Sound of the City

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:30
2Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:56
3Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:39
4(Keep Feeling) Fascination
produttore:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
video musicali:
(Keep Feeling) Fascination di The Human League
registrazione di:
(Keep Feeling) Fascination
autore:
Jo Callis e Philip Oakey
The Human League3.253:45
5Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
6Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.14:02
7Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.754:02
8Blue Monday
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order4:10
9Love Will Tear Us Apart
produttore:
Joy Division e Martin Hannett
basso :
Peter Hook
batteria :
Stephen Morris (New Order)
chitarra :
Bernard Albrecht
voce:
Bernard Albrecht e Ian Curtis
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1988)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (numero: 5), Q50 – December 2005 (numero: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 14), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 179)
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
10Sweet Dreams (Are Made of This)
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.23:37
11Only You
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Eric Radcliffe (UK producer / engineer / musician) e Yazoo (80s British synthpop duo, aka Yaz)
produttore aggiunto:
Daniel Miller (British music producer and founder of Mute Records)
sintetizzatore e tastiera :
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Only You
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing e Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:06
12Cool World
basso :
Paul Christie
batteria :
Gil Matthews
chitarra :
James Black (Australian guitarist and keyboard), Eric McCusker e Ross Wilson (Australian singer-songwriter, guitarist and producer)
tastiera :
James Black (Australian guitarist and keyboard)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Fable Records (nel 1980, nel 1981) e Avenue Records (Australian record label) (nel 1981)
registrazione di:
Cool World
paroliere e compositore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. e Mushroom Music Publishing
Mondo Rock3:34
13I Got You
tecnico e produttore:
David Tickle
basso :
Nigel Griggs
batteria :
Malcolm Green (UK/Australian drummer)
chitarra :
Neil Finn
percussione :
Noel Crombie
tastiera :
Tim Finn e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Neil Finn e Tim Finn
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1980) e Mushroom Records (nel 2006)
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz3.53:30
14Cars (extended Premier mix)
remixer:
Zeus B. Held (Bernd Held) (nel 1987)
remix di:
Cars di Gary Numan
registrazione di:
Cars
paroliere e compositore:
Gary Numan
autore:
Nick Hemming e Gary Numan
editore:
Beggars Banquet Music Ltd. e Momentum Music Ltd.
Gary Numan6:14
15Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.43:05
16Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:08
17Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:56
1899 Red Balloons
produttore:
Jay Faires, Tricia Holloway, Reinhold Heil (dal 1982 al 1983) e Manne Praeker (dal 1982 al 1983)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983)
registrata presso:
Spliff Studio in Berlin, Germania (dal 1982 al 1983)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 64)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena3.83:52
19Baggy Trousers
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrata presso:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1981-12-19)
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:29
20Waiting
diritti fonografici (℗) detenuti da:
Deluxe Records (Australia, 1980s) (nel 1981)
registrazione di:
Waiting
autore:
Peter Crosbie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Dugites4:33

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