Have Nothing
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Linda Thompson (American actress, lyricist)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 2)
4.24:50
3Run to You4:24
4On My Own
recording of:
Try It on My Own
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), Carole Bayer Sager, Jason Edmonds, Aleese Simmons und Nathan Walton
4:40
5Count on Me
recording engineer:
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Sologesang:
Whitney Houston und CeCe Winans
recording of:
Count on Me (Whitney Houston and CeCe Winans song)
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), Whitney Houston und Michael Houston
publisher:
Aurianna Publishing, ECAF Music, Fox Film Music Corporation (BMI-affiliated), Nippy Music Inc. und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
4:26
6Exhale (Shoop Shoop)
Produzent(in):
Kenneth “Babyface” Edmonds (R&B musician Kenny Edmonds)
Sologesang:
Whitney Houston
recording of:
Exhale (Shoop Shoop)
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
ECAF Music, Fox Film Music Corporation (BMI-affiliated) und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
4.153:25
7All the Man That I Need
cover recording of:
All the Man That I Need
Verfasser(in):
Michael Gore (composer) und Dean Pitchford
recording of:
All the Man That I Need
Verfasser(in):
Michael Gore (composer) und Dean Pitchford
3:56
8Where Do Broken Hearts Go
recording engineer und Mix:
David Frazer (engineer)
Synthesizer [synths]-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
Produzent(in):
Narada Michael Walden
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Glocken:
Preston Glass
Klavier und Synthesizer [synths]:
Frank Martin (keyboards)
Schlagzeug:
Narada Michael Walden
Hintergrundgesang:
Kitty Beethoven, Jim Gilstrap, Jennifer Hall (backing vocalist) und Nikki Harris (US singer and dancer)
Sologesang:
Whitney Houston
conductor:
Michael Gibbs
Saiteninstrumente arranger:
Michael Gibbs
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
recording of:
Where Do Broken Hearts Go
Verfasser(in):
Chuck Jackson (songwriter/producer) und Frank Wildhorn
54:37
9When You Believe
recording engineer:
Paul Boutin, Tim Boyle (recording and mixing engineer), Dana Chappelle und Don Murray (producer / engineer)
sonstige Unterstützung:
Debbi Datz‐Pyle (Aufgabe: contracted by), Sandy DeCrescent (Aufgabe: contracted by) und Ivy Skoff (Aufgabe: production coordinator)
Keyboard [keyboards]-Programmierung, Schlagzeug [drum]-Programmierung und Schlagzeug-Programmierung:
Babyface (R&B musician Kenny Edmonds)
assistierende(r) Techniker(in):
Luis Castello, Luis Castillo, Chuck Bailey Jr. (engineer), Brian Garten (Engineer), John Nelson (engineer), John Sorenson und Tom Sweeney (US engineer)
Techniker(in):
Paul Boutin, Tim Boyle (recording and mixing engineer), Dana Jon Chappelle und Don Murray (producer / engineer)
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und Ivy Skoff
assistierende(r) Mix:
E'lyk
Mix:
Jon Gass
Bass und Bassgitarre:
Nathan East
Gitarre:
Michael Thompson (session guitarist)
Keyboard:
Babyface (R&B musician Kenny Edmonds)
Klavier:
Greg Phillinganes
Low Whistle, Solo-Dudelsack, Solo-Low Whistle [low whistles] und Solo-uilleann pipes [U-Union Pipes]:
Eric Rigler
Perkussion:
Sheila E.
Schlagzeug und Schlagzeug [drums]:
Ricky Lawson
Chorgesang:
Dion Allen, Vearline Board, Lynn Davis (vocalist), Kevon Edmonds, Melvin Edmonds, Joy Enriquez, Sharlotte Gibson, Daryl Hawes, Kenya Ivey, Nathan Ivey, Tavia Ivey, Mark Kibble (US gospel singer from group Take 6), Peach (choir on "When You Believe"), Shanice, Syretha Smith (choir on "When You Believe"), Ulisa Ivey, J. Valentine, Nathan Walton und Crystal Wilson
Chorgesang [choir]:
Dion Allen, Vearline Beard, Lynn Davis (vocalist), Kevon Edmonds, Melvin Edmonds, Joy Enriquez, Sharlotte Gibson, Daryl Hawes, Kenya Ivey, Nathan Ivey, Tavia Ivey, Mark Kibble (US gospel singer from group Take 6), Lisa Ivey, Peach (choir on "When You Believe"), Shanice Wilson, Syretha Smith (choir on "When You Believe"), J. Valentine, Nathan Walton und Krystal Wilson
vocals:
Mariah Carey und Whitney Houston
Orchester:
Bill Ross (composer, orchestrator, arranger, conductor) und Gavin Greenaway
conductor:
Bill Ross (composer, orchestrator, arranger, conductor), Gavin Greenaway und Damon Thomas
chorus master:
Damon Thomas
arranger und Orchestrator(in):
Bill Ross (composer, orchestrator, arranger, conductor) und Hans Zimmer (German score composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und SKG Music L.L.C. (for copyrights use only, company associated with Dreamworks Records) (in 1998)
aufgenommen bei:
Brandon’s Way Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Brandon’s Way Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
When You Believe (The Prince of Egypt, pop version)
Texter und Komponist(in):
Stephen Schwartz (musical theatre lyricist/composer)
zusätzliche(r) Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
Cherry Lane Music Co., ECAF Music, Inc., SKG Songs und Songs of SKG
Version von:
When You Believe (The Prince of Egypt)
44:33
10Why Does It Hurt So Bad
recording engineer:
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Sologesang:
Whitney Houston
recording of:
Why Does It Hurt So Bad
Texter:
Babyface (R&B musician Kenny Edmonds)
Komponist(in):
baby face (R&B musician Kenny Edmonds)
publisher:
ECAF Music und Sony/ATV Songs LLC
Teil von:
Waiting to Exhale (1995 film)
44:37
11Saving All My Love for You
Techniker(in):
Michael Mancini und Russell Schmitt
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer), Randy Kerber und Richard Marx
Solo-Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Whitney Houston
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
cover recording of:
Saving All My Love for You
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Prince Street Music (Also known as "Prince St. Music"), Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Universal Music Corporation (France), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.53:57
12I Believe in You and Me
recording of:
I Believe in You and Me
Verfasser(in):
Sandy Linzer und David Wolfert
publisher:
Charles Koppelman Music, EMI Sosaha Music, Inc., Linz Music (US work publisher), Martin Bandier Music, R2M Music (BMI) und Songs of Lastrada (BMI-affiliated)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
4:03
13You Were Loved
recording of:
You Were Loved
Verfasser(in):
Diane Warren (US songwriter)
54:13
14Didn’t We Almost Have It All4.54:37
15One Moment in Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
4.54:46
16I’ll Be Home for Christmas
Produzent(in):
Mervyn Warren
Sologesang:
Whitney Houston
arranger:
Mervyn Warren
phonographisches Urheberrecht (℗) von:
RCA/Jive Label Group (holding company, not a release label) (in 2003)
recording of:
I’ll Be Home for Christmas
Texter:
James Kimball Gannon
zusätzliche(r) Verfasser(in):
Buck Ram
Komponist(in):
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
I’ll Be Home for Christmas
Texter:
James Kimball Gannon
zusätzliche(r) Verfasser(in):
Buck Ram
Komponist(in):
Walter Kent
publisher:
Chappell Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gannon and Kent Music Co., Piedmont Music Company, Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
33:45
17Just the Lonely Talking Again
recording engineer und Mix:
David Frazer (engineer)
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
Produzent(in):
Narada Michael Walden
Bass [electric bass]:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Perkussion:
Narada Michael Walden
Synthesizer [DX7 Vibes, synths]:
Frank Martin (keyboards)
Tenorsaxophon:
Kenny G (saxophonist)
Hintergrundgesang:
Kitty Beethoven, Jim Gilstrap, Jennifer Hall (backing vocalist) und Nikki Harris (US singer and dancer)
Sologesang:
Whitney Houston
conductor:
Michael Gibbs
Saiteninstrumente arranger:
Michael Gibbs
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
recording of:
Just the Lonely Talking Again
Texter und Komponist(in):
Sam Dees
45:34
18Until You Come Back
recording engineer:
Paul Boutin und Tommy Vicari
sonstige Unterstützung:
Ivy Skoff
Keyboard [keyboards]-Programmierung und membranophone-Programmierung:
Babyface (R&B musician Kenny Edmonds)
assistierende(r) Techniker(in):
Greg Dennen, Mark Eshelman (recording engineer) und Sue McLean
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
assistierende(r) Mix:
E'lyk
Mix:
Jon Gass
Bass:
Larry Kimpel (bassist)
Gitarre:
Michael Thompson (session guitarist)
Klavier:
Greg Phillinganes
membranophone:
Ricky Lawson
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Beverly Crowder und Shanice Wilson
Sologesang:
Whitney Houston
conductor:
Bill Meyers (pianist, composer, producer, arranger, and conductor)
Orchestrator(in):
Bill Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Brandon’s Way Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Brandon’s Way Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Until You Come Back
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Boobie and DJ Songs Inc., ECAF Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
44:53
19All at Once
Techniker(in):
Michael Mancini
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff, Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer), Randy Kerber und Richard Marx
Hintergrundgesang:
Debbie Thomas, Julia Waters, Maxine Waters und Oren Waters
Sologesang:
Whitney Houston
Herausgeber:
Prince Street Productions, Inc.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1985)
recording of:
All at Once
Verfasser(in):
Michael Masser und Jeffrey Osborne
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
44:30
20Miracle
Keyboard-Programmierung:
Donald Parks
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
Bass:
Kayo (Kevin Roberson)
Keyboard:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug:
L.A. Reid
vocals:
Whitney Houston
Perkussion [rhythm] arranger:
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
vocals arranger:
Babyface (R&B musician Kenny Edmonds), Whitney Houston und L.A. Reid
recording of:
Miracle
Verfasser(in):
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
45:42
21Do You Hear What I Hear
Assistent recording engineer:
Mark McKenna (engineer)
recording engineer:
Scott Litt (producer and engineer) und Thom Panunzio
Produzent(in):
Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Klavier:
Jai Winding (pianist, composer, vocal)
membranophone:
Richie Hayward
Perkussion:
Bobbye Hall
Hintergrundgesang:
Darlene Love und Edna Wright (R&B singer)
Saiteninstrumente und Synthesizer arranger:
Charles Judge (American guitarist, pianist, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
Arista Records LLC (holding company - file NO releases here!) (in 1995)
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Reflection Sound Studios in Charlotte, North Carolina, Vereinigte Staaten
cover recording of:
Do You Hear What I Hear?
Texter:
Noël Regney (in 1962)
Verfasser(in):
Noël Regney und Gloria Shayne Baker
Komponist(in):
Gloria Shayne Baker (in 1962)
publisher:
Blue Ribbon Music Ltd., Campbell Connelly und Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
33:32