St. John Passion, BWV 245

~ Release by Johann Sebastian Bach; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 3 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Johannes‐Passion, BWV 245: Teil II no. 27 “Die Kriegsknechte aber” (Evangelista, Chorus, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:27
2Johannes‐Passion, BWV 245: Teil II no. 28 Choral “Er nahm alles wohl in acht”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1996-03)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:20
3Johannes‐Passion, BWV 245: Teil II no. 29 “Und von Stund an” (Evangelista, Jesus)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals [Jesus]:
Matthias Goerne (baritone) (in 1996-03)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:43
4Johannes‐Passion, BWV 245: Teil II no. 30 Aria (Alt) “Es ist vollbracht”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:05
5Johannes‐Passion, BWV 245: Teil II no. 31 “Und neiget sein Haupt” (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:29
6Johannes‐Passion, BWV 245: Teil II no. 32 Aria (Bass, Chorus) “Mein teurer Heiland, laß dich fragen”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:04
7Johannes‐Passion, BWV 245: Teil II no. 33 “Und siehe da, der Vorhang” (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:31
8Johannes‐Passion, BWV 245: Teil II no. 34 Arioso (Tenor) “Mein Herz, in dem die ganze Welt”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach0:58
9Johannes‐Passion, BWV 245: Teil II no. 35 Aria (Sopran) “Zerfließe, mein Herze”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:16
10Johannes‐Passion, BWV 245: Teil II no. 36 “Die Juden aber” (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:40
11Johannes‐Passion, BWV 245: Teil II no. 37 Choral “O hilf, Christe, Gottes Sohn”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1996-03)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach1:11
12Johannes‐Passion, BWV 245: Teil II no. 38 “Darnach bat Pilatum” (Evangelista)
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals [Evangelist]:
Michael Schade (tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:31
13Johannes‐Passion, BWV 245: Teil II no. 39 Chorus “Ruht wohl, ihr heiligen Gebeine”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:29
14Johannes‐Passion, BWV 245: Teil II no. 40 Choral “Ach Herr, laß dein lieb Engelein”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1996-03)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach2:11
15Johannes‐Passion, BWV 245 no. 1/II Choral “O Mensch, bewein dein Sünde groß”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Choral "O Mensch, bewein dein Sünde groß" (1725 revision) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach6:36
16Johannes‐Passion, BWV 245 no. 11/II Aria (Bass, Sopran, Chorus) & Choral “Himmel, reiße, Welt erhebe”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (in 1996-03)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
soprano vocals:
Juliane Banse (soprano) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:22
17Johannes‐Passion, BWV 245 no. 13/II Aria (Tenor) “Zerschmettert mich”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245b: Teil I. No. 13 Aria (Tenor) "Zerschmettert mich" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:40
18Johannes‐Passion, BWV 245 no. 19/II Aria (Tenor) “Ach, windet euch nicht so”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
tenor vocals:
James Taylor (operatic tenor) (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245c: Teil II. No. 19 Aria (Tenor) "Ach, windet euch nicht so" (1725 revision) (in 1996-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach5:35
19Johannes‐Passion, BWV 245 no. 40/II Chorus “Christe, du Lamm Gottes”
recording engineer:
Teije van Geest (engineer/producer) (in 1996-03)
producer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1996-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1996-03)
conductor:
Helmuth Rilling (conductor) (in 1996-03)
phonographic copyright (℗) by:
Hänssler Verlag GmbH (in 1996)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1996-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Chorus "Christe, du Lamm Gottes" (1725 revision) (in 1996-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245.2 (1725 revision)
Johann Sebastian Bach4:54

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 85–86) (order: 78)