Star Wars: The Ultimate Digital Collection

~ Release by John Williams (see all versions of this release, 3 available)

Annotation

Miscellaneous

In track listing from HDtracks track 23 has the title “Anakin and Padme” and track 63 has a duration of “5:51” which are however both errors.

Annotation last modified on 2016-07-04 03:52 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Episode I - Star Wars Main Title and the Arrival at Naboo
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Main Title (Star Wars) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Arrival at Naboo (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.42:56
2Episode I - Duel of The Fates
choir vocals:
London Voices (from 1999-02-05 until 1999-02-18)
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-18)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-18)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
44:14
3Episode I - Anakin’s Theme
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin’s Theme (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
2.753:09
4Episode I - Jar Jar’s Introduction and the Swim to Otoh Gunga
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Jar Jar’s Introduction / The Swim to Otoh Gunga (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.655:08
5Episode I - The Sith Spacecraft and the Droid Battle
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Sith Spacecraft / The Droid Battle (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.152:37
6Episode I - The Trip to the Naboo Temple and the Audience with Boss Nass
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Trip to the Naboo Temple / The Audience With Boss Nass (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:07
7Episode I - The Arrival at Tatooine and the Flag Parade
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Arrival at Tatooine (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
recording of:
The Flag Parade (Star Wars, Episode 1: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars: The Phantom Menace - Suite for Orchestra
3.154:04
8Episode I - He Is the Chosen One
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
He Is the Chosen One (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:53
9Episode I - Anakin Defeats Sebulba
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Anakin Defeats Sebulba (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:24
10Episode I - Passage Through the Planet Core
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Passage Through the Planet Core (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.254:40
11Episode I - Watto’s Deal and Kids at Play
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Watto’s Deal / Kids at Play (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
34:57
12Episode I - Panaka and the Queen’s Protectors
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Panaka and the Queen’s Protectors (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:24
13Episode I - Queen Amidala and the Naboo Palace
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Queen Amidala / The Naboo Palace (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
2.754:52
14Episode I - The Droid Invasion and the Appearance of Darth Maul
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The Droid Invasion / The Appearance of Darth Maul (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.45:14
15Episode I - Qui-Gon’s Noble End
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Qui-Gon’s Noble End (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
33:48
16Episode I - The High Council Meeting and Qui-Gon’s Funeral
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
The High Council Meeting / Qui-Gon’s Funeral (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.253:09
17Episode I - Augie’s Great Municipal Band and End Credits
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer and conductor) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Augie’s Great Municipal Band / End Credits (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
End Title (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
3.259:40
18Episode II - Star Wars Main Title and Ambush on Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Ambush on Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
recording of:
Main Title (Star Wars) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
3.153:48
19Episode II - Across the Stars (Love Theme from Star Wars Episode II)
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.655:33
20Episode II - Zam the Assassin and the Chase Through Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Zam the Assassin / The Chase Through Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.2511:07
21Episode II - Yoda and the Younglings
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Yoda and the Younglings (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
33:55
22Episode II - Departing Coruscant
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Departing Coruscant (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.51:45
23Episode II - Anakin and Padmé
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Anakin and Padmé (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.253:56
24Episode II - Jango’s Escape
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Jango’s Escape (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.953:48
25Episode II - The Meadow Picnic
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
The Meadow Picnic (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.754:14
26Episode II - Bounty Hunter’s Pursuit
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Bounty Hunter's Pursuit (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
33:23
27Episode II - Return to Tatooine
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Return to Tatooine (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.756:57
28Episode II - The Tusken Camp and the Homestead
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
The Tusken Camp / The Homestead (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
2.255:55
29Episode II - Love Pledge and the Arena
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Love Pledge / The Arena (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.48:29
30Episode II - Confrontation with Count Dooku and Finale
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer and conductor) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Confrontation With Count Dooku / Finale (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
quotes music from:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme)
quotes music from:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme)
quotes music from:
End Title (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
3.2510:44
31Episode III - Star Wars and the Revenge of the Sith
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Revenge of the Sith
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.47:31
32Episode III - Anakin’s Dream
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dream (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.154:46
33Episode III - Battle of the Heroes
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Battle of the Heroes (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.53:42
34Episode III - Anakin’s Betrayal
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Betrayal (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.654:04
35Episode III - General Grievous
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
General Grievous (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.94:07
36Episode III - Palpatine’s Teachings
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Palpatine’s Teachings (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.355:25
37Episode III - Grievous and the Droids
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Grievous and the Droids (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
33:28
38Episode III - Padme’s Ruminations
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Padmé’s Ruminations (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.253:16
39Episode III - Anakin vs. Obi-Wan
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin vs. Obi-Wan
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.53:57
40Episode III - Anakin’s Dark Deeds
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
34:05
41Episode III - Enter Lord Vader
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Enter Lord Vader (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.74:14
42Episode III - The Immolation Scene
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Immolation Scene (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.52:42
43Episode III - Grievous Speaks to Lord Sidious
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Grievous Speaks to Lord Sidious (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.752:49
44Episode III - The Birth of the Twins and Padme’s Destiny
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Birth of the Twins / Padmé’s Destiny (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
2.93:37
45Episode III - A New Hope and End Credits
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
A New Hope / End Credits (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer and conductor)
quotes music from:
End Title (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
3.2513:06
46Episode IV - Main Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
55:25
47Episode IV - Imperial Attack
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Imperial Attack, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Imperial Attack, Part 2 (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
6:19
48Episode IV - Princess Leia’s Theme
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas and Tom Null
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16) and Abravanel Hall in Salt Lake City, Utah, United States (from 1983-06-21 until 1983-06-22)
recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2.754:24
49Episode IV - The Desert and the Robot Auction
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Desert (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Robot Auction (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:55
50Episode IV - Ben’s Death and TIE Fighter Attack
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Ben’s Death (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
3:52
51Episode IV - The Little People Work
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Little People Work (Star Wars)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:06
52Episode IV - Rescue of the Princess
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Chasm Crossfire (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Shootout in the Cell Bay (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:50
53Episode IV - Inner City
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Tales of a Jedi Knight, Part 1 (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Death Star (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
partial recording of:
The Millennium Falcon (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:16
54Episode IV - Cantina Band
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer and conductor) (from 1977-03-05 until 1977-03-16)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Cantina Band (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
3.92:48
55Episode IV - The Land of the Sandpeople
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Attack of the Sand People (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music, Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Landspeeder Search (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:53
56Episode IV - Mouse Robot and Blasting Off
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Blasting Off (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bregman, Vocco & Conn, Inc., Fox Fanfare Music Inc., Muziekuitgeverij Artemis B.V. and WC Music Corp.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Mouse Robot (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:04
57Episode IV - The Return Home
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Return Home (Star Wars)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
2:49
58Episode IV - The Walls Converge
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Dianoga (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Trash Compactor (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:35
59Episode IV - The Princess Appears
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Binary Sunset (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
revision of:
Binary Sunset (alternate) (Star Wars archival bonus track)
recording of:
The Hologram (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
4:07
60Episode IV - The Last Battle
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
compilation of:
The Last Battle, Part 1 by John Williams (American score composer and conductor) and The Last Battle, Part 2 by John Williams (American score composer and conductor)
recording of:
Detention Block Ambush (Star Wars, Episode IV: A New Hope)
orchestrator:
Al Woodbury
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Tractor Beam (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Use the Force (Star Wars, Episode IV: A New Hope)
orchestrator:
Angela Morley
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc. and Muziekuitgeverij Artemis B.V.
sub-publisher:
Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
X-Wings Draw Fire (Star Wars, Episode IV: A New Hope)
orchestrator:
Arthur Morton
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
12:09
61Episode IV - The Throne Room and End Title
sound engineer:
Eric A. Tomlinson (British recording engineer)
producer:
George Lucas
mixer:
John Neal (engineer)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Universal Music Publishing MGB Mexico SA de CV and Warner Chappell Music México
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
The Throne Room (Star Wars, Episode IV: A New Hope)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
Throne Room / Finale (Star Wars, published suite with extensions)
composer:
John Williams (American score composer and conductor)
is based on:
End Title (Star Wars, Episode IV: A New Hope)
is based on:
The Throne Room (Star Wars, Episode IV: A New Hope)
5:29
62Episode V - Star Wars (Main Theme)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
partial recording of:
Mynock Cave (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partial recording of:
The Ice Planet Hoth (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
55:51
63Episode V - Yoda’s Theme
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.153:31
64Episode V - The Training of a Jedi Knight
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Luke’s Nocturnal Visitor (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partial recording of:
The Training of a Jedi Knight (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:09
65Episode V - The Heroics of Luke and Han
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-19)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-19)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Escape in the Millennium Falcon (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
partial recording of:
The Wampa’s Lair (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
5:57
66Episode V - The Imperial March (Darth Vader’s Theme)
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4.153:05
67Episode V - Departure of Boba Fett
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-19)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-19)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Departure of Boba Fett (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:10
68Episode V - Han Solo and the Princess
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Han Solo and the Princess (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.753:30
69Episode V - Hyperspace
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Hyperspace (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4:05
70Episode V - The Battle in the Snow
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Battle in the Snow (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:51
71Episode V - The Asteroid Field
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Asteroid Field (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.254:16
72Episode V - The City in the Clouds
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
City in the Clouds (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
Jedi Master Revealed (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
6:34
73Episode V - Rebels at Bay
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
partial recording of:
Beneath the AT-AT (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Fred Steiner
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
Snowspeeders Take Flight (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
5:27
74Episode V - Yoda and the Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3.24:07
75Episode V - The Duel
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Duel (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Angela Morley
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
4:07
76Episode V - The Magic Tree
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
The Magic Tree (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:36
77Episode V - Lando’s Palace
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer and conductor) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Lando’s Palace (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
2.53:57
78Episode V - Finale
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
End Title (Star Wars, Episode V: The Empire Strikes Back)
composer:
John Williams (American score composer and conductor)
quotes music from:
End Title (Star Wars, Episode IV: A New Hope)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
recording of:
The Rebel Fleet (Star Wars, Episode V: The Empire Strikes Back)
orchestrator:
Angela Morley
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
6:30
79Episode VI - Main Title (The Story Continues)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Approaching the Death Star (Star Wars, Episode VI: Return of the Jedi)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Main Title (Star Wars)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
5:14
80Episode VI - Into the Trap
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Into the Trap (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:41
81Episode VI - Luke and Leia
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
publisher:
Fox Fanfare Music Inc.
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
24:51
82Episode VI - Parade of the Ewoks
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Parade of the Ewoks (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
23:28
83Episode VI - Han Solo Returns (At the Court of Jabba the Hutt)
recording engineer:
Lionel Newman and Eric A. Tomlinson (British recording engineer)
producer:
John Williams (American score composer and conductor)
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer and conductor)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Han Solo Returns (Star Wars, Episode VI: The Return of the Jedi)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
4:14
84Episode VI - Lapti Nek (Jabba’s Palace Band)
instruments and performer:
Jabba’s Palace Band
lead vocals [Sy Snootles]:
Michele Gruska
arranger:
Ernie Fosellius, John Williams (American score composer and conductor) and Joseph Williams (vocalist for Toto, son of composer John Williams)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Lapti Nek (Star Wars, Episode VI: Return of the Jedi)
lyricist:
Annie M. Arbogast
composer:
John Williams (American score composer and conductor)
publisher:
Bantha Music
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:54
85Episode VI - The Forest Battle
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1983-01-17 until 1983-02-10)
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Forest Battle (Star Wars, Episode VI: Return of the Jedi) (from 1983-01-17 until 1983-02-10)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2.254:08
86Episode VI - Rebel Briefing
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Rebel Briefing (Star Wars, Episode VI: The Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:26
87Episode VI - The Emperor
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Emperor (Star Wars, Episode VI: The Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
2:46
88Episode VI - The Return of the Jedi
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
The Return of the Jedi (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
revision of:
Sail Barge Assault (alternate) (Star Wars, Episode VI: Return of the Jedi)
5:07
89Episode VI - Ewok Celebration and Finale
orchestra:
London Symphony Orchestra (from 1983-01-17 until 1983-02-10)
conductor:
John Williams (American score composer and conductor) (from 1983-01-17 until 1983-02-10)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-01-17 until 1983-02-10)
recording of:
Ewok Celebration
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Finale (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
8:04