Swing Street / Manilow Sings Sinatra

~ Release by Barry Manilow (see all versions of this release, 2 available)

Tracklist

1CD
#TitleRatingLength
1Swing Street
recording engineer:
Harry Maslin
assistant engineer:
Spencer Chrislu and Jay Healy
producer:
Eddie Arkin and Barry Manilow
mixer:
Michael Delugg
brass [horns]:
Bill Reichenbach (jazz trombonist), Charlie Loper (American trombonist), Gary Grant (brass) and Larry Hall (trumpet player)
guitar:
Dann Huff
keyboard:
Eddie Arkin
solo trumpet [muted trumpet]:
Jerry Hey
vocals:
Barry Manilow
brass [horns] arranger:
Eddie Arkin and Jerry Hey
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Image Recording Studios in Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Swing Street
lyricist:
Roy Freeland and Barry Manilow
composer:
Eddie Arkin
publisher:
Margarine Moon Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Somisongs and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
43:34
2Big Fun
recording engineer:
Michael Braunstein and John Van Nest
assistant engineer:
Ron Da Silva and Bruce Wildstein
producer:
Eddie Arkin and Barry Manilow
mixer:
Michael Delugg
additional percussion:
Bud Harner (executive; drummer)
brass [horns]:
Bill Reichenbach (jazz trombonist), Charlie Loper (American trombonist), Gary Grant (brass), Larry Hall (trumpet player) and Jerry Hey
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Eddie Arkin
percussion:
Alan Estes
guest background vocals:
Full Swing (one‐off trio who appeared on “Big Fun” by Barry Manilow)
vocals:
Barry Manilow
brass [horns] arranger:
Eddie Arkin and Jerry Hey
arranger:
Eddie Arkin
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Image Recording Studios in Los Angeles, California, United States and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Big Fun
lyricist:
Lorraine Feather
composer:
Eddie Arkin
publisher:
Air Edel Associates Ltd., Plume Tunes and Somisongs
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
43:55
3Stompin’ at the Savoy
recording engineer:
Harry Maslin
assistant engineer:
Spencer Chrislu and Squeak Stone
producer:
Eddie Arkin and Barry Manilow
mixer:
Michael Delugg
brass [horns]:
Bill Reichenbach (jazz trombonist), Charlie Loper (American trombonist), Gary Grant (brass), Larry Hall (trumpet player) and Jerry Hey
drums (drum set):
Vinnie Colaiuta (drummer)
keyboard:
Eddie Arkin
vocals:
Barry Manilow
brass [horns] arranger:
Eddie Arkin and Jerry Hey
arranger:
Eddie Arkin and Barry Manilow
vocals arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at and mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Stompin’ at the Savoy (with additional lyrics by Barry Manilow)
additional lyricist:
Barry Manilow
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
version of:
Stompin’ at the Savoy
32:43
4Black and Blue
recording engineer:
Michael Delugg, Harry Maslin and John Van Nest
assistant engineer:
Spencer Chrislu and Jay Healy
producer:
Eddie Arkin and Barry Manilow
mixer:
Michael Delugg
guitar:
Dann Huff
keyboard:
Eddie Arkin
percussion:
Alan Estes
soprano saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
vocals:
Phyllis Hyman and Barry Manilow
arranger:
Eddie Arkin and Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Image Recording Studios in Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
Black and Blue
lyricist:
Adrienne Anderson
composer:
Tom Kelly (songwriter) and Barry Manilow
publisher:
Denise Barry Music, Sony/ATV Tunes LLC (ASCAP), Townsway Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
44:03
5Hey Mambo
recording engineer:
Michael Delugg and Eric Schilling
additional engineer:
Michel Sauvage
assistant engineer:
Dana Horowitz (Engineer) and Teresa Verplanck (Engineer)
producer:
Eddie Arkin, Emilio and The Jerks and Barry Manilow
brass [horns]:
The Caliente Brass
solo timbales:
Tito Puente
solo trumpet:
Luis Perico Ortiz
additional background vocals:
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Eddie Arkin and Joe Galdo (US drummer & percussionist)
vocals:
August Darnell (singer, songwriter) and Barry Manilow
performer:
Kid Creole and the Coconuts
brass [horns] arranger:
Jerry Hey and Luis Perico Ortiz
percussion arranger:
Luis Perico Ortiz
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist) and Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Criteria Studios in Miami, Florida, United States and Sigma Sound Studios in Philadelphia, Pennsylvania, United States
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Hey Mambo
lyricist:
Jack Feldman and Bruce Sussman
composer:
Tom Kelly (songwriter) and Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music, Sony/ATV Tunes LLC (ASCAP) and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:55
6Summertime
recording engineer:
Michael Braunstein
synthesizer programming:
Gregg Karukas
assistant engineer:
Allen Abrahamson and Jay Healy
producer:
Barry Manilow
mixer:
Michael Delugg
double bass [bass]:
Dave Stone (bassist)
piano:
Artie Butler
tenor saxophone:
Stan Getz
vocals:
Barry Manilow and Diane Schuur
arranger:
Artie Butler and Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
44:15
7Brooklyn Blues
recording engineer:
Harry Maslin and John Van Nest
assistant engineer:
Spencer Chrislu and Squeak Stone
producer:
Eddie Arkin and Barry Manilow
mixer:
John Van Nest
flugelhorn:
Jerry Hey
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Eddie Arkin
piano and lead vocals:
Barry Manilow
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
background vocals:
Gary Falcone, Jon Joyce (vocalist) and Joe Pizzulo
performer:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
Eddie Arkin and Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at and mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Brooklyn Blues
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
45:09
8Stardust
recording engineer:
Michael Braunstein and Allen Sides
assistant engineer:
Bruce Wildstein
producer:
Eddie Arkin and Barry Manilow
mixer:
Allen Sides
bass guitar [bass]:
Marc Levine (bassist)
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
piano:
Ron Pedley
solo piano:
Barry Manilow
vocals:
Barry Manilow
performer:
Uncle Festive
arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
35:21
9Once You Were Mine
assistant engineer:
Squeak Stone and Bruce Wildstein
producer:
Eddie Arkin and Barry Manilow
mixer:
Michael Delugg
flute:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
percussion:
Alan Estes
piano:
Randy Kerber
vocals:
Barry Manilow
arranger:
Eddie Arkin and Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Once When You Were Mine
lyricist:
Adrienne Anderson
composer:
Barry Manilow
publisher:
Townsway Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
32:51
10One More Time
recording engineer:
Michael Braunstein and Ed Rak (baritone saxophone)
assistant engineer:
Rebecca Everett, Mark Germain and Bruce Wildstein
producer:
Barry Manilow
mixer:
Eric Schilling and Allen Sides
baritone saxophone:
Gerry Mulligan
bass guitar [bass]:
Marc Levine (bassist)
drums (drum set):
Bud Harner (executive; drummer)
guitar:
John Pondel
piano:
Barry Manilow and Ron Pedley
vocals:
Barry Manilow
arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (baritone saxophone) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
One More Time
lyricist:
Jack Feldman and Bruce Sussman
composer:
Tom Kelly (songwriter) and Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music, Denise Barry Music, Sony/ATV Tunes LLC (ASCAP), Townsway Music and Universal Music Careers
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
44:15
11One Man in a Spotlight
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
vocals:
Barry Manilow
conductor:
Patrick Williams (composer, arranger)
arranger:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
One Man in a Spotlight
lyricist:
Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Kobalt Music Publishing Ltd. (UK), Obbligato Music and Songs of Kobalt Music Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
30:56
12I’ve Got the World on a String
recording engineer and mixer:
Don Murray (producer / engineer)
co-producer:
Johnny Mandel (American composer and arranger)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Domanico (American bassist)
drums (drum set):
Jeffrey Hamilton (jazz drummer)
guitar:
John Chiodini
piano:
Michael Melvoin
vocals:
Barry Manilow
conductor:
Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
42:13
13The Second Time Around
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Ray Brown (jazz bassist)
drums (drum set):
Albie Berk
guitar:
Dennis Budimir
piano:
Pete Jolly (American jazz pianist, accordionist, and composer)
vocals:
Barry Manilow
conductor:
Artie Butler
arranger:
Artie Butler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
The Second Time Around
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Miller Catalog, Inc., Miller Music (publisher) and Twentieth Century Music Corp. (in 1960, in 1988)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
part of:
The 33rd Academy Award for Best Original Song (number: 2)
43:34
14Come Dance With Me / Come Fly With Me
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Berghofer (Jazz bassist)
drums (drum set):
Gregg Field (drums, producer)
electric guitar:
James Harrah (guitarist, songwriter, session musician)
guitar:
John Pisano
piano:
Thomas Rainer
vocals:
Barry Manilow
conductor:
Patrick Williams (composer, arranger)
arranger:
Patrick Williams (composer, arranger)
vocals arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Come Dance With Me / Come Fly With Me
medley of:
Come Fly With Me
medley of:
Come Dance With Me
33:00
15All the Way
recording engineer:
Don Murray (producer / engineer)
co-producer:
Johnny Mandel (American composer and arranger)
producer:
Barry Manilow and Phil Ramone
mixer:
Al Schmitt
editor:
Robert Vosgien
bass:
Charles Domanico (American bassist)
drums (drum set):
Jeffrey Hamilton (jazz drummer)
guitar:
John Chiodini
piano:
Michael Melvoin
vocals:
Barry Manilow
conductor:
Eddie Karam
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
All the Way (from “The Joker Is Wild”)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
33:42
16You Make Me Feel So Young
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Berghofer (Jazz bassist)
drums (drum set):
Gregg Field (drums, producer)
guitar:
Jim Fox (guitarist) and Paul Viapiano
piano:
Thomas Rainer
vocals:
Barry Manilow
conductor:
Don Sebesky
arranger:
Don Sebesky
vocals arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
You Make Me Feel So Young
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
43:00
17Strangers in the Night
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
additional keyboard:
Doug Besterman, PierGiorgio Bertucelli and Michael Skloff
bass:
Charles Berghofer (Jazz bassist) and John Peña (US bassist from the 00s)
double bass [bass]:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Greg Field (drums, producer)
electric bass guitar:
John Peña (bassist and guitarist)
electric guitar:
James Harrah (guitarist, songwriter, session musician)
guitar:
Dean Parks (American session guitarist) and John Pisano
piano:
Thomas Rainer and Thomas Ranier (American jazz pianist, clarinetist, composer & arranger)
lead vocals:
Barry Manilow
vocals:
Barry Manilow
conductor:
Doug Besterman
arranger and orchestrator:
Doug Besterman
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998) and Arista Records, LLC (holding company - file NO releases here!) (in 2006)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Strangers in the Night
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
33:08
18In the Wee Small Hours of the Morning
recording engineer:
Don Murray (producer / engineer)
co-producer:
Johnny Mandel (American composer and arranger)
producer:
Barry Manilow and Phil Ramone
mixer:
Al Schmitt
editor:
Robert Vosgien
bass:
Charles Domanico (American bassist)
drums (drum set):
Jeffrey Hamilton (jazz drummer)
guitar:
John Chiodini
piano:
Michael Melvoin
vocals:
Barry Manilow
conductor:
Eddie Karam
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
In the Wee Small Hours of the Morning
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
43:34
19Summer Wind
recording engineer:
Don Murray (producer / engineer)
co-producer:
Johnny Mandel (American composer and arranger)
producer:
Barry Manilow and Phil Ramone
mixer:
Al Schmitt
editor:
Robert Vosgien
bass:
Charles Domanico (American bassist)
drums (drum set):
Jeffrey Hamilton (jazz drummer)
guitar:
John Chiodini and Dean Parks (American session guitarist)
piano:
Michael Melvoin
vocals:
Barry Manilow
conductor:
Eddie Karam
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Summer Wind
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
42:45
20Saturday Night
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Berghofer (Jazz bassist)
drums (drum set):
Gregg Field (drums, producer)
electric guitar:
James Harrah (guitarist, songwriter, session musician)
guitar:
John Pisano
piano:
Thomas Rainer
vocals:
Barry Manilow
conductor:
Artie Butler
arranger:
Artie Butler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Saturday Night (Is the Loneliest Night in the Week)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC and WC Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:13
21Angel Eyes
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Berghofer (Jazz bassist)
drums (drum set):
Gregg Field (drums, producer)
guitar:
Paul Viapiano
instruments:
Jim Fox (guitarist)
piano:
Thomas Rainer
vocals:
Barry Manilow
conductor:
Don Sebesky
arranger:
Don Sebesky
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Angel Eyes (1946 jazz standard)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
44:08
22My Kind of Town (Chicago Is)
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
bass:
Charles Berghofer (Jazz bassist)
drums (drum set):
Gregg Field (drums, producer)
guitar:
Jim Fox (guitarist) and Paul Viapiano
piano:
Thomas Rainer
vocals:
Barry Manilow
conductor:
Don Sebesky
arranger:
Don Sebesky
vocals arranger:
Barry Manilow
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
My Kind of Town
dedicated to:
Chicago, Illinois, United States
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) and Van Heusen Music Corp. (in 1964)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 37th Academy Award for Best Original Song (number: 2)
33:00
23Put Your Dreams Away
recording engineer:
Don Murray (producer / engineer)
co-producer:
Johnny Mandel (American composer and arranger)
producer:
Barry Manilow and Phil Ramone
mixer:
Al Schmitt
editor:
Robert Vosgien
bass:
Charles Domanico (American bassist)
drums (drum set):
Jeffrey Hamilton (jazz drummer)
guitar:
John Chiodini
piano:
Michael Melvoin
vocals:
Barry Manilow
conductor:
Eddie Karam
arranger:
Johnny Mandel (American composer and arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
cover recording of:
Put Your Dreams Away (for Another Day)
lyricist:
Ruth Lowe and Paul Mann (German/American pianist and composer)
composer:
Stephan Weiss
publisher:
Anne-Rachel Music, Barton Music Corp., BMG Firefly, Cromwell Music, Inc. and Tro-Cromwell Music, Inc.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
31:41
24Here’s to the Man
recording engineer and mixer:
Don Murray (producer / engineer)
producer:
Barry Manilow and Phil Ramone
editor:
Robert Vosgien
vocals:
Barry Manilow
conductor:
Patrick Williams (composer, arranger)
arranger:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1998)
recorded at and mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
recording of:
Here’s to the Man
lyricist:
Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Kobalt Music Publishing Ltd. (UK), Obbligato Music and Universal Music Careers
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
32:01