Het Beste uit de Top 100 Allertijden: Editie ’93

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1How You Gonna See Me Now
leitende(r) Produzent(in):
Shep Gordon
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present)
recording of:
How You Gonna See Me Now
Texter:
Alice Cooper (the singer, active as a solo artist 1975–present) und Bernie Taupin
Komponist(in):
Alice Cooper (the singer, active as a solo artist 1975–present) und Dick Wagner
publisher:
Candlewood Mountain Music Publishing Inc., Early Frost Music Corp., Ezra Music Corp., Little Mole Music, Rouge Booze, Inc., Sony/ATV Songs LLC, Spirit One Music, Warner Bros. Music (publisher; do NOT use as release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Candlewood Mountain Music Corp. (in 1978), Ezra Music (in 1978) und Jodrell Music Inc. (in 1978)
Alice Cooper53:51
2Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:58
3Babe
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Babe
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) und Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx34:01
4Purple Rain
recording engineer:
David Rivkin (producer/engineer David Rivkin) (am 1983-08-03) und David Leonard (US producer and engineer) (am 1983-08-03)
Produzent(in):
Prince (“The Artist Formerly Known as…”) und The Revolution (founded by Prince)
Bratsche / Viola und Geige / Violine:
Novi Novog (von 1983-08-15 bis 1983-09-15)
Cello:
David Coleman (American cellist & composer) (von 1983-08-15 bis 1983-09-15) und Suzie Katayama (von 1983-08-15 bis 1983-09-15)
drum machine [Linn LM-1], elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], elektronisches Schlagzeug / E-Drums [Simmons SDS-V] und Perkussion:
Bobby Z. (am 1983-08-03)
E-Bass:
Brown Mark (am 1983-08-03)
E-Gitarre:
Wendy Melvoin (am 1983-08-03) und Prince (“The Artist Formerly Known as…”) (am 1983-08-03)
Hybrid-Piano [Yamaha CP-70]:
Dr. Fink (am 1983-08-03)
Synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-03) und Prince (“The Artist Formerly Known as…”) (am 1983-08-03)
Hintergrundgesang:
Brown Mark (am 1983-08-03), Lisa Coleman (US pianist/keyboardist & composer) (am 1983-08-03), Dr. Fink (am 1983-08-03) und Wendy Melvoin (am 1983-08-03)
Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1983-08-03)
conductor:
Lisa Coleman (US pianist/keyboardist & composer) (Saiteninstrumente) und Wendy Melvoin (Saiteninstrumente)
Interpret(in):
Prince (“The Artist Formerly Known as…”) (am 1983-08-03) und The Revolution (founded by Prince) (am 1983-08-03)
Saiteninstrumente arranger:
Lisa Coleman (US pianist/keyboardist & composer) und Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”) und The Revolution (founded by Prince)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
First Avenue in Minneapolis, Minnesota, Vereinigte Staaten (am 1983-08-03) und Sunset Sound, Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1983-09)
engineered at:
Sunset Sound, Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1983-09)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 18), Billboard Hot 100: 2026-01-17 (Nummer: 27), Billboard Hot 100: 2026-01-24 (Nummer: 30), Billboard Hot 100: 2026-01-31 (Nummer: 38), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 39), Billboard Hot 100: 2026-02-07 (Nummer: 41), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 143)
live recording of:
Purple Rain (am 1983-08-03)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
Prince4.38:42
5Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:58
6Still Loving You
recorded in:
Köln, Nordrhein-Westfalen, Deutschland (in 1984)
Techniker(in):
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) und Gerd Rautenbach
Produzent(in):
Dieter Dierks
Mix:
Mike Beiriger, Dieter Dierks und Scorpions (German rock band)
Bassgitarre:
Francis Buchholz (in 1984)
E-Gitarre:
Rudolf Schenker (in 1984)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1984) und Rudolf Schenker (in 1984)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1984)
Hintergrundgesang:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) und Rudolf Schenker (in 1984)
Sologesang:
Klaus Meine (in 1984)
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984)
aufgenommen bei:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (von 1983 bis 1984, in 1984)
recording of:
Still Loving You (in 1984)
Texter:
Klaus Meine
Komponist(in):
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN)
Scorpions4.256:27
7I Wanna Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
8Losing My Religion
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
Bass und Keyboard:
Mike Mills (R.E.M. bass player)
E-Gitarre und Mandoline:
Peter Buck (R.E.M. guitarist)
Gast-Akustikgitarre:
Peter Holsapple
Perkussion und Schlagzeug:
Bill Berry (R.E.M. drummer)
vocals:
Mike Mills (R.E.M. bass player) und Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographisches Urheberrecht (℗) von:
R.E.M./Athens Ltd. (in 1991) und R.E.M./Athens, Ltd. (in 1991)
Musikvideos:
Losing My Religion von R.E.M. (American rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 112), Indie 88: Top 500 Indie Rock Songs (Nummer: 115), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 169) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 349)
recording of:
Losing My Religion
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:28
9Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner3:24
10Broken Wings
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985) und BMG Music International (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:28
11New Year’s Day
Assistent recording engineer:
Kevin Killen
Techniker(in):
Paul Thomas (engineer)
Produzent(in):
Steve Lillywhite
Bassgitarre:
Adam Clayton
E-Gitarre und Klavier:
The Edge (U2 guitarist David Evans)
Gitarre und Sologesang:
Bono (singer of U2)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Trompete:
Kenny Fradley
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1983)
aufgenommen bei:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 427)
recording of:
New Year’s Day
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. und Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U24.45:37
12The Whole of the Moon
Produzent(in):
Mike Scott (The Waterboys)
Mix:
Mick Glossop (producer & engineer)
Bass-Synthesizer und Synthesizer:
Karl Wallinger (in 1985-05)
Gitarre und Klavier:
Mike Scott (The Waterboys) (in 1985-05)
Perkussion:
Martin Ditcham (in 1985-05)
Saxophon:
Anthony Thistlethwaite (in 1985-05)
Schlagzeug:
Chris Whitten (in 1985-05)
Trompete:
Roddy Lorimer (in 1985-05)
Hintergrundgesang:
Max Edie (in 1985-05) und Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
phonographisches Urheberrecht (℗) von:
Ensign Records Ltd. (company; do NOT use as release label) (in 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1985) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 2020)
recording of:
The Whole of the Moon (in 1985-05)
Texter und Komponist(in):
Mike Scott (The Waterboys)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
13Samba pa ti
recording of:
Samba pa ti
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana4:31
14Moonlight Shadow
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Bassgitarre:
Phil Spalding (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Maggie Reilly (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Moonlight Shadow (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield feat. Maggie Reilly3.93:34
15Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:53
16Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
2▶CD

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Discogs:https://www.discogs.com/release/987720 [Info]