All Star Smash Hits (club edition)

~ Veröffentlichung von Smash Mouth (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
4.63:21
2Walkin’ on the Sun
Sologesang:
Steve Harwell
Musikvideos:
Walkin’ on the Sun von Smash Mouth (US rock band from San Jose, CA)
recording of:
Walkin’ on the Sun
publisher:
Smash Mouth (US rock band from San Jose, CA)
Verfasser(in):
Smash Mouth (US rock band from San Jose, CA)
4.153:26
3Flo
recording of:
Flo
publisher:
Smash Mouth (US rock band from San Jose, CA)
Verfasser(in):
Smash Mouth (US rock band from San Jose, CA)
3.62:12
4Beer Goggles
recording of:
Beer Goggles
publisher:
Smash Mouth (US rock band from San Jose, CA)
Verfasser(in):
Smash Mouth (US rock band from San Jose, CA)
3.52:01
5Why Can’t We Be Friends
cover recording of:
Why Can’t We Be Friends?
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
4.254:46
6Diggin’ Your Scene
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bass:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
membranophone:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Sologesang:
Steve Harwell
recording of:
Diggin' Your Scene
Verfasser(in):
Greg Camp
publisher:
Squish Moth Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2.353:09
7Waste
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bass:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
membranophone:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
recording of:
Waste
Verfasser(in):
Greg Camp
publisher:
Squish Moth Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
23:25
8Then the Morning Comes
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bass:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
membranophone:
Kevin Coleman
xylophone:
Dana Pfeffer
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
recording of:
Then the Morning Comes
Verfasser(in):
John Barry (English score composer) und Greg Camp
publisher:
Sony/ATV Songs LLC, Squish Moth Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
33:01
9Come On Come On
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bass:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
membranophone:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
recording of:
Come On Come On
Verfasser(in):
Greg Camp und Steve Harwell
3.652:32
10Can’t Get Enough of You Baby
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bass:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei und engineered at:
H.O.S. in Redwood City, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Can’t Get Enough of You Baby
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
3EB Publishing, Cappagh Hill Music, Careers–BMG Music Publishing, Inc., EMI Longitude Music, Linz Music (US work publisher), Longitude Music Co., Randsong Music, Saturday Music, Inc. und Seasons Four Music Corp.
42:31
11Every Word Means No
recording of:
Every Word Means No
publisher:
Smash Mouth (US rock band from San Jose, CA)
Texter und Komponist(in):
Mitch Easter
12:46
12Better Do It Right
recording engineer, Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2000)
aufgenommen bei und mixed at:
H.O.S. in Redwood City, California (Kalifornien), Vereinigte Staaten
recording of:
Better Do It Right
Verfasser(in):
Greg Camp
1.53:11
13Do It Again
cover recording of:
Do It Again
Verfasser(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) und Wingate Music Corp.
13:56
14Holiday in My Head
recording of:
Holiday in My Head
2.52:41
15Pacific Coast Party
recording of:
Pacific Coast Party
3.52:59
16I’m a Believer
Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
cover recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
4.253:03
17Ain’t No Mystery
Assistent recording engineer und assistierende(r) Mix:
Marco Martin
recording engineer und Mix:
Krish Sharma
Produzent(in):
Smash Mouth (US rock band from San Jose, CA)
aufgenommen bei und mixed at:
Studio 880 in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Ain’t No Mystery
13:57
18Hang On
recording of:
Hang On (by "Smash Mouth")
2.352:54
19Always Gets Her Way
recording of:
Always Gets Her Way
2.353:13
20Getting Better
cover recording of:
Getting Better
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
recording of:
Getting Better
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
12:23

Nennungen

Veröffentlichung

vertrieben von:Universal Music & Video Distribution, Corp. (not for release label use! distributor/manufacturer fka Universal Music & Video Distribution, Inc., renamed as Universal Music Group Distribution in 2006)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Interscope Records (part of UMG Recordings, Inc.) (in 2005)
hergestellt für:BMG Direct (BMG’s direct marketing company/club editions)
Discogs:https://www.discogs.com/release/4879201 [Info]