De Pre Historie 1967, Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1MassachusettsBee Gees32:23
2Inch Allah
voce:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
direttore d'orchestra:
Alain Goraguer
registrazione di:
Inch’ Allah (italian lyrics)
paroliere e compositore:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
versione tradotta di:
Inch’Allah (original french lyrics)
Adamo4:46
3Excerpt From a Teenage Opera
registrazione di:
Theme From “A Teenage Opera”
paroliere e compositore:
Keith Hopkins e Mark Wirtz
Keith West4:40
4There's a Kind of Hush
tecnico:
Dave Siddle (engineer)
produttore:
Mickie Most (English record producer)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1966-12-07)
registrazione cover di:
There’s a Kind of Hush (il 1966-12-07)
paroliere e compositore:
Les Reed e Geoff Stephens
editore:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Herman’s Hermits4.52:34
5San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
6Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
7Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
Diana Ross & The Supremes2:51
8The Beat Goes On
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Sonny Bono
direttore d'orchestra:
Harold Battiste
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967)
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Beat Goes On (nel 1967)
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:27
9Pata Pata
produttore:
Jerry Ragovoy
arrangiatore:
Jerry Ragovoy
registrazione di:
Pata Pata (nel 1967-05)
autore:
Myriam Makeba (South African singer-songwriter) e Jerry Ragovoy
Miriam Makeba43:00
10Release Me
Engelbert Humperdinck3:19
11A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:00
12Ode to Billy Joe
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1967)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 412)
registrazione di:
Ode to Billie Joe (nel 1967-03)
paroliere e compositore:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
editore:
Larry Shayne Music, Inc. e Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:16
13Standing in the Shadows of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966)
registrazione di:
Standing in the Shadows of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Ltd
Four Tops52:34
14Move
Jess & James3:53
15I'm a Man
The Spencer Davis Group2:51
16Carrie Anne
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967) e The Hollies Ltd. (nel 1967)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-01)
registrazione di:
Carrie Anne (il 1967-05-01)
paroliere e compositore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
PolyGram Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:54
17Zabadak
registrazione di:
Zabadak
compositore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:49
18From the Underworld
Herd & Burns3:16
19Hi-Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:51
20Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.552:58

Accreditamenti

Pubblicazione

compilatore:Guy De Pré (Belgian radio DJ)
Discogs:https://www.discogs.com/release/694554 [info]

Gruppo di pubblicazioni

compresa in:De Pre Historie 200 Original Hits 1960-1969
parte di:De Pre Historie (series of releases based on the Belgian radio show “De Pre Historie”) (numero: 1967.1) (ordine: 35)